(CC-BY) OddWeird.

This is the next-gen notation tool from original Sibelius team

It’s been a few years since the original development and management team behind Sibelius found themselves unemployed at the company they started, following a restructuring by owner Avid. Since then, Sibelius has continued to progress, but in a way that’s best described as incremental. It’s now a subscription product with an emphasis on the cloud, like other Avid tools, and updates have focused on features like pen support and small notation details. If you’re happy with Sibelius, that’s not a bad thing: it’s the recipient of a steady stream of updates. But what if there were to be something new …

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Right in your browser, listen to equalization by band and amount with actual recordings.

Learn audio skills as a game, free, with your ears as guide

You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.

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Sidechaining is a big part of Movement -- for using another signal to transform effects.

Movement is a do-everything, musical rhythmic effect

Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.

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Whoa looking at this on my MacBook WHERE IS REALITY? Photo: UA.

The 1955 Fender Tweed amp now lives in software

The art of modeling at a handful of the best software shops continues to progress. And so it is that Universal Audio say they’ve simulated every tiny detail, “from speaker paper and heat dissipation, to filter caps and transformers,” of one of the world’s best-known amplifiers – the Fender Tweed. It’s the cranked sound of Neil Young; it’s the clear lead of Larry Carlton. It’s a lot of other things. It’s now on a computer, too.

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Modstep is now a hub for everything; learn how to use it

Modstep, the step sequencer on steroids on iOS, just got a huge pile of new features. It hosts AU plug-ins (yes, iOS plug-ins). It adds per-track MIDI, for hardware and apps. It has loads of new features for clips and arranging. It is, basically, a MIDI daw with built-in instruments that’s unlike nearly anything on desktop – only it was designed from the ground-up for the iPad. In fact, it does so much that it’s a bit overwhelming. So, let’s take a birds-eye view of what’s new – and then turn to the singular educational force that s Jakob Haq …

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Shiftee takes us inside his latest virtuosic laptop DJ routine

Master turntablist Shiftee has posted a sharp routine. It’s a clever product placement for Razer’s laptops, but – well, it’s more than that. It’s an ad for laptops in general, at a time when DJing has increasingly come to mean “showing up with a couple of USB sticks.” And it’s sort of an ad for being DJ Shiftee. So, we asked Mr. Shiftee to show us what was going on.

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Tested: Chromaphone 2 has kinder, gentler acoustic modeling

If it feels at times like everything has been done in sound synthesis, every new sound uncovered, then look to physical modeling for a way forward. This collection of techniques simulates the way sound is produced by acoustic objects. Applied Acoustics Systems (AAS) of Montreal has been one of the leaders in that field – and they’ve got a new product out that might be the friendliest offering in this field yet.

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iZotope’s Dynamic Delay is free – and wonderful

iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.

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It's all acoustic technology. But, at last, it's 21st century acoustic technology. Photo: CDM.

Watch Una Corda, a software piano with a difference

The piano has been living with a beautiful legacy, but that legacy can double as tyranny. The Steinway Model D, favorite instrument of mine that it is, has also frozen the technological development of the keyboard instrument. And that’s why the Una Corda is different. Built custom by David Klavins, and associated with that builder’s collaboration with pianist Nils Frahm, this lightweight piano is unlike any you’ve seen or heard before. And now, you can get a taste of playing the real thing with a software instrument.

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Celemony Melodyne can now dive into overtones and spectra

Celemony’s flagship Melodyne audio editor has long been reaching past the limits of what most people imagine as pitch correction. It was clear the mission of the software was no less than seamlessly transforming audio – shaping sound as directly as you can MIDI notes. Well, now it’s gone even further. Now we’re not just talking about moving polyphonic notes around. In Melodyne 4, we’re talking reaching into the spectra of polyphonic sound material itself. It’s like playing God with a recording.

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