Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …

Fully loaded, the environment resembles portions of FL Studio or Ableton Live. You get a conventional mixer display, and easy access to your tools.

A totally free DAW and live environment, built in SuperCollider: LNX_Studio

Imagine you had a DAW with lots of live tools and synths and effects – a bit like FL Studio or Ableton Live – and it was completely free. (Free as in beer, free as in freedom.) That’s already fairly cool. Now imagine that everything in that environment – every synth, every effect, every pattern maker – was built in SuperCollider, the powerful free coding language for electronic music. And imagine you could add your own stuff, just by coding, and it ran natively. That moves from fairly cool to insanely cool. And it’s what you get with LNX_Studio, a …


Watch the fusion of analog and digital in monome teletype videos

Teletype Studies Part 1 from tehn on Vimeo. We have inherited from the last century a whole language built from the archaic details of office machines. And we use all of these for music. We patch together telephone cords between modules, via the tactile interface once used to connect calls. We type on keyboards and point with devices like mice. We have grids of pixels, constructions that once plotted the trajectory of missiles before they were repurposed for simply games about missiles (and email, and Facebook, and everything else). We use code, and language, and turn dials, and press light-up …


A New Online Platform Gives You Expert Music Tech Training, Free

Every feel like you wish you could go back to school? Or… go to a different school? Maybe you want to learn at CalArts, or Princeton, or Stanford, or Goldsmiths. Maybe you wish Robert Henke would sit at your side and teach you about Ableton Live. Or maybe Perry Cook would teach you synthesis. Or Casey Reas would talk to you about creative coding and Processing. Digital learning gives us some of those chances – without running into campus security, that is. And so we’ve seen some great learning platforms, including iTunes audio courses from Stanford and people like Steve …


Hack a Grid: Novation Makes Launchpad Pro Firmware Open Source

Novation’s Launchpad Pro has just begun shipping, and it’s lovely, very flexible hardware. You can use it with Ableton Live. You can use it with other software, as a standard MIDI controller. It’s USB class-compliant, so it works with other devices and operating systems, like the iPad and Raspberry Pi. You can change how it works with Max for Live, or any software that supports MIDI. And it works in a variety of standalone modes, so you can use it to play hardware without connecting to a computer. That’s a lot, already. But soon, the Launchpad Pro could do more. …


Cool Things Chrome Can Do Now, Thanks to Hardware MIDI

Plugging a keyboard or drum pads into your Web browser is now a thing. One month ago, we first saw hardware MIDI support in Chrome. That was a beta; this week, Google pushed it out to all Chrome users. So, what can you actually do with this stuff? Well, you can open a Web tab and play a synth on actual hardware, which is pretty nifty. Support is still a little dicey, but the available examples are growing fast. Here are some of the coolest, in addition to the MIDI example and demo code we saw last month. The examples …


Watch These Videos and Make Musical iOS Apps with Pd, Free

The challenge in making tools, as in making anything else, is really the making. It’s one thing for an idea to exist in your head, another to really get down to construction. And very often great engineering means testing, means building the idea and then refining it. So prototyping is everything. That could explain the increased passion for hacking. Whereas big development efforts are a morass of meetings, or traditional prototyping could mean elaborate distractions from testing what we really works, “hacks” work to get something usable more quickly. And that means testing the usability of an idea happens faster. …


Now Google Chrome Browser Does MIDI

It’s 32 years old. It’s supported by keyboards and electronic wind instruments and lederhosen. And now you can add your browser to the list. MIDI will never die. Yes, as of more recent beta and stable builds, Google’s Chrome browser has built-in support for hardware MIDI. Plug in a MIDI controller, and you can play – well, this Web Audio MIDI Synthesizer, anyway: Chris Wilso is the author, and describes it thusly:


Q+A: How the THX Deep Note Creator Remade His Iconic Sound

How do you improve upon a sound that is already shorthand for noises that melt audiences’ faces off? And how do you revisit sound code decades after the machines that ran it are scrapped? We get a chance to find out, as the man behind the THX “Deep Note” sound talks about its history and reissue. Dr. Andy Moorer, the character I called “the most interesting digital audio engineer in the world,” has already been terrifically open in talking about his sonic invention. He’s got more to say – and the audience is listening. (Sorry, I sort of had to …


THX Just Remade the Deep Note Sound to be More Awesome

It’s one of the best-known electronic sounds ever – perhaps the best electronic sound branding in history. It made its launch in 1983 – right before Star Wars: Episode VI – Return of the Jedi, no less. But it seems the THX “Deep Note” was due for an upgrade. And that’s what it got last week. THX called upon the original creator of Deep Note, Dr. James ‘Andy’ Moorer, to remake his legendary sound design for modern theater audio technology. Here’s a look at that history and where it’s come.