Slow is a super long reverb delay from Tim Exile and it’s free

Well, if you’re on a tight deadline for delivering an ambient/experimental/IDM album, and you’re totally out of money (and even possibly ideas), good news. You’re saved. Tim Exile just released S L O W, for free. To those who don’t know him, Mr. Exile is a professional mad scientist specializing in Reaktor engineering, virtuoso laptop musicinator, electronica personality, and man about town. Tim’s exploits are widely known and buzzed about among nerds and sonic weirdos, but since they won’t reach everyone’s ears that way, he also has a mailing list. Signing up for said mailing list is your key to …


Komplete 11 has all the latest NI goodies, and a new synth

It’s that time of year again – time for a new update to Komplete, the suite of software from Native Instruments. But Komplete 11 is a bit special, in that powerful Reaktor-powered additions meet some especially nice tools for producers.


Music thing’s Turing Machine gets a free Blocks version

We already saw some new reasons this week to check out Reaktor 6 and Blocks, the software modular environment. Here’s just one Blocks module that might get you hooked – and it’s free. “Music thinking Machines,” out of Berlin, have built a software rendition of Music Thing’s awesome Turing Machine Eurorack module (created by Tom Whitwell). As that hardware is open source, and because what you can do in wiring you can also do in software, it was possible to build software creations from the Eurorack schematics. The beauty of this is, you get the Turing Machine module in a …


Reaktor Blocks works with modulars, Maschine, adds drums

Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.

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Ableton hacks: map anything, even Kontakt and Reaktor

Isotonik’s £22 PrEditor is the powerful mapping functionality Ableton forgot. It lets you customize the mappings of a variety of controllers to your music software, opening up custom controller arrangements and tailored interactions to support the way you play. And the latest version does still more. Hackers and patchers will love this – whatever tool they use. If you use Reaktor, that environment is available – doubly useful now because of Reaktor’s beautiful Blocks modular environment. (There are quite a few things I prefer in Reaktor, so being able to map its controls to my Push means I may completely …

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Here’s all the coolest new gear from Messe and Superbooth, in one place

There’s a Eurorack craze on. Synth fever continues to spread. Instrument and software makers keep innovating. And there was reason to time all of this new gear madness to the beginning of this month – with not one but two massive trade shows, each a short Bahn ride away from one another in Germany. It’s almost too much. So, we’ve put our favorites all together, to keep it all straight.


In just a few minutes, mod a Euclidean Sequencer in Reaktor

There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.


Learn about Reaktor from experts in this two hour video

It’s a marvelous time to be a musician. You can imagine a musical instrument, a compositional invention, and then realize that idea in short order. So I was glad to get the chance to emcee an evening of discussion with Reaktor experts, including the folks who built the tool, last month in the software’s hometown Berlin. That discussion ultimately was partly about Reaktor, but partly about the act of instrument building itself – meaning there were insights for anyone interested in working with electronics or software to dream up new musical tools.


Flesh from Tim Exile transforms sounds into performances [Interview]

Working with samples is great fun, but there’s a certain sameness to approach. Load a sample. Play back a sample. Slice a sample. FLESH takes a unique angle: it analyzes sound samples and mangles them into new animals. And it’s the latest from Tim Exile, a one-man live performer of madness himself (Warp, Planet Mu), and one of Reaktor’s greatest patching virtuosos on Earth. His first two instruments, THE FINGER and THE MOUTH, were already weird and wonderful tools for performance, but FLESH could be the deepest one yet. (Yes, that’s just Flesh, not The Flesh. So it could be, …


Go deep with Reaktor 6 in a free livestream today

Reaktor 6 is a powerful blank canvas that can turn into almost any music tool imaginable. But that much power can be, well, overwhelming. So today, we’re fortunate to have some guides into what that means. Today in Berlin, I’m fortunate to emcee an evening in Berlin featuring both the people who built Reaktor and some top artists finding ways to make music with it. Updated: this event is over but an edited video is coming soon – plus more content/tutorials around Reaktor.