C-drík 20160607

Digging the Asian and African undergrounds with C-drík Kirdec

It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.

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MakingMusic8

Get Inspired with Excerpts of Ableton’s Making Music Book

Following our interview with author Dennis DeSantis, we can start your weekend with some sage advice from his book Making Music. While published by Ableton, this isn’t an Ableton book. It lies as the boundary of software and music, at the contact points of creativity in the tool. For a CDM exclusive excerpt, I wanted to highlight two chapters. One deals with the question of how to overcome default settings – this cries out as almost a public service announcement for people making 120 bpm 4/4 tunes because that’s what pops up when you start a new project in Live …

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MakingMusic6

Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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pages

A New Book from Ableton Wants to Help You Make Music

Imagine if the Eno/Schmidt Oblique Strategies, a music theory book, and an Ableton quick-start manual all got caught in a transporter accident with a bunch of different music producers.* That seems to be what you get with Making Music: A Book of Creative Strategies. In one sense, the aim is to be none of these things. It’s not a manual. It’s not a template for music making. It doesn’t, apparently, rely much on musical theory in the traditional sense. But, then, if you know the man behind it – Dennis DeSantis, a classical percussion virtuoso and composer turned documentation czar …

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Learn Max for Live and Control Ableton: Exclusive Book Excerpt Download and Discount

Max for Live represented an important milestone in music making software. It paired one of the most popular music production tools, and easily the most popular real-time workflow, with one of the most popular tools for users wanting to realizing their own musical software ideas. Max for Live, as a result, can become a window into making Ableton Live your own. Of course, figuring out how to begin doing that can be a daunting task. For many Live users, it ends somewhere around downloading some neat patches someone else has made. What do you do when you want to attack …

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Plumbing the Depths of Bass Music Culture: Listening, Reading, and Reflection

Against the sweeping tide of a term as meaningless as “EDM” – perhaps describing a commercial phenomenon more than a genre – or the historically-ambiguous “techno” or “electro,” there is “bass music.” There’s no “treble music,” but there is “bass music,” and even a “bass music culture” to go along with it. If the term is clumsy and foggy, though, the ideas behind it are potent, the latest blossoms in a deeply-rooted musical tree. And in its latest iteration, the music appeals to people well outside a demographic or commercial context or even continent. It appeals to people like my …

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Windsor Hum Gets Its Own Synth, in Latest Ableton Pack; Read About Mysterious Humming

Residents of Windsor, Ontario widely report hearing a humming sound – one no one has been able to identify, but at least some claim to have recorded. And now, for the first time, you can get that hum as a synth for Ableton Live (or any other environment, via the audio files). It’s the latest creation of AfroDJMac, the crazy-prolific producer and Live pack maker who has remarkably turned just 21 last week – happy belated birthday, sir. The resulting synth, novelty aside, sounds spooky and lovely:

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Reading List: The Best of the Web, from Vintage Grooveboxes to APC Sequencers to Indeterminism

There’s a beautiful river of information for electronic musicians out there, if you can only navigate its currents. In our new series, we pick out some of the best selections, since we can’t always squeeze in a full article of every terrific gem out there. It’s like a window into our inbox. And for the first edition, we’ve got a lot – resources for Ableton and wireless MIDI and Logic, deep thoughts on production and folk music and indeterminism and robots learning to play in a band. Queue it up for your reading pleasure. (We’re big fans of Pocket for …

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Melding the Physical with Screens: Prototyping Interfaces, in Videos [vvvv, Book]

Prototyping Interfaces – Interaktives Skizzieren mit vvvv from Prototyping Interfaces on Vimeo. With knobs and motors, wheels and cameras and bits of Play-Doh, a series of elegant interactive experiments provides physical controls to screen interfaces. Prototyping Interfaces, the book, can show you how, all with loads of pictures and examples in free-as-in-beer (for non-commercial use) vvvv. (Preferred pronunciation is “V-4,” generally, in English or German.) The book is in German, and the software is Windows-only, but the videos (and the examples in the book, for that matter) are illustrated visually. For German speakers, full details on the book below. (Previous …

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Germany to Detroit: Good Listening from DJ Koze, Juan Atkins [Mixes, Release, Reading]

Switch off that negative talk: vibrations between musical scenes continue to resonate and grow. Here we have two artists, each somehow evergreen and still blossoming, making the link from past to future feel secure. And speaking of good vibrations, I can think of no better way to get the summer vibes going this weekend than warming up with this warm up and mix. So, we turn to Detroit’s Juan Atkins and Hamburg’s DJ Koze to set us straight. They demonstrate that channels between Germany and Detroit remain open and live, that maybe the best days of cross-pollination are ahead, not …

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