1024 Architecture Tesseract is a Dazzling Hypercube of Light; Gallery, Behind the Scenes

1024 Architecture have already made rectangles sexy, in light, mappings, and stage environments. Now, they’ve gone all fourth-dimensional on us – and the results are stunning. They give us a look behind the scenes at this project, and how they’ve used Ableton Live and Quartz Composer to realize it. You can even use their QC patches in your own projects, if you think you can add more nth dimensions. (For the record, a tesseract is a specific hypercube – a 4-dimensional shape, of the class of n-dimensional hypercubes. It’s also a cool reference to the science fiction of Madeleine L’Engel. …

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With Apple’s PrimeSense Acquisition, Shifting Landscape in Depth Sensing, Motion Art

It wasn’t so long ago that point-and-shoot cameras were big, dedicated affairs. Now, camera sensors are everywhere. What’s next? Expect depth-sensing cameras like the Kinect’s to become as ubiquitous as camera sensors are in phones. And don’t listen to the analysts: if Apple is buying PrimeSense, they’re thinking iPhone, not only their Apple TV “hobby.” The news for the open source art hacking community using this stuff? Bad. And good. But… more on that in a bit. With touch staked out as input method, vision and, more broadly, “perceptual computing” seem poised to reshape the way we interact with devices. …

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With Apple's PrimeSense Acquisition, Shifting Landscape in Depth Sensing, Motion Art

It wasn’t so long ago that point-and-shoot cameras were big, dedicated affairs. Now, camera sensors are everywhere. What’s next? Expect depth-sensing cameras like the Kinect’s to become as ubiquitous as camera sensors are in phones. And don’t listen to the analysts: if Apple is buying PrimeSense, they’re thinking iPhone, not only their Apple TV “hobby.” The news for the open source art hacking community using this stuff? Bad. And good. But… more on that in a bit. With touch staked out as input method, vision and, more broadly, “perceptual computing” seem poised to reshape the way we interact with devices. …

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Lunchbeat is a 1-bit Groovebox You Can Make Yourself

Friends bragging lately about the quality of the sound of their drum machines? Tell them you can make sounds lower fidelity than they can. LUNCHBEAT is a 1-bit groovebox, making impossibly-dirty digital sounds, with a built-in step sequencer. While we await a proper DIY kit, it’s an ideal learning project: it’s nice and simple, has a low part count, everything you need as far as specs is available free to create your own, and it’s a good way to work out the basics of digital sound and sequencing. And, really, if you need more than one bit to make music, …

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Vuo in Beta: A New Hope for Visual Development? [Resources]

So, without a line of code, you want to make something new, visually. You’ve got Max, you’ve got Pd, you’ve got vvvv. But for quickly cooking up generative visuals, dynamic interaction, live animation, and more from a clean slate, the other option had been Apple’s Quartz Composer, a tool that has lost a lot of steam (and acquired quite a few bugs) lately. Somehow, many people want some fresh blood on this scene. And that’s where Vuo comes in. From the creators of the Kineme plug-ins, it’s a chance to start anew. We’ve been eyeing Vuo with interest for a …

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Cyborg Beatboxer AV: Gloves, Heartbeat, Gesture Merge in Wild Performance

Humanelectro + “∑(SIGMA)” from Ryo Fujimoto on Vimeo. Once, you might see strange sensors or generated graphics as a kind of novelty, used for their foreign, futuristic quality. Now, a generation immersed in such tech exploits these tools because it’s second nature. That’s the message of the creators behind a fantastic trans-media beatbox performance starring Japan’s Ryo Fujimoto. And while you’ve seen each clever gimmick on its own, here they try ticking all the boxes at once. Musical gloves dripping in wires with flex sensors – check. Muscle sensors – check. Glowing-blue heart-rate sensor behind the ear – check. LEAP …

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Microsoft Embraces Open, Creative Coding: New Kinect openFrameworks, Cinder Integration

It’s not overstatement: the Kinect has changed vision on computers. It’s made a range of techniques more accessible and affordable, it’s spread what were once laboratory ideas into millions of homes, and it has gathered a swath of artists and inventors to using vision who never had before. But in the process, that open source world has changed Kinect – and Microsoft. No more do we need a bounty to hack Kinect. Now, Microsoft and the open source community can work together. Microsoft Open Tech is now embracing openFrameworks and Cinder, two fully open-source frameworks for creative coders and artists:

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aleph, from monome: Programmable Sound Computer That Does Anything

monome, the iconic grid controller that launched them all, has always been a device tethered to a computer. Without a USB connection to your machine, it is an attractive but functionless box. The latest monome project, the result of a collaboration between Brian Crabtree and musician Ezra Buchla (yes, there’s a relation) is different. It is a computer, with all the functions that entails, but in a box designed for sound. It has: A brain: Two of them, in fact – a DSP chip (BF533 blackfin, 533 mHz with 64 MB SDRAM) and an AVR32 for control. Audio connections: 4 …

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TouchDesigner 088 Adds Crazy-Awesome Savvy in Mapping, Scripting, Sound and Music, More

Eye Vapor EEG Sonification 1 from Derivative on Vimeo. Smart. Even smart enough to visualize and sonify EEGs. TouchDesigner is not well-known in general circles, even after long-running availability. It’s Windows-only software for specialists. But there’s only one thing you need to know about it: it is consistently used in some of the best work artists are doing right now in multimedia. And in one go, the deceptively-named “088” is adding some massively-important stuff. Little wonder we’re hearing from a number of readers who are already excited. And there’s now a non-commercial license, too, fellow impoverished and overworked but lovable …

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Wacky, Wooden Shnth Makes Eerie Sounds, Colors Outside the Lines [Documentary]

Shnth is a digital synth in a wooden box with a surprisingly open-ended programming language. It’s like a lo-fi sonic computer, touched with your fingers via a handmade interface, and with sonic capabilities that can be re-programmed over USB. And there’s a coloring book to go with it, too, with pictures of Max Mathews and microsound for you to sketch in. The drawings there, like the sounds that come out of its outputs, full of rough, digital edges and unexpected swoops and swirls of timbre, seem to encourage coloring outside the lines. Peter Blasser of Baltimore is the synth’s creator …

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