Five Musical Tech April Fools’ Jokes We Almost Wish Were Real

Like the proverbial Punxsutawney Phil on Groundhog Day, it seems that music tech writers this year saw their shadow and decided to stay in their hole rather than deal with the yearly deluge of fake news that arrives on April Fools’. That’s a shame. Because this year, a few ideas are preposterous enough that we wish they weren’t jokes. (Turning that fool into something real was something I proposed last year, too – and just heard we might see some fruits out of that. Stay tuned.) Emerson, Fake, and Palmer. Moog Music has a tradition of jests on the holiday, …

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2 V-P Makes Performing Live with Quartz Composer Effortless, Powerful

Apple’s Quartz Composer has long enabled beautiful, intricate generative and responsive visuals, often even with simple patches. But assembling its compositions into something with which you can perform is more of a chore. 2 V-P isn’t the first attempt to wrap Quartz’s interactive visualizations into a performance tool. But it might be the most practical. The work of Ali Demirel, with developer Pascal Lesport, it embodies a lot of Ali’s approach to thoughtfully-morphing imagery. It’s been torture-tested in the real world of performance, particularly in Ali’s ongoing collaboration with Richie Hawtin. What’s promising about 2 V-P is that it centersentirely …

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Motion Improv: How Visuals for Audego Album Were Made with Quartz Composer

Audego Motion Graphics Medley from jeanpoole on Vimeo. Arrange, arrange … render. Wait. Wait. Given that you can jam along with music live, why not do the same with visuals? Quartz Composer’s real-time workflows still appeal for that reason. Australia’s Sean Healy, aka Jean Poole, writes to share how he worked with QC and a variety of other tools to make the process of adding visual accompaniment to music faster and more intuitive. “It’s great for prototyping ideas and developing them quickly,” he says of Quartz Composer, “and these can be recorded in realtime too (with Syphon Recorder).” Yes, that …

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1024 Architecture Tesseract is a Dazzling Hypercube of Light; Gallery, Behind the Scenes

1024 Architecture have already made rectangles sexy, in light, mappings, and stage environments. Now, they’ve gone all fourth-dimensional on us – and the results are stunning. They give us a look behind the scenes at this project, and how they’ve used Ableton Live and Quartz Composer to realize it. You can even use their QC patches in your own projects, if you think you can add more nth dimensions. (For the record, a tesseract is a specific hypercube – a 4-dimensional shape, of the class of n-dimensional hypercubes. It’s also a cool reference to the science fiction of Madeleine L’Engel. …

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Vuo in Beta: A New Hope for Visual Development? [Resources]

So, without a line of code, you want to make something new, visually. You’ve got Max, you’ve got Pd, you’ve got vvvv. But for quickly cooking up generative visuals, dynamic interaction, live animation, and more from a clean slate, the other option had been Apple’s Quartz Composer, a tool that has lost a lot of steam (and acquired quite a few bugs) lately. Somehow, many people want some fresh blood on this scene. And that’s where Vuo comes in. From the creators of the Kineme plug-ins, it’s a chance to start anew. We’ve been eyeing Vuo with interest for a …

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Vuo, Multi-Platform, Open Visual Programming, in Beginner Tutorial and Opinion

Vuo Quick Start — The Basics from Vuo on Vimeo. Vuo attempts to do what other visual programming environments haven’t. It aims to be easier, free and open source, omni-platform, and faster, a tool for sketching new visual ideas using patching metaphors that isn’t held back by some of the restrictions that has tended to entail. To get there – and to fund what will eventually be an open source project across desktop and mobile – it currently uses a paid model, and is in active development. From the developers of Kineme, it builds on a lot of what VJs …

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Automated Time: Vezer Meets CoGe in Dynamic Visual Composition [Reader Video Demo]

Vezer vs CoGe circuit bended MIDI from vargasz abolcs on Vimeo. Last week, we saw Vezér, an application for visual control with an elegant timeline interface. We asked what you were doing it – and here’s one example. Creator Vargasz Abolcs calls it “MIDI circuit bending.” The notion: use control messages to make visual events more dynamic and organic. And the results: dizzying moving objects onscreen. Description: Vezer triggers automations in CoGe this button sends back to Vezer ch1/1 note, trigs Rec in the empty composition where dynamically limited automations received from CoGe (MIDI cc) than played back values appears …

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VJ App VDMX Adds Automatic BPM Detection, Lovely Effect, Controller Features

Quick intro to Waveclock automatic BPM detection in VDMX from VIDVOX on Vimeo. Fingers getting repetitive stress injuries from manually tapping out tempos? Pay attention. The popular Mac live visual tool VDMX has long been the deep powerhouse of the VJ app field, with extensive modularity and customizability. Its newest update adds some major progress in synchronization and control, plus a rich set of new effects (ones regular CDM readers will no doubt recognize). The headline feature is BPM sync. The fruits of a collaboration with Wavesum, VDMX now integrates one-click automatic tempo detection inside the software. (See the video …

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Tasty Preview of Quartz Composer Mapping Synth Tool

Mapping tools begin to proliferate, but here’s a unique-looking example. It’s a mapping utility built for Quartz Composer, which also boasts a nifty synthesis feature – complete with BPM-synced sequences. It’s just in private use at the moment, but intriguing enough to warrant a sneak peak. mapping composer is a simple tool to make mapping with quartz composer easier. i just added a mapping-synth feature. its at an early development-stage and this video demonstrates the basic functionality. I’m planning on releasing it this summer. there are still a lot of things to be improved and bugs to solve. i will …

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Color and Light: Gestures Manipulate Music, RGB Lights [Ableton + Kinect]

Motion, light & sound / Kinect & Madlight from things happen on Vimeo. In a teaser video just released by Spain’s Things Happen, a silhouetted performer uses arm position to sweep through RGB colors and trigger sound cues. It’s the latest effort to integrate the immersive media environment with a performer’s body, part spectacle, part interface. The ingredients, apart from Microsoft’s ubiquitous Kinect depth camera: Motion capture + image = light + sound Software: MadMapper [using MadMapper’s Madlight feature to trigger lighting] Quartz composer Ableton live Music: Sun Glitters x Isan – Snowfall The nice thing about the inter-linked, comment-enabled …

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