Reverb: it’s something everyone needs. And yet in hardware, you almost always see the same couple of boxes. It seems about time for a new player. And OTO Machines, known for their BISCUIT 8-bit effect box and filter, might have just the candidate. BAM, coming soon, emulates the reverbs of the 70s and 80s. And in the demo, it sounds amazing.
Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.
KORG’s runaway-hit volca series has proven small can be fun. But the volca FM promises more power in a small package. The volca FM, teased in California in January and demoed in early prototype form, is now official. And part of why we’re eager to get our hands on one is that it’s more than just another little synth box. Okay, so it’s a 6-operator FM synth that’s fun to play with – that you probably got right away. But it’s also a way of loading vintage FM patches, and has powerful editing features. Let’s look and listen.
Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.
We covered Andy Grobengieser’s lovely Minimoog LEGO kit proposal. But perhaps the iconic synth keyboard just isn’t open-ended enough in terms of sound design. You want kids to play with the wide sonic palette of the legendary Moog Model 55. Now, they can.
::vtol:: prankophone from ::vtol:: on Vimeo. If you pick up the phone and instead of a robocall or someone pocket dialing you, you get what sounds like a synthesizer that’s lost its mind, blame the Prankophone. Since we’re going to cover the latest from Ableton and Korg and so on in detail, we practically need a column for the quirky, prolific inventions of one vtol, aka Dmitry Morozov. Call it the Internet of Insane Things. (IoIT?)
Okay, we’ve had pirates and Star Wars and cute houses and such. It’s about time synth lovers got the LEGO set they deserve. Andy Grobengieser is a music pro and LEGO enthusiast out of New York, and he’s got one heck of a Minimoog set designed. (Thanks for telling us about this on Twitter, Andy.) You can even help make it a for-sale set from LEGO – hopefully the first of a whole synth line, if we’re lucky.
It’s the instrument that was the first real electronic music product. And it’s the reason we even know the name Bob Moog – as it inspired Moog to go into electronics and the sale of electronic musical instruments. So, when the Theremin is the subject of a video by Bob Moog himself, it’s a big deal. You’ll have to settle for early-90s video quality, but you’ll be treated to the dulcet tones of Dr. Moog’s New York baritone narration of Theremin history, followed by an enchanting and pretty-darn-technically-good performance on the Russian electronic invention. Thanks to Chris Stack and experimentalsynth …
If you’re using Ableton Live, you simply need to know about Sonic Bloom. It’s like a spa-slash-university for your Live-using self: you’ll come out refreshed, smarter, and even a bit better looking. Creator Madeleine Bloom has been busy. The site, at the age of three this month, now has five hundred tips, tutorials, and informational articles on Ableton Live. (And, occasionally, you’ll pick up an Oblique Strategy, or two – like fill every beat.) There are some ninety freebies, too – from Live Packs to skins and colors to keep your Live set looking spiffy. For instance, just this week, …
It’s the future – this time, for real. Yes, today, the 21st of October 2015, is the destination “future” in the Back to the Future movies. (Photoshopping created some false alarms on other dates.) And that’s time to look back. Ha, remember 1985? An arcane format called “MIDI” was king. (Kids, ask your parents.) The big synthesizers came from Roland, KORG, Moog, and Yamaha. The most sought-after computer was from a company called Apple. People made electro and dance music hits using mono, analog synthesizers and and digital pads and samples and deep basslines, sought after the creations of the …