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KOMA’s Field Kit, connecting contacts pickups, and motors, is now reality

So much of the idea of signal and the definition of an audio “mixer” is fixed, we’ve begun to take these concepts for granted. Microphones plus line level, into some faders — that’s what a mixer is. But why does it have to be that way? By creating a new instrument around connecting to contact mics and electromagnetic pickups, and even making output to DC motors and solenoids, KOMA Elektronik leapt out of the mainstream – and turned the concept into a runaway hit. Here’s a beautiful video showing how one artist is making use of the instrument: The artist, …

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One of the best premium audio interfaces now claims to be better

How much time do producers spend just handling one or two inputs and stereo output (plus monitoring)? My guess is — a lot. Once you’re out of the studio, that amount goes up. But generally speaking, premium interfaces have tended to assume you need more I/O – even though a lot of electronic production now occurs in the box. So part of the reason the Universal Audio Apollo Twin has been important is that it changes the value equation. It doesn’t do a whole lot of I/O – this is really about recording one thing at a time, listening, and …

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Robin Fox talks epic AV performances and rare synthesizer archives

There’s barely a performance medium that Robin Fox hasn’t touched, not a form with which he hasn’t moved us. From laser AV spectacles to exhibitions to work with contemporary dance (including the wonderful Chunky Move), this Australian artist is the kind of multi-faceted mind we adore. And so we sent Anahit Mantarlian for a marathon interview, so we can all geek out accordingly. -Ed. Audiovisual experimentalist Robin Fox has been busy. In 2016, the Australian composer and laser charmer toured Europe, presented his latest show RGB to Atonal Festival, performed at the inaugural MUTEK.JP Tokyo, and opened an organization (alongside …

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Sennheiser wants to bring 3D audio recording to the masses

The consumer electronic drive to high definition and virtual reality is having a curious, parallel impact on sound. And so it is that Sennheiser now want to market binaural recording to your average smartphone owner – really. Now, of course, the normal human perception of reality includes both visual depth perception and the ability to localize sound in a 360-degree sphere around the head. That is, provided only one’s eyes and ears are fully functional and each pair is intact, the human brain adapts to these perceptions. But “3D” visuals and “3D” sounds aren’t themselves directly connected in terms of …

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Raindrops inspire mesmerizing video by Max Cooper, Maxime Causeret

It’s good to be Max Cooper. The artist’s richly crafted sound designs are paired now with a series of music videos commissioned by motion designers. And the most mesmerizing of these is the stunning creation by Maxime Causeret. Driven by the organic sounds of recorded rain, spun into percussion, Causeret’s animations follow emergent systems of colored particles as they merge and swim across the screen. I could say more, but … Max sort of says it all. Here: I’m really excited about this video project, after the first live show it was the part that everyone was asking about – …

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Get some inspiration in the magic of field recording

Field recording isn’t just an empty exercise. It can change how you think. Just listen to Chris Watson, who records nature for a living: “Listening in a positive way – that is, actively taking the decision to focus on certain things and reject others … stimulates my thought process. It makes me think more laterally about problem solving. It makes me think in a different way.”

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SX on how they make electronic gospel so good it “Hurts”

SX are the embodiment of just how dynamic DIY music can be. The Belgian duo, now in their second outing, make music that’s unmistakably pop, but with plenty of raw power humming under the hood. And Benjamin and Stefanie are fully invested in their collaboration in every last detail of production, from studio to music video to live. I wanted to talk to them primarily about how that creative process came together.

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Free sounds are a window into space exploration on Earth

The world’s spaceflight programs generate astounding piles of images. But sight is just sense through which we can understand and imagine space exploration. And the medium of sound has been comparatively under-used. That’s starting to change. Recently, both NASA and the European Space Agency announced new archives of sounds were being made public and Creative Commons licensing. The licensing on these sounds means that you can not only listen, but also remix, sample, and share those sounds. This could be just the beginning. In November, I visited ESA’s European Space Research and Technology Centre (ESTEC) in Noordwijk, Netherlands as part …

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Get a free sampled drum kit made in a spacecraft test facility

Last November, I went armed with some LOM label microphones to the Netherlands to find out what sounds you could discover in a space research facility. That exploration produced a lot of sounds, and one way to play with them was to transform them into percussion. Now you can download the drum kit I made for your own use, or to create your own instruments.

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Latest microphones unlock an unheard world

Microphones already expand what we can hear. New devices can sonify an unheard world even beyond sound. We covered the use of sound as a way of conveying gravitational waves, waves that – while not sound – are far easier for both scientists and lay people alike to grasp when translated to the audible spectrum. And we’ve already seen a world of microphones and devices by Jonáš Gruska, whose LOM label shares both the electronics and music made with them. Well, now Jonáš is back with a new generation of devices. Here’s what they are and how their results sound.

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