Image Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO.

European Space Agency just gave away a bunch of space media for use

Quick — think about the planet you live on. What does Earth look like from above? Probably, some very clear imagery just popped into your head – iconic Apollo-era photography, or perhaps the more contemporary view of the planet from the orbit of the International Space Station. But our generations – ours, our parents’ and grandparents’ generations – are unique in human history. We’ve been given these images by the radical breakthrough of our species leaving Earth, via our own human spaceflight and myriad machine exploration missions. Earth imagery may well have even saved our species. The Atomic Age gave …

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What if you could touch and feel a score?

What if scores could be touched and felt instead of only read? We’ve just come from a deep, far-ranging discussion with artist Enrique Tomás, a researcher at the Interface Culture Lab in Linz. It’s part of Enrique’s residency with CTM Festival and ENCAC – European network for contemporary av creation, who also support some of our work. And it’s presented as part of another of our MusicMakers hacklabs at CTM Festival. It’s worth sharing some thoughts already. One of his more compelling illustrations of this was his PhD project, tangible scores: Credits: Enrique Tomás – PhD at Interface Culture Lab …

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A call for emotion in musical inventions, at Berlin hacklab

Moving beyond stale means of framing questions about musical interface or technological invention, we’ve got a serious case of the feels. For this year’s installment of the MusicMakers Hacklab we host with CTM Festival in Berlin, we look to the role of emotion in music and performance. And that means we’re calling on not just coders or engineers, not just musicians, and performers, but psychologists and neuroscientists and more, too. The MusicMakers Hacklab I was lucky enough to found has now been running with multiple hosts and multiple countries, bringing together artists and makers of all stripes to experiment with …

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Digging the Asian and African undergrounds with C-drík Kirdec

It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.

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Photo: Udo Siegfriedt / CTM Festival.

Listen to John Chowning tell how he invented FM synthesis

To this day, it’s a synthesis method capable of producing wonderfully otherworldly sounds. And now as its applications on cell phones and cheap PC audio fade into distant memory, FM synthesis is left as one of the great achievements of musical invention, full stop – let alone being a key milestone of 20th century technology. So perhaps it’s time to revisit its significance.

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These headphones will adapt their sound to how you hear

For all the changes in visual appearance, all the extra features and connections, what hasn’t changed much in headphones is how headphones work. That makes Nura, a product launching this week on Kickstarter, all the more interesting. Not only does it introduce a unique design for how the headphones physically deliver sound to your ears, but it’s also a pair of headphones that listens to your ears — even before you start listening to music.

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Graham Dunning; photo by Julien Kerduff.

This month, a far-reaching convergence of ideas in music

What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters of how music is made and how it impacts people? I rather believe in the latter. And that could be why Berlin is the place where so often people gather to work out the next big thing. There’s no single music research center, no formal …

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IRCAMAX 2 effects put sonic science into your Ableton Live sets

IRCAM is Paris’ legendary research center. It’s the place where the original Max was born, and it’s still a hub for some of the brightest minds in sound in the world. IRCAMAX 2 is a new set of effects and instruments for Max for Live. And it does some amazing stuff – though maybe the best way to demonstrate that is not to explain, but to let you listen. They’ve made not just demos but some beautiful music, via artist Najo:

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Drum machines in your browser, and more places to find Web Audio and MIDI

Open a new tab, and suddenly you have a powerful, sequenced drum synth making grooves. Give it a shot: https://irritantcreative.ca/projects/x0x Or read more. (This latest creation came out in June.) This is either the future of collaborative music making or the Single Greatest Way To Make Music While Pretending To Do Other Work I’ve ever seen. But, as a new effort works on sharing music scores in the browser, it’s worth checking up on the Web Audio API – the stuff that makes interactive sound possible – and connections to hardware via MIDI. And there’s a lot going on, the …

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