Your Neurons Are Glitching: We'll Be Watching (And Hearing) Tarik Barri + Monolake Tour

Robert Henke’s new album is out this month, and definitely counts among our anticipated albums of 2012. But what has not gotten wide coverage is the visual element of this upcoming performance, which will accompany the surround-sound tour of the show in audiovisual splendor from Slovenia to Portland. (We’ll be catching up with Robert, I expect, in Berlin at Berghain.) Dates below, along with the sound of the new record. Monolake is getting visual support from none other than Holland-based artist Tarik Barri. In the teaser test above, his work glitches and pulses in a percussive, retina-firing opus, like a …

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Your Neurons Are Glitching: We’ll Be Watching (And Hearing) Tarik Barri + Monolake Tour

Robert Henke’s new album is out this month, and definitely counts among our anticipated albums of 2012. But what has not gotten wide coverage is the visual element of this upcoming performance, which will accompany the surround-sound tour of the show in audiovisual splendor from Slovenia to Portland. (We’ll be catching up with Robert, I expect, in Berlin at Berghain.) Dates below, along with the sound of the new record. Monolake is getting visual support from none other than Holland-based artist Tarik Barri. In the teaser test above, his work glitches and pulses in a percussive, retina-firing opus, like a …

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MIDASpaces: Projection Mapping and Interaction Combine for a Responsive Performance Space

The Irish MIDAS collective has brought together programmers, designers, and composers working to fuse traditional and new techniques. Their premiere project is entitled “MIDASpaces,” a kind of dynamic performance space built on projection mapping and responsive interaction. As they describe it: MIDASpaces: An interactive projection mapped space designed for the Creative Arts. Using the Latest tracking technology, the space learns, adapts and reacts, allowing the performer to create new improvised performances. The promo video is shot in Dublin’s lovely performance space The Helix, working with a PS3 Eye camera modded for infrared light and openFrameworks for tracking. (There’s a bit …

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Eye, Ear, Body Candy: The Pulsing, Geometric AV Worlds of numbercult

Sometimes, to quote Depeche Mode, words are very unnecessary. Instead, lose yourself for a few minutes in the vibrating mathemagical lands of numbercult, audiovisual immersions in which sound and geometry fuse in a strange, abstract dance. Their most recent creation, found via Richard Devine’s prolific Facebook wall and posted earlier this summer, explores an actual audiovisual sequencer. See it at top: Connected is a graphical/musical sequencer system. a three way flow of information, between graphics, sound and external triggers shape the composition. Recorded in real-time. But actual functioning interfaces aside, I’ll leave you with some other video clips that traverse …

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Playing 3D Geometries Like Instruments: V-Module for Ableton + Max for Live

Improvising with 3D geometries as though they’re an instrument, Amsterdam-based artist Fabrizio Poce has harnessed Max for Live to play with generative visuals in real-time in a music environment. You can see the work he’s doing, or try assembling your own chains of visuals with his free Max for Live device V-Module. He explains to CDM why he’s turned to this kind of tool in his work:

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Inspiration: Fluid, Organic Forms, in the Generative Narratives of tsaworks

Martin Böttger (tsaworks) sends along a beautiful 3D audiovisual concoction, with generated tendrils that drift in and out of light as though they are suspended in fluid, synthetic ribbons of jellyfish tentacles. I asked Martin to tell us more.

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Rainlith: A Robotic, Responsive Rainstick, Powered by Kinect

In a responsive, real-time sculpture, the simple sonic qualities of a rainstick become electronically enhanced. Rainlith, a “kinetic sound art” work by Rui Gato, makes the rainstick itself robotic, its sounds transformed in space in a way that is itself sculptural. Responding to movement in the space using Microsoft’s Kinect, the apparatus is a geektastic brew of just about every tool you could imagine involved in this sort of construction. The artist shares full details, reproduced here in both English and Portugese – and Rui, thanks for sending this in:

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An Orchestra of Lightbulbs Makes a Canopy for Theatrical Performance, in Cinder Code

Drawing from historical lightbulbs, powered by creative code (the open source, C++ tool Cinder), “So… I was at a party last night” is a symphony in responsive electric lights. The reactive portion is relatively simple – sound analysis switches lights off and on in clusters – but the objects themselves move to the fore. The bulbs and their natural physical characteristics makes for a fusion of digital choreography and 19th-century technology. Andrea Cuius-Boscarello, a veteran of Random International, United Visual Artists, and Cinimod Studio, collaborated here with a designer whose background crosses between digital and interior and physical, Roland Ellis. …

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An Album That Can Be Heard Only in One Location, in Interactive Ode to Washington, D.C.

“You had to be there.” Live performance has always been dictated by being present in a particular place, at a particular time. Now, the same is true of an interactive album produced by brothers Hays and Ryan Holladay, aka Bluebrain. Both a two-man band and a two-man development team, there’s no clear dividing line between “coder” and “musician” for the artists on this project. But the only way to hear the work is to physically go to Washington, D.C.’s National Mall, and begin walking around. The satellites that populate the GPS received in your smartphone, currently on iOS but with …

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Impossible Architectures, in Real-Time Music Visualizations by Abstract Birds (vvvv)

The ultimate compliment to a visualization of music would be giving the unseen structure, changing the perception of the music not only by granting it visual embellishment, but producing a new experience of the composition that fuses sight and hearing. Abstract Birds, working with French new media organization Arcadi, legendary Paris digital research center IRCAM, and Paris’ talented Ensemble Intercontemporain, realized visuals for a challenging work by Russian composer Dmitri Kourliandski. Kourliandski’s score is primarily timbral, with a densely-clamorous first movement and quiet, percussive second movement. The challenge for Abstract Birds was providing a visualization that brought out the syntax …

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