Caught in the shadow of lost idols and shaken faith, pop is wanting some new soul. Now, Ostgut Ton might be the last place you’d expect to look for one of 2016’s great songwriting fixes. (“Singing along” and “Berghain” tend not to be uttered together.) And yet, here we are. Virginia, the Panorama Bar resident, as a new record. And it’s an utter triumph.
If it feels at times like everything has been done in sound synthesis, every new sound uncovered, then look to physical modeling for a way forward. This collection of techniques simulates the way sound is produced by acoustic objects. Applied Acoustics Systems (AAS) of Montreal has been one of the leaders in that field – and they’ve got a new product out that might be the friendliest offering in this field yet.
Call it music for Internets. Brian Eno has a new album coming, and you can listen to 21 minutes of gently undulating sonic seas, a weary plodding deep melody bobbing atop it, in the stream of “The Ship.”
Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.
Tools like the iPad have brought us lots of nice new things – day-long batteries, ultra-thin lightweight devices, beautiful touchable apps, less time spent troubleshooting. But then they’ve also forced us to make weird choices. Do you want electricity or do you want accessories. (Um, both? Wait, what?!) And so it is that I’m writing this piece of news. Now, you can plug into a wall for electricity! (Wow!) And, you can use USB accessories! And you don’t have to choose!
Twirling timbres of Tiptop titillate, tantalizingly… a modular synth maker has made its own music label, and to kick things off, CDM gets the premiere of a hypnotic music video. First, the music video, made for the compilation’s opening track by Matt Lange. It’s the work of director Nicola De Luca, and I have to admire its simplicity: an entrancing rotating blossom, sculpted in video in a series of horizontal delays and three-dimensional transformations. Description: The video is a metamorphosis of forms that investigates kinetic connections between the motions of rotation and material decontextualization of objects. It takes inspiration from …
Now, following a century of recording and broadcast, where does musical performance go next? That challenges not just space or culture, but reimagining the place of time itself in the performance. Berlin is a fitting place to contemplate time. Once home to Albert Einstein, it helped incubate modern general relativity. At its southwest is Mendelsohn’s Einsteinturm; it has the Kaiser Wilhelm Society in its DNA. Adlershof, a short S-Bahn ride away, is home to the enormous BESSY II synchotron photon radiation source (particle accelerator.)
Skram is the latest iOS app that claims to bridge fans curious about making music and expert producers, giving you “all you need” to make music on an iPad. So – what’s unique about this one versus everything else that claims to do that? Well, first, there’s the team behind it: Liine are the folks behind the Lemur app and various other software, performance rig, and interactive installation projects. Second, while this initial release represents just a first step, there are already some amazing sounds coming out of the included instruments. And third, Skram builds on the work of other …
iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.
I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.