Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

Life is short. We're going to die. Listen to good music. (CC-BY-SA) David Dennis.

For Allhallowtide, Here Are Hours of Brilliant Underground Music to Make You Feel Undead

Happy Hallowe’en, and the entry in the northern hemisphere into short days and long, dark nights – perfect for getting lost in music listening and music making. That means it’s time to start queueing sounds to pass the time, and as it happens the CDM inbox has a selection just arriving. These are mixes unafraid of shadows and adventurous sound, and — well, the best is to let you listen. Leave the cheesy horror Theremin to someone else, and let’s enjoy something that is truly and deliciously evil in music. Lower Order Ethics, aka Szilvia Lednitzky, can send chills up …


Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …


Staying Mobile, Imperfect; Music and Talk from Robert Lippok, To Rococo Rot

It’s festival season, a time for pre-packaged artists, album-perfect live sets, pristine digital worlds that sometimes literally come from the folks at Google. And there’s nothing wrong with that. But maybe now is a good time to look to the other avenue – to keeping things rough and loud, flawed, live in the sense that has mistakes. Robert Lippok, the always-busy, long-working Berlin-based artist, can celebrate both that messiness and obsessive control. As a soloist, he’s been a staple on Raster Noton; he’s also known for being one third of To Rococo Rot. 2014 is bringing new things from both …


In Sync, Spare, Beautiful Audiovisual Duet of R. Lippok + D. Delcourt [Mapping Festival, Ableton]

R. Lippok + D. Delcourt – Raster Noton Showcase, Mapping Festival 2013, Geneva from Dimitri Delcourt on Vimeo. Minimalism for its own sake isn’t terribly meaningful. But economical sound and geometries can become a medium for beautiful moments, if artists truly focus on form and relationship. It’s doubly true when combining music and visual elements, and that leads to some gorgeous intersections of the aural and optical in the work here. Robert Lippok, the Berlin-born Raster-Noton artist, and Dimitri Delcourt, the Swiss designer and live visualist, collaborated in one of my favorite performances of last year’s Mapping Festival in Geneva, …


Hands-on Live 9, with Robert Lippok: Producer Talks Process in Videos

Ableton visits the home studio of Berlin-based producer Robert Lippok (Raster Noton, To Rococo Rot). I’m a great fan of Robert’s work; to me, it’s full of musical imagination, and I like his reflective-but-free approach to his music. I had the fortune of interviewing Robert about iOS over the summer in front of the CDR Berlin crowd. (CDR is an excellent, multi-city event that puts production technique under the spotlight.) I know one of the things Robert probably wanted to talk about was the new stuff in Live 9. Now, he can – and it’s interesting to hear what moves …