clapmachine

Get a Free All-Clap Plug-in for Mac or Windows

Clap your hands say clap! And the holiday gifts keep coming. Next up: an all-clapping plug-in. Yes, Clap Machine does just what it says: it makes claps. Think four octaves of them, even, all very natural-sounding. Now, at first this is the sound of one hand clapping – okay, two hands clapping. You’ll probably want to use multiple notes to get more. (It’s actually a shame there isn’t a control for that, but … well, you’ll figure it out. I might actually whip up a quick Max for Live device to use single inputs from a step sequencer but generate …

READ MORE →
K2

Pianoteq 5 Improves Piano Modeling, Without Eating Up Your Hard Drive

If you want a fake piano, you can have a fake piano. You can have increasingly-good models and samples in hardware, but you can really get a fake piano on your computer. You can buy entire hard drives just to store the gigabytes of samples. You can load massive instances of Kontakt with different recorded sounds for every note, every articulation. You can have new pianos, old pianos, countless Steinway samples. You can even have a ridiculously-tall upright. Or, you can have Pianoteq. Whereas others gobble hard drive space, Pianoteq uses sophisticated modeling techniques that skip the samples, meaning it …

READ MORE →
analogdrumandbass

Drum and Bass, Made Analog, with Robots: Watch

What if Drum and Bass had been invented before computers, all with analog gear? And what if the drums were played by robots? Watch the video – it’s real. It’s real-time.

READ MORE →

Learn How Pantha Du Prince Combines Acoustic Instruments with Ableton Live, In C

Before triggering clips and samples on the computer, Pantha du Prince and The Bell Laboratory “trigger” the musicians. Yes, before there were machine clips, there were human patterns, and in performing Terry Riley’s legendary classical new music composition “In C,” the ensemble has to do just that. In a beautiful chorus of chiming tones, that orchestra is augmented with digital embellishment. The result makes for a live performance that expands the role of the computer into a large-scale instrumental ensemble, venturing into territory perhaps not as often associated with Ableton Live as genres like dance music are. But Ableton has …

READ MORE →

Drumactica Augments Percussion with Gestures, Ice Cube Trays; Here’s How it Was Done

Bacon and eggs on a drum snare? Hands-through-the-air gestural control with Leap Motion? Water pianos in ice trays and a hacked Makey Makey, all talking to Ableton Live? Drumactica has a little bit of everything. London-based percussionist Dr. Enrico Bertelli shares with us how he “augmented” percussion for his latest project – with all the details – for a guest post on CDM. Just make sure to give due respect to John Cage.) -Ed. Drumactica 2.0 is a solo, augmented percussion set up, created for Hack the Barbican, London. The piece is about the creative bond between the desire to …

READ MORE →
80s Roland engineers never imagined ... this. Welcome to the age of the Real. Photo: Jürgen Lösel.

A Robotic, Physical 808 Machine Advances Weird Science of Music, Tech Alike

So, you’re really hot stuff now that you’ve got a vintage Roland TR-808, huh? Ready to have your pride taken down a few notches? If you haven’t seen it, have a look at this. The MR-808 is a “real-world” replica of the Roland sounds. And when people throw around buzzwords like “post-digital” to try to describe the spirit of the age in which we live, this is what they’re trying to get at. In some sense, this creation is a tribute to the 808’s minimalism and essential design. And this is still a creation of the digital realm. The robots …

READ MORE →

Or, Download a Free Ableton Live Pack Made By a Cat

In speaking about iPad apps this week, I mentioned the possibility of music made by cats. And, of course, today we look at the possibility of going inside Machinedrum’s musical technique. So, it’s only appropriate to offer you the opportunity to produce music with a sonic toolbox … developed by a cat. (Apologies, Mr. Stewart and Mr. Eno.) AfroDJMac writes: I was reading your post on Brian Eno and the blurb about cats making music, and I have something kind of relevant. I just put out Free Ableton Rack #65, which features my cat playing a rubberband, recorded with a …

READ MORE →

Playing Live, Dangerously: Mouse on Mars as Augmented Band [Video]

When it comes to live performance, this might be the year of living dangerously. There’s not one answer to the question of how to play live, but as we consider the possibilities – and the risks of playing live – Mouse on Mars is one terrific case study. Jan St. Werner and Andi Toma are joined by drummer/vocalist Dodo Nkishi. Since part of their setup is playing live as in Ableton Live, Ableton shot a video mini-documentary of their performance rig earlier this year. It’s an intensive setup, but you might just glean some ideas for how you play live. …

READ MORE →
haale

The Mast’s UpUpUp, with Stunning Music Video and New EP, a Must-Hear Track

Touring as Haale in 2009, The Mast’s vocalist Haale Gafori. Photo (CC-BY-SA) Sean Richardson. We watch an exquisite music video on Create Digital Motion today for The Mast’s recent single “UpUpUp,” so it’s only right to call attention to this terrific New York-based duo. Combining acrobatic percussionist Matt Kilmer with skilled and silken-voiced composer/singer Haale Gafori (she also directs that stellar video), the two continue to please as “The Mast.” Beatport called the single, released at the end of May, “must-listen,” and I won’t argue. The full EP is worth a listen, with remixes contributed by a nice roster of …

READ MORE →

Feeling Sound, Physically: ‘Touch the Sound’ Documents Deaf Percussionist

What is sound? What does it mean, and why does it matter? It’s never too fundamental, too basic a question to ask ourselves again when we make music. So, I’ll leave this trailer otherwise largely without comment, except to say, it’s well worth watching (or re-watching). Touch the Sound, produced by German director Thomas Riedelsheimer in 2004, focuses on the work and world of nearly-deaf percussionist Evelyn Glennie. See a trailer, below, and excerpt, above. Thanks to Morgan Hendry for the tip. IMDB link On this topic, and the inspiration for this link: For a Deaf Artist, The Process of …

READ MORE →