digitakt_closecrop

More details on the $650 Elektron Digitakt – and why we’re into it

The Elektron Digitakt sampler/drum computer may have been sitting silently under glass at last month’s NAMM trade show. But no matter: it was still the gear generating the most buzz. The thing is, we’re already hearing enough about the Digitakt to pique our interest. First, there’s that price — US$/€650. That’s terrifically affordable by Elektron standards. And then there’s the compact size, the accessible-looking controls and OLED, and the focus on sequencing and sampling. This just looks like a fun, friendly groove box. It also looks like a device that could significantly expand the audience for Elektron gear, not only …

READ MORE →
euro808

System 80 is a control-for-control 808 clone in Eurorack

Wait… I don’t think I’ve ever basically said everything I needed to say in a story right in the headline before, but… yeah. This is a control-for-control 808 clone in Eurorack. And for anyone disappointed that Roland didn’t do a TR-08 Boutique Series at NAMM, here’s one that is probably exactly as analog fans would want it. You get the layout of the original 808, if a bit miniaturized and squashed, but control-for-control an image of the original. You get independent outs for each part. You get CV I/O for connecting to other modules. It’s Eurorack. It’s 60HP. It looks …

READ MORE →
mpclive-large

The new MPCs in videos, including how those clips work

Following Akai’s announcement of the new standalone MPC models – MPC X and MPC Live – they’ve also released some videos. Sound on Sound has a walkthrough: And there’s the requisite promo film from Akai: It’s important to note that adding standalone mode here doesn’t mean taking away anything from the computer/hardware combo. The software on the standalone MPCs is identical to what was previously available via the controller — even besting it, thanks to the MPC 2.0 software launch. Plugged into your computer, you get all the advantages you’re used to. You can add plug-ins, control MIDI on the …

READ MORE →
bengal

Bengal could be the Ableton synth you’ve been waiting for

Years ago, when Ableton’s Operator FM synth designed by Robert Henke made its debut, it was a revelation. Its clear panel design and flexible architecture made FM synthesis more accessible to countless Ableton Live users. But now Operator, while still a great go-to instrument, certainly deserves some competition. And that makes Bengal special. The production of Max for Cats (and Christian Kleine, another key designer of Ableton instruments), Bengal also innovates in the area of clear design and architecture. And with a semi-modular design, it goes further than Operator in opening up avenues for creative sound design.

READ MORE →
behringer-synth-deepmind

All about the Behringer DeepMind 12, in one place

Okay, enough teasing already. Behringer has a 12-voice polyphonic synth called the DeepMind. And now let’s talk about exactly what to expect, in one place.

READ MORE →
NI_FORM_screenshot

Form is an all-new hybrid sample synthesizer

Native Instruments has been a pioneer in making tools like Reaktor that employ unique synthesis techniques. But more recently, that power has found its way to self-contained instruments. Tucked into the release announcement of Komplete 11 comes some very big news for lovers of creative sound design and synthesis. It’s a new instrument called Form. It’s powered by Reaktor, but it’s been built from the ground up, according to NI. And it lets you drag and drop sounds to manipulate them into playable instruments.

READ MORE →
screenshot_515

So Behringer’s analog synth is a poly, and other revelations

Behringer continues to leak out teaser videos about its upcoming analog synth – and with the rest of the industry out on summer vacation, they’ve got pretty much everyone’s full attention. There’s a few things you can learn from their latest video – not least that I was dead wrong, and this is a polysynth, not a monosynth. (Oops.)

READ MORE →
cubasis_ruismaker

Ruismaker is an iOS drum synth that feels like hardware, works like a plug-in

Software drum machines aren’t kingmakers the way hardware is. So Bram Bos of Eindhoven is not a household name the way, say, certain hardware makers are. But back in the 90s, Bram’s HammerHead Rhythm Station was one of the first pieces of software that showed what a drum machine in software could be. Flash forward to 2016. Bram is here with an iOS app that’s all drum synth – no samples. And while that puts it in a category with some other apps, it takes a slightly different approach. First, Bram advertises it as “the most hands-on” option for iOS. …

READ MORE →
opz_top - 1 (1)

A video glimpse of Teenage Engineering’s OP-Z in action

It looks like a small remote control for a game system, but it’s a musical instrument. The OP-Z caught our imagination earlier this year at NAMM with a host of bizarre and wonderful functions, from sequenced instruments and drums to live visual animation accompaniment (seriously). Now, Cuckoo Music catches up with Teenage Engineering in his ongoing video series. That means a chance to see how the pocket music gizmo has progressed, as well as what’s happening with live visuals. Teenage Engineer David Mollerstedt joins: Meanwhile, TE’s instruments see other lovely action. Mikael Jorgensen writes CDM to tell us about his …

READ MORE →
(CC-BY) OddWeird.

This is the next-gen notation tool from original Sibelius team

It’s been a few years since the original development and management team behind Sibelius found themselves unemployed at the company they started, following a restructuring by owner Avid. Since then, Sibelius has continued to progress, but in a way that’s best described as incremental. It’s now a subscription product with an emphasis on the cloud, like other Avid tools, and updates have focused on features like pen support and small notation details. If you’re happy with Sibelius, that’s not a bad thing: it’s the recipient of a steady stream of updates. But what if there were to be something new …

READ MORE →