Rauschenberg-Like Collage in a New iPad App: Composite

The iPad as artistic tool is not without its flaws. Finger painting, effectively, on its screen is nowhere near as precise as using a dedicated digital stylus like a Wacom, and lacks tangible feedback (as actual finger painting would give you, delightfully). And as a digital tablet, conventional painting metaphors can feel stretched. That hasn’t stopped people from making extraordinary work, as has been widely publicized, but the tablet computer has yet to come into its own as a unique, new medium. That’s to be expected: it’s early days. But that’s also why it’s so compelling to see the work …

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