Performance Videography: Get Up Close for More Exciting and Editable Footage

Segue – Reset (Live at Big Day Out 2008 Two-up Edit) from Jaymis on Vimeo. How do you make live performance documentation that doesn’t suck? You’ve been there: you’re trying to shoot footage, you’re trying to edit footage someone else shot, or you’re trying to tell someone shooting footage how to take material you can actually use. Jaymis from Create Digital Motion talks a bit about a recent experience working on footage of Segue – or skip to the end for some tips, either for you or to give that young, eager videographer you hope can make you look cool. …

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A New Instrumental Album, and Mocky, Mock-Marketing by Hyperbole

Something has happened with electronic musicians and producers. We’re not confined to the ghetto of electronic sounds any more. You could argue it’s a sign of waning interest in those timbres, but I think it’s something else: people are simply becoming more flexible creative producers, comfortable with acoustic and electrified and synthesized sounds alike. So, in that spirit, one of my most anticipated albums of this year has been one that’s mostly instrumental and not-terribly-electronic or digital. It’s the March release Saskamodie from Mocky, Somali-Canadian-Yemeni musician. I’ve just begun listening to it, and I’m quite enjoying it. It’s definitely retro, …

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Guest Blog: Digital, Artists, Labels and the Crisis of Plumeting Expectations

Enough of the empty cheerleading. Web-only networking can have a dark side, too — and the music community can do better. Playing devil’s advocate this week to one-dimensional Web 2.0 optimism, we welcome Dave Dri, musician, producer, and founder of Segue. -PK I write a column for a weekly street press magazine in Australia. The vast majority of the universe won’t have picked up that magazine, of course. But my topic this week has been bouncing around Interwebs, cafes, and clubs like an alarm clock, waking the electronic music community from a happy slumber. The cause for alarm: the dire …

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Will the Next Album You Buy Be Flash Memory? SanDisk Joins Major Labels, Big Box Retail, with slotMusic

Distributing music on USB sticks or removable flash memory is an idea various parties have tried for the last few years. The Creative Commons advocates at self-proclaimed “non-evil” indie label Magnatune sold USB sticks pre-loaded with ten albums in 2004; Barenaked Ladies had the nicely-named Barenaked on a stick. But to really make the idea (ahem) stick, you’d need some big distribution. And that’s what a new initiative backed by the major labels and massive flash memory manufacturer SanDisk promises to do. slotMusic.org | Press Release See also GearLog, which notes that SanDisk previously did a free promotional SD of …

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Track Where Your Fans Come From, Free

Brad Sucks, the (despite the name) well-loved Internet musician, has been blogging and releasing tools he’s building to make his online music life better. This one is especially nice: it’s a simple, open source script that connects mailing list sign-ups to Google Maps. Armed with this information, it’s easier to see where your fans are. (Image at right seems to suggest at least a one-person gig offshore of Nigeria, but you get the idea.) Brad’s Mappy Email Signup Release Early data is really interesting already. Of course, you need to have more than, say, five fans, but now’s a good …

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Flickr Video: The New Promotional Postcard?

We asked earlier this month if you’d be using Flickr for videos? Here’s one answer — and in this case, it seems perfectly-suited to the medium. Accent Creative used a short video spot — tweaked to Flickr’s microformat length constraints — as a way of promoting an upcoming event. That works nicely, as lots of people already use Flickr streams to store photos promoting events and the like. And, of course, the Create Digital Music side of our heart loves the sound-making box that shows up in there. Brokenbeat Night – MoGraph Promo Here’s another example, in this case using …

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Web2 Watch: Mixaloo Launches “Digital Mix Tapes”

Mixaloo is a new service for building digital mix tapes. Counter-clockwise from upper left: assemble tracks, get recommendations and previews (or add your own recommendations), promote your mix online (via an embeddable widget), and make custom skins and cover art. The Web holds huge potential for music sharing and music discovery, but figuring out how to make that potential work — and how to navigate copyright and licensing laws in the process – has been a major challenge. This week, the creators of the website Mixaloo promised to “bring mix tapes into the digital age.” Whether you buy into that …

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Meatspace Networking for Musicians: Chicago Demo Swap Party Wrap-up

Ed.: Social networking, online sites (this being one of them), Facebook, LinkedIn, MySpace … sometimes it seems like all the connections are being done online. Naturally, the Web’s real power is when you can meet all those virtual personalities you’ve gotten to know offline. Far better than getting demo CDs in the mail or listening to someone’s tracks on MySpace: meeting them at a party over a drink and getting their music from them directly. Such is the genius of Chicago’s Demo Swap. Co-organizer Liz has this wrap-up of what July’s party was like. Non-Chicagoans (heck, fellow New Yorkians), clearly …

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Internet Radio Wins Temporary Delay, Possible Minimum Rate Break

This may stretch your definition of “good news” for webcasters, but the latest on the Internet Radio crisis runs something like this: Webcasters don’t yet have to pay new fees for their broadcast. But they’re still accruing debt — fast. Sort of like our credit card debt. Webcasters may get a small break on the minimum fee, one that could literally have shut down “personalized” radio services. SoundExchange explains the deal thusly: Under the new proposal, to be implemented by remand to the CRJs, SoundExchange has offered to cap the $500 per channel minimum fee at $50,000 per year for …

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