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RME Do Compact Audio with 4X Analog, Digital, MIDI

There are plenty of fairly good audio interfaces out there. Decent-to-middling, yes. But if you’re picky about getting something really top-notch in terms of audio performance and stable low latency, that list gets a whole lot shorter. Want it to be really compact? That list gets shorter still. “Pro” often translates to “rack mount” – but just because you want something light and small doesn’t mean you don’t want something serious. RME is a brand that very often winds up on that short list. And their new BabyFace Pro I suspect ticks a lot of the boxes you want. First, …

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Akai’s Midimix is a $99 USB Mixer Controller With One Key Feature

Akai’s new US$99.99 Midimix is built on a simple idea – so much so that you could easily miss it. But one button makes it much more useful than its nearest rivals. First, the obvious: yes, it’s a MIDI controller with a mixer layout. So, there are eight line faders and a master fader, 3 knobs per channel (for EQ), and dedicated mute (switchable to solo) and record arm buttons, plus bank controls. That’s it – no extra functions, no confusing mappings. And then there’s one very obvious but clever button: SEND ALL. Hit SEND ALL, and you fire off …

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E-RM multiclock Syncs Everything Jitter-Free, Including Computer

We’ve seen boxes that claim to sync everything you have to everything else you have. But the E-RM multiclock claims to do it even with a computer as the clock source – without jittering. Just announced, the multiclock is the follow-up to the midiclock+, the clever MIDI sync box introduced by Berlin’s boutique E-RM Erfindungsbüro back in 2012. The most important thing to know about the multiclock is that it takes this obsession with getting sync right directly to your computer’s audio card. Whereas MIDI and MIDI over USB from a computer are inherently susceptible to jitter, E-RM claims that …

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Roland Confirms AIRA Modular Next Week, Shows Revealing Picture

Roland apparently doesn’t want to leave too much to the imagination – or online leaks. Now, it’s official. Roland has posted a teaser image to their AIRA site. It’s marked with the catch phrase “Start Patching,” plus “Frankfurt Musikmesse 2015” (next week’s industry trade show here in Germany). So, we know a lot for sure now: It’s an AIRA product. It has patch cords. It’s modular. (The filename on Roland’s own site is “b_airamodular.jpg”) They’re doing a rack-mount SYSTEM-1. (That’s the AIRA SYSTEM-1 layout in the device on the top. It seems they’re breaking it out a bit like the …

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Traktor Kontrol D2 with Color Display is Official, Costs US$499

Native Instruments’ Traktor Kontrol D2 deck was all but revealed at WMC, but now we’re finding out more clearly how everything comes together. And we know the price: the unit is US$499 (499€ / £429), even with that nice color display. (If NI is getting their part cost down, I wonder if we might soon see a display like this on a Maschine other than the Studio – which is great, since the Studio is kinda huge.) That price is doubly impressive now that it includes TRAKTOR PRO 2. That’s an impressive deal for new users. (If you already own …

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Versus is a New Performance Controller from Faderfox, Nyma, Magda

What if one controller could pack everything you need for playing creative DJ and live sets in a single, tall, slim device? What if it had the ultra-compact design of German builders Faderfox and Glanzmann? And what if it borrowed elements from previous controllers, but grouped them in a new way you probably hadn’t seen before? We’ve just gotten the first look at Versus, a new controller collaboration built with the artist Magda, alongside Nyma (Nima Chatrsimab), a DJ/producer and technical guru with a long resume here in Berlin, and the builder Faderfox together with Glanzmann DDS. It’s a kind …

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Allen & Heath’s New Analog Mixer Could be One to Beat: Xone:43 4+1

Allen & Heath aren’t bombarding the market with products. They’re not hopping on lots of new gimmicks. What they are doing is quietly releasing well-designed mixers that dominate the DJ scene. And the Xone:43 looks nothing if not eminently sensible – enough so that I suspect some might eye it as a mixer for live sessions, as well as the obvious club installs and DJ rigs. A&H are serious enough about this tool that they’re releasing a new flagship — on the first of April. (No fooling.) But they can do that: because there’s absolutely nothing silly or far-fetched about …

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Modular Guitar Stompbox: Coming Soon, Eurorack for Your Feet

The modular craze just won’t stop. But why should keyboardists and sound tweakers have all the fun? Pittsburgh Modular wants to bring the revolution to guitar stompbox effects. The Patch Box, teased over Twitter and due at April’s Musikmesse in Frankfurt, Germany, is an attempt at that solution. Basically, instead of being a Eurorack bay for your shelf or desk, this is one designed for the floor, to be played by a guitarist or bass player. At the bottom, you get the usual switches. But apart from accommodating Eurorack modules (on their side) on the floor, the key appears to …

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NI Teases New Compact Traktor Hardware; Here’s a First Glimpse

Stop it! Get your eyes off that screen! We all know the problem: DJing with computers isn’t terribly practical without looking at the computer – a lot. Native Instruments’ Traktor S8, like Maschine before it, promised to liberate laptop users from that vacant computer stare. But it, and rival offerings, have a big problem: they’re back-breaking, checked luggage-triggering, tech rider-rewriting huge. Well, you probably already worked out the S8 “flagship” wasn’t going to be the only hardware from NI to play with this concept. The question was, what would a “half-S8” / “S8 mikro” / “S8 deck” look like. If …

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A New Book from Ableton Wants to Help You Make Music

Imagine if the Eno/Schmidt Oblique Strategies, a music theory book, and an Ableton quick-start manual all got caught in a transporter accident with a bunch of different music producers.* That seems to be what you get with Making Music: A Book of Creative Strategies. In one sense, the aim is to be none of these things. It’s not a manual. It’s not a template for music making. It doesn’t, apparently, rely much on musical theory in the traditional sense. But, then, if you know the man behind it – Dennis DeSantis, a classical percussion virtuoso and composer turned documentation czar …

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