If the iPhone unnerves you and you want something a bit more ... nostalgic ... here's the MS-20 mini cozying up to long-time Japanese Korg rival Roland. Ebony and ivor... erm, gray. Photo by Deceptikon.

Deceptikon Pairs MS-20 mini, iPhone Arpeggionome – And Chooses Favorite Remixes

It’s all Deceptikon, in the remix – gear and tracks. First, 1978, meet 2013. The re-released Korg MS-20 mini here teams up with the lovely iPhone sequencer app Arpeggionome, courtesy the wonders of MIDI. (See our recent feature on the app.) As Arpeggionome’s clever developer Alexandernaut describes it: My friend Deceptikon (http://deceptikon.net) tries Arpeggionome for iPhone for the first time, connecting it to his MS-20 mini. Levels, drums, and effects with [M-Audio-made] Evolution U-Control controlling Ableton Live. Yes, Midiman acquired Evolution and continued to make the controller here. Shame the UC-33e hasn’t seen a successor, actually. And the whole rig …

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clip mode and drill

Beyond Listening: Ninja Tune Launches Ninja Jamm, Opens Artists to Mobile Remix [CDM Exclusive]

What if you could do more than just consume music as a passive listener? It’s a question that has fascinated musicians ever since the dawn of digital technology. Now, a very big label is releasing an app that provides an answer to that question. Ninja Tune – and, crucially, founder Matt Black of Coldcut – are going to mobile platforms with an app that does far more than simple remixing. It can let you radically transform some of Ninja’s artists, even going in a direction that might be considered instrumentalism. CDM contributor Matt Earp has been quiet in these parts …

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The VJ Rigs That Power Momo (for deadmau5), Eclectic Method, Live [VDMX]

What’s making performance video shows tick for the like of live visuals for deadmau5 and Eclectic Method? And once those tools are in order, how do the artists express their ideas live? Vidvox, makers of Mac live visual tool VDMX, have kicked off their own blog offering some insights into how people are actually making stuff with their software. We saw one very nice example portfolio yesterday working with VDMX. And here are two more excellent examples. First up, our friend Momo the Monster, who last guided us through his live Glitch Mob show, is now working on deadmau5. The …

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kelp

A Remix Crosses the Globe, 64 Bars at a Time [Ninja Tune forum Release]

Come on in; the water’s fine. A chain of remixers cross oceans as they remix “Oceandrift,” by Kelp. Photo (CC-BY-SA) Derek Keats. The opening track is aptly-named, a diving bell launched into aquatic depths of ambient sound. But on this release, it’s just the beginning of the journey. From Kelp’s track “Oceandrift,” a set of remixers chart very different musical worlds. They connect across geography via the NinjaTune forum. It’s the latest proof that electronic production need not sound like cut-and-paste templates and presets – and the most recent example of the phenomenon known as the remix chain. What’s a …

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glitch_apclayout

Glitch Factory: A Complete Performance Environment for APC40 + Ableton Live

Some people release remixable stems. Some people release little tools or utilities. Glitch Factory is a complete tool set for live performance, combining performance presets, an Ableton Live set, and even remixable track stems. It’s like getting to borrow someone else’s computer to see how they play – after they first cleaned everything up and made it usable for you. It’s a chance to break out of your performance world and walk in someone else’s shoes for a bit, then use that starting point to warp things into your own musical aims. The work of Mr. Bill and Will Marshall, …

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zeldaswords

Sword & Sworcery, Remixed By Japanese Game Music Legends [Preview]

This may sum up how I feel about this project. It almost certainly embodies how composer Jim Guthrie must have felt, as a who’s who of Japanese game music takes on his work. Photo (of the Tokyo Game Show, natch) (CC-BY) kanegen. Sword & Sworcery, the iPad album-as-game, has gotten plenty of love from this site before, and recognition for friend-of-the-site composer Jim Guthrie. (See Jim open up about what happened behind the scenes.) Now, it seems the Canadian songwriter and soundmaker will meet up with some of the biggest game composers from Japan in a unique remix album. In …

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If Movies Didn’t Play Forward: Toni Dove, R. Luke Dubois Make Gestural Live Cinema

What if film, rather than being projected from start to finish and proceeding in a straight line, could be reconstructed and performed? Every live visual performance involving video has more or less asked that question. But not every performance tries to convey a narrative in the process. Toni Dove’s Spectropia, coming this weekend to the storied Mixology Festival at New York City’s Roulette, does just that, interweaving a sci-fi storyline across imagined future and past through gesture-controlled, computer-vision activated remix. Just one friendly piece of advice: if you start thinking and feeling the way these main characters do, maybe it …

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If Movies Didn't Play Forward: Toni Dove, R. Luke Dubois Make Gestural Live Cinema

What if film, rather than being projected from start to finish and proceeding in a straight line, could be reconstructed and performed? Every live visual performance involving video has more or less asked that question. But not every performance tries to convey a narrative in the process. Toni Dove’s Spectropia, coming this weekend to the storied Mixology Festival at New York City’s Roulette, does just that, interweaving a sci-fi storyline across imagined future and past through gesture-controlled, computer-vision activated remix. Just one friendly piece of advice: if you start thinking and feeling the way these main characters do, maybe it …

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Learning Max/MSP and Jitter, and Remixing beeple: 50 Recipes, Results

If you’re trying to tackle visual programming to move your art forward, know this: you’re not alone. And so it is that Mike Todd writes us to share Andrew Benson’s ongoing series of Jitter tutorials. I remember reading Andrew’s tutorials years ago, but the guy just keeps going – “recipe” number 50 for Max/MSP’s matrix/visual tool Jitter is now available. Mike is generous enough not only to point to those tutorials, but share some of the work he’s done with them. beeple’s videos are Creative Commons-licensed, so here, Mike takes on one as a learning etude. He writes: I’ve been …

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worldsoundmix

A Small World, After All: Freesound.org Sounds on Earth, and an Ambient Musical Laboratory

Through the eyes of satellites, roving Google trucks, aerial imagery, and more, we have plenty of eyes on our planet. But what does it sound like here on Earth? In a Web application and accompanying art installation, the world turns as it echoes sounds recorded around the world on Creative Commons-licensed site Freesound.org. It’s stunning to hear our world’s acoustic diversity – in some strange way, even more than seeing it, in that sounds can instantly give you a sense of place and time. You can load a version on your browser or on the iPad; then, from the world’s …

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