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Maschine now makes it easy to work with external gear, spice up patterns

There are those things in music making that are just pure joy. There’s finding a particularly nice groove or pattern, or getting that really juicy synth or effect parameter to morph just so. And there’s getting to use all those toys and external gear you really love. So, while Maschine 2.6 is just a “point” release, I think it works out being one of the most welcome updates to come to Maschine’s loyal audience of groove makers yet. It gets at both these points. First, it inherits all the clever stuff added to Maschine Jam for adding variations and randomization …

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System 80 is a control-for-control 808 clone in Eurorack

Wait… I don’t think I’ve ever basically said everything I needed to say in a story right in the headline before, but… yeah. This is a control-for-control 808 clone in Eurorack. And for anyone disappointed that Roland didn’t do a TR-08 Boutique Series at NAMM, here’s one that is probably exactly as analog fans would want it. You get the layout of the original 808, if a bit miniaturized and squashed, but control-for-control an image of the original. You get independent outs for each part. You get CV I/O for connecting to other modules. It’s Eurorack. It’s 60HP. It looks …

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Roland does subscription plug-ins and cloud rendering

Perhaps the most unexpected product news this month is Roland’s unveiling of RolandCloud. It’s a subscription service from the hardware maker, the biggest component of which is providing access to a range of software plug-ins. Roland, while one of biggest names ever in hardware and synthesizers, is still a relative newcomer to software. But their PLUG-OUT line has steadily built up to library of a few instruments. That includes modeled remakes of classic synths (SH-101, PROMARS, SH-2, SYSTEM-100) and one new synth (SYSTEM-1). Those instruments – and two just-announced new ones – are the first additions to the subscription service. …

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What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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Grab 150 vintage and rare drum machines for free

You know the person – collecting weird old music gear, from highly valuable to the near-worthless used prices, as an obsessive hoarder. You open their closet and immediately want to grab a mic and start sampling. Well, that’s the feeling of this totally free library of drum machine sounds. You get a 200MB library, with 150 drum machines. They’re eminently playable, too, with General MIDI mappings so you don’t have to hunt around for the sounds. They’re also grouped (kick, snare, hat, cymbal, tom). And there’s a lot of work here – custom graphics for each kit and custom controls …

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Minitaur, (CC-BY) Audiotecna Música.

Get a pile of free one-shots of vintage instruments for Ableton Live

Get a gift that keeps on giving: a massive trove of one-shot samples of classic instruments that begs you to make your own sounds. That’s the latest freebie packaged for Ableton Live (though you could also snag the samples for other tools, too). And, wow, here are some beloved instruments: Prophet 12, Prophet 08, Minitaur, SubPhatty, SH101, MS20m, Bass Station II, Custom SEM/Doepfer modular, VL-Tone (drums), Mattel Synsonics (drums) I’ve made no secret of being a fan of Francis Preve’s sound design prowess, honed in years of work for companies like Roland and Ableton. His latest FM pack was a …

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We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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Someone custom-skinned a Roland MC-505 to look like an AIRA

Now having let the genie out of the bottle, there’s no saying where Roland will turn next with reboots and reissues. But some people are evidently not content to wait. So, via Twitter via Facebook, we see this lovely image of the 1998 Roland MC-505 groovebox, reimagined for people who love that black-with-Matrixsynth green-trim look of the new AIRAs.

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Comparing all the 303 recreations to each other and the original

Someday, I’ll realize my dream of gathering ethnomusicologists and neuroscientists and engineers and we can finally sit down and work out why it is that the 303 is so damned pleasing. In the meantime, we can obsess over the nuances of different 303 recreations. Kudos to ADSRsounds for putting that together. They not only compare the original Roland box to the new TB-03 and AIRA TB-3 renditions, but also the analog clone TT-303. These sorts of comparisons are ultimately subject to your own bias as you watch. But there’s still a lot to glean. The first video is interesting. The …

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