thx

THX Just Remade the Deep Note Sound to be More Awesome

It’s one of the best-known electronic sounds ever – perhaps the best electronic sound branding in history. It made its launch in 1983 – right before Star Wars: Episode VI – Return of the Jedi, no less. But it seems the THX “Deep Note” was due for an upgrade. And that’s what it got last week. THX called upon the original creator of Deep Note, Dr. James ‘Andy’ Moorer, to remake his legendary sound design for modern theater audio technology. Here’s a look at that history and where it’s come.

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Don Buchla Takes Owners of His Former Synth Company to Court

Several major figures in synthesizer history have lost control of their names over the years. Robert Moog sued in 1998 to get his name back on synths; that court battle, with Don Martin, was won in 2002 and allowed the modern Moog Music to supplant the former Big Briar. While Dave Smith never lost access to his personal name, he gave up his original brand name Sequential. Yamaha voluntarily surrendered the Sequential badge earlier this year. But a new legal battle between Don Buchla and the current Buchla Electronic Musical Instruments is unprecedented on a number of levels. First, Buchla …

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Bastl Have Made Wild-Sounding New Modules, Including Drums

Electronic drums have had a hard time escaping the shadow of Roland’s TR line. But that’s no reason to limit yourself, yet again, to another two scoops of vanilla ice cream in your cone. And so, even with an increasingly crowded Eurorack modular scene, it’s worth applauding the entry of the mad scientists of Bastl Instruments in the Czech Republic. They’ve got a number of new modules that are weird and wonderful, inspired yet again by the legacy of a nearly-forgotten electronic pioneer of the Communist-dominated 70s, Standa Filip. And while you may have spotted their debut in the market, …

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See the Exquisite Drawings Bob Moog Made of Prototypes, Circuits

We’re all touched by the musical inventions of technologists. But it’s something special to see those creations in their original hand. The Bob Moog Foundation has been posting circuitry, panel layouts, and prototype drawings made by Bob Moog (many in his hand) – and they’re beautiful. Don’t drink a lot of coffee before drawing plans if you want yours to look anything like this. You’ll see a range of creations – oscillator circuits from classic modular units, synth control panels, and even a percussion controller and tape heads. I’ve pasted a few here, but go to the Moog site for …

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808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

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Crowd-funding Campaign Wants to Pay Back Amen Break Creator

It’s the best-known sample of all time. It might be the most-heard six seconds of sound in modern recording. But before it became the “Amen break,” the signature riff was part of The Winstons’ song “Amen, Brother.” And so, how much did the artists who actually produced the original sound earn from their “success”? Well, that’ll be … nothing, apart from the original revenues from the 1969 release. Nothing in royalties from its use … well, seemingly everywhere. (N.W.A.? Oasis? Futurama? Check.) Zip. Zero. The drummer, Gregory Coleman, died homeless in 2006. Richard L. Spencer, the vocalist and sax player …

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Behringer Clones KORG Remaking ARP Odyssey – Say What?

Low-cost electronic music gear king Behringer has begun asking a peculiar series of what-if questions on Facebook. First, they asked, hey, what if we entered synth market? (And, specifically, how many keys it should have and whether it should even be software or hardware.) Now, here’s a Christmas bombshell: they’re suggesting they might just go and make an ARP Odyssey for $500 with USB/MIDI and multiple filter models. There’s even a mock-up image, above. This will really come as a surprise at … KORG. It was only February when KORG announced it would re-release the ARP Odyssey, working with none …

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Jeff Mills on Audiences, Techno’s “Who Cares If You Listen”

Techno legend Jeff Mills has a beautiful quote making the rounds on social media, responding to the question of audience. He’s still making music for them, he says – but doesn’t want to get pulled into simply giving them what he knows will work. Watch from about 8:30 for the video above, in its original context (a 2010 tugobot piece). It resonates for me with the Milton Babbitt’s “Who Cares if You Listen?” (That’s a title Babbitt claimed he never used; this is a tale so familiar to contemporary music that it has its own Wikipedia entry, for those of …

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smwberlin

Live Stream: Ableton’s Gerhard Behles and Ninja Tune’s Matt Black Talk to CDM

Updated: the video stream is over, but we have archived audio and video: Listen to/watch the entire discussion Today is Social Media Week in Berlin and various other cities across the world. I’m fortunate to get to join Gerhard Behles, co-founder and CEO of Ableton, and Matt Black, co-founder of Coldcut and Ninja Tune, in discussion. If you’re in Berlin, you can join us in person; the event is free. But we’re also live streaming from 14:05 Berlin time (08:05 over your cup of morning coffee New York, or California… uh, you might wait for the recording if you aren’t …

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