Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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Volnovod is a robot sculpture that uses wire to make sound visually

Muscovite sound artist slash mad scientist vtol (aka Dmitry Morozov) has been at it yet again. This time, inspiration struck when his iPod earbuds tangled. (Good thing he hadn’t upgraded to wireless!) And the result was a new visual interface for music, embodied as kinetic sculpture. Volnovod, sounding for all the world like a long lost Soviet lunar probe (or, um, sounding like “waveguide” if you happen to speak Russian), is an installation / controller / instrument built on the idea. And it comes from the artist just as he’s fresh off a rich Berlin exhibition full of ingenious inventions. …

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New tools for free sound powerhouse Pd make it worth a new look

Pure Data, the free and open source cousin of Max, can still learn some new tricks. And that’s important – because there’s nothing that does quite what it does, with a free, visual desktop interface, permissive license, and embeddable and mobile versions integrated with other software, free and commercial alike. A community of some of its most dedicated developers and artists met late last year in the NYC area. What transpired offers a glimpse of how this twenty-year-old program might enter a new chapter – and some nice tools you can use right now. To walk us through, attendee Max …

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Two videos show why the Make Noise 0-COAST modular is cool

2016 was the year when people said, hey, I want to get in on some of that modular goodness, but … maybe I don’t want to buy a rack and spend thousands of dollars to do that. So it’s great to finally see desktop semi-modular becoming a thing – and an affordable thing at that. There’s the best note entrant, Moog’s excellent Mother 32. But I also like the much odder, but still affordable Make Noise 0-COAST (that’s a zero, not the letter o). It’s got a far more idiosyncratic front panel, but that shouldn’t put you off: it’s still …

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Reaktor adds Ableton Link, for software patches or hardware modular

Native Instruments’ Reaktor is the latest tool to add Ableton Link support – and as before, each time you add a new tool, Link gets way more useful. Ableton Link is already opening up jams in DIY software, including Max/MSP, Max for Live, and Pure Data. Reaktor joining the party means not only will DIY patchers reap the benefits, but anyone exploring Reaktor Blocks or fun toys they downloaded from the User Library or anything else can have fun, too. And this essentially brings Link into the virtual modular world. Reaktor Blocks is fun to use for just about anyone, …

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Skinnerbox’s free M4L Device is the MIDI curve Ableton forgot

Ableton Loop in its second year was a vastly expanded event, with more people, more interactions, and a greater sense of community. And it was more hands-on. The workshop with Skinnerbox, the duo that makes such robust use of Live, well, live, was overflowing. But now there’s a gift for everybody, not just those lucky enough to pack into the Berlin session. It’s simple, but that makes it handy to learn from. And it’s quite useful. (I like stuff like that for learning patching for the first time. Sometimes you need a screwdriver, not a CNC machine.) Curve does what …

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Free jazz – how to use Ableton Link sync with Pure Data patches

Effortless wireless sync everywhere has arrived with free software, too, thanks to Ableton’s new open source SDK. And it’s incredibly easy – enough so that anyone with even rudimentary patching skills will probably want to try this out. Pure Data, the free and open source cousin of Max/MSP, looks ugly but does great stuff. And it’s worth checking out even if you use Max, because Pd is lightweight and runs on any platform – including Linux, Raspberry Pi, iOS, Android, and inside other software (like game engines). Now that it supports Link, you can make patches that run anywhere and …

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There’s a new way to make your iPhone run any Pd patch, free

You’ve got an instrument or effect running in Pure Data, for free, on your computer. (If you don’t know how to do that, more in a moment.) Leave the computer at home. Play that sound creation on your iPhone (or iPad). The implementation of Pd on iOS and Android started its life with RjDj. But PdParty (and PdDroidParty before it) have gone steadily further. Now you can almost treat the graphical patching environment Pd on the computer as your development environment – patch away on your computer, then duplicate that patch complete with UI on your phone. It also means …

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Slow is a super long reverb delay from Tim Exile and it’s free

Well, if you’re on a tight deadline for delivering an ambient/experimental/IDM album, and you’re totally out of money (and even possibly ideas), good news. You’re saved. Tim Exile just released S L O W, for free. To those who don’t know him, Mr. Exile is a professional mad scientist specializing in Reaktor engineering, virtuoso laptop musicinator, electronica personality, and man about town. Tim’s exploits are widely known and buzzed about among nerds and sonic weirdos, but since they won’t reach everyone’s ears that way, he also has a mailing list. Signing up for said mailing list is your key to …

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Andrew Quinn / Nikolay Popov AV performance.

How one community was mapping the future of visuals this summer

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker events emphasize something else: craft. This summer seemed a particularly historic moment for not one but two tools – each of them built by small teams who make art themselves. We already covered the Berlin gathering for Isadora, the visual performance tool that has rich …

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