Sidechaining is a big part of Movement -- for using another signal to transform effects.

Movement is a do-everything, musical rhythmic effect

Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.

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This is the new DJ mixer from Xone creator and Richie Hawtin

If a DJ mixer could be anything you wanted, what would it be? That question isn’t actually that easy to answer. DJ mixers have a fairly defined set of functions, and not a lot of obvious room for variation. They have become more or less a commodity product as a result. And even as we’ve seen high-end mixers, those have tended to be simply a spendier version of the same commodity. So, maybe the news that Richie Hawtin was working on a new mixer, teased out over the past few months, didn’t interest you at first. But, having had a …

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Get a free pack that recreates Prince’s signature drum sounds

With so much to talk about in recent days about Prince’s legacy, it’s possible to overlook just what a deep impact he had on production and sound design. Working with Roger Linn’s classic boxes, the LinnDrum and LM-1, the artist left an indelible mark on the sound of pop. And you don’t have to slavishly copy those contributions: by learning how they’re put together, you can understand what went into them and follow your own sound. Just that sort of education in sound design – something for fans and students – is embodied in a free download for Ableton Live …

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BAM is OTO Machines’ musical, retro reverb box

Reverb: it’s something everyone needs. And yet in hardware, you almost always see the same couple of boxes. It seems about time for a new player. And OTO Machines, known for their BISCUIT 8-bit effect box and filter, might have just the candidate. BAM, coming soon, emulates the reverbs of the 70s and 80s. And in the demo, it sounds amazing.

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We got our hands on Pioneer’s new SP-16 sampler

Pioneer revealed its Toraiz SP-16 hardware sampler earlier this week, along with the news that analog filters from Dave Smith were baked in. But beyond that, online specs were a bit vague. So we’ve just gotten to meet up with Pioneer (and Dave) and get close to a prototype unit. Firmware isn’t done yet, but we got to learn a lot more – and there’s a lot to like.

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Future Retro are working on this touchplate keyboard

If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news. Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard. Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.)

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Akai MPC Touch is an MPC with a multi-touch screen

MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.

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Bitwig Studio is a real touch DAW you can use today

We’ve seen apps made exclusively for touch devices like the iPad. And we’ve seen very basic touch support in desktop apps. But Bitwig Studio 1.3 is both. So, on the same day we find out about a proper touch laptop, we also get a DAW that’s ready, today, to take advantage of it. (See also FL Studio below, though Bitwig brings specific support for Microsoft’s new displays, and some new ideas.) Also, is Bitwig actually trolling Mac fans, or Apple? Because Bitwig is touting the fact that OS X will at least get its new “E-Cowbell device.” (I’m not making …

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Microsoft just gave us the touch laptop Apple won’t

Apple’s strategy is clear: make one line of things that are laptops (running OS X), make another line of things that are touch-based (running iOS). That strategy has served them – and musicians and other creatives – well. You can certainly have a lot of fun with a fairly inexpensive iPad full of apps, and the MacBook line has earned its place as the music laptop of choice. But that’s still left some creative types in the gap between the two. That is, it did, until today.

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Patterning on iPad is a circular, sample-savvy drum machine

We’re in a the golden age of the drum machine, whether it’s dedicated hardware or a computer or a mobile gadget. Of course, that means it’s getting tougher to stand out. Patterning is one of the most promising software entries yet. I’m already a huge fan of Elastic Drums for its rich approach to timbre – this could be my other fast favorite. Patterning side-steps the two problems with most drum machines – boring, regular patterns, and boring, predictable sounds. Patterning’s user interface is centered around a circle, as cycles of time repeat in futuristic rotating colored geometries. We’ve seen …

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