analogstrings

Analog Strings from Output melds string orchestras, string synths

There are string synths. And then there are sample libraries of orchestras. The strings synths produce sounds that are recognizably vintage, and more or less unrelated to actual orchestras. The sample libraries can get into obsessive compulsive detail and sound like an orchestra. But either way, we’ve been there before. There are great string synths around, but they tend a certain direction. And sampled orchestra libraries, while great, give you that feeling that what you’ve really done is to skimp the musicians of the Bratislava Radio Orchestra on a gig (and your feeling of being in the room with a …

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The overview screen, for navigating - some overtones of both Kai's software from the 90s and the better stuff from Apple (Sculpture).

Substance is a new software approach to every kind of bass

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making enormous bass things out of other already pretty-large bass things. And it represents a nice latest chapter in what the boutique software developer has been doing with sound design

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Sidechaining is a big part of Movement -- for using another signal to transform effects.

Movement is a do-everything, musical rhythmic effect

Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.

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You’re Doing it Backwards: REV Builds Sound Library Around Reversing Stuff

Soundware remains a massive market. Products fall in the CDM inbox daily. There’s just not so much to talk about – even when the quality is exceptional. There are good products out there, and sampled libraries are especially essential for anyone working on tight deadlines – no matter the joy of recording material, anyone working for markets like TV or film likely needs some assistance satisfying clients in a hurry. It’s just that there’s so much out there, there isn’t always a story. Output is a new sound house out of Los Angeles that found a way to tell a …

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iPad 2 Goes Native: 1920×1200 Output with Thicket; Devs, How to Add This To Your Apps

Joshue Ott, media artist and designer and the visual developer of Thicket for iOS, joins us for a special guest post. First, he shows off the ability of the iPad 2 for full-blown, better-than 1080p HD output, at native 1920×1200. For developers, he also demonstrates how to get the same results. Why does this matter? Tablets achieving desktop-like output means they could work as ultra-portable live visual performance instruments. If we can finally start to see HDMI mixers, a tablet could join a computer onstage as a visual instrument. And lastly, this kind of high-quality output means wonderful things for …

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Mobile Motion: iPad VGA Output Explained, Live in an App

Apple’s iPad-to-VGA Dock Connector adapter hasn’t exactly been a home run for consumer end users, who have been disappointed to discover that applications don’t mirror to the output automatically and DRM-ed content won’t play. That has caused the device’s ratings to plummet on the Apple Store, and Engadget had this to say: Apple iPad Dock Connector to VGA Adapter not accomplishing the simplest of tasks But for visualists, it’s something beautiful: it turns the iPad into a usable visual performance device. And even if you’re not a fan of the iPad, this is reason for hope: it sends a clear …

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