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Roland AIRA SYSTEM-1 Synth Video Mega-Roundup; SH-101 Due July

It’s the fourth and final piece in the AIRA puzzle: Roland’s AIRA SYSTEM-1 has finally appeared in finished form in the last few weeks, and is starting to arrive in dealer and user hands around the world. Like the other AIRA models, the SYSTEM-1 is build around component modeling, new digital models of analog components. But whereas the TR-8 and TB-3 model the 808/909 and 303, respectively, the SYSTEM-1 initially ships with an all new synthesizer assembled from the sounds of its Analog Circuit Behavior (ACB) models. For a Roland classic of yesteryear, we’ll be waiting until the end of …

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Roland’s SH-101 Plug-out for AIRA SYSTEM-1, Premiering Thursday in UK?

If you’ve seen a review of Roland’s AIRA SYSTEM-1 synth – the keyboard and final member of the original AIRA quartet introduced earlier this year – it’s probably premature. Word from Roland is that the SYSTEM-1 is still not quite finished. We’ve played it in an earlier form at Musikmesse. But at that point, firmware was still not done, and the synth model was the onboard default for the SYSTEM-1. You can hear Roland’s AIRA component modeling applied to a synth, and indeed, the SYSTEM-1 itself is straight out of the box a new, if fairly conventional, synthesizer. Part of …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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Drum and Bass, Made Analog, with Robots: Watch

What if Drum and Bass had been invented before computers, all with analog gear? And what if the drums were played by robots? Watch the video – it’s real. It’s real-time.

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Roland AIRA MIDI Implementation: Now Official for TB-3, TR-8 – and TB-3 Sequences Nicely

This wouldn’t normally be news, but for whatever reason, the Roland AIRAs went flying off the shelves – missing any MIDI documentation. Ahem. We covered a number of these details before, including a Max for Live patch for the convenience of those of you integrating with Ableton. The good news: the hackers were right, and got more or less the entire implementation via trial and error. So, this is still a good resource: AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI The TR-8, then, holds no surprises. I’m just hopeful we see extra functionality …

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One Day, One Track, 3 Roland AIRAs: How They Sound, Would We Buy Them?

It’s probably the greeting I’ve heard most in the past couple of months, apart from “Hello.” Sometimes even before “Hello.” Everywhere I go, people are asking me what I think of the Roland AIRAs – particularly the TR-8 drum machine. There are now reviews everywhere of the AIRA TB-3 and TR-8 (and some of the VT-3, as well). For CDM, we’re planning some additional detail, but we’re still awaiting our review hardware. Fortunately, I got to spend an action-packed day with the trio of AIRAs with Benjamin Weiss. So, I can do what I’d do in a bar: I can …

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AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI

Part of the appeal of the Roland TR-8 drum machine and TB-3 bassline synth is their hands-on control. But apart from the normal reasons you’d additionally want external MIDI control, you’ll need it for certain kinds of automation recording. The problem is, the AIRAs (at least with their current firmware) lack the ability to record automation internally. You can record patterns on the TR-8 and TB-3, but not changes to sound parameters, effects, or that Scatter thing. So, if you’re making a pattern and find a shifting timbre or glitchy effect you like, there’s no way to save it easily …

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Join an Hour-Long Tour of Legowelt’s Ridiculous Synth Collection, Then Hear the New Album

“Don’t forget what happened to the man who suddenly got everything he always wanted …” Yes, welcome to the wild studio of Legowelt, the eclectic Dutch musician. Future Music Magazine didn’t just do a video tour. They did an hour-long video tour, where the artist waxes poetic on every detail with loving attention. It’s a beautiful nerdfest. I know we’re theoretically not supposed to be fetishizing gear, but there’s some real care for these tools. And… there’s a Commodore 64 studio and some real rarities. For signs Legowelt is One of Us, here’s his bio: Born: a long time ago …

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Watch An Hour-long, Chilled, Hard, Hardware Live Set from TM404

If you can’t get to a shoreline this week, I wholeheartedly endorse watching the waves crash behind none other than TM404, aka Andreas Tilliander. We had a sort of Roland meditation with him before, and I’m even more fond of this set. Sit back and enjoy an hour of sound. It’s worth reflecting on the resurgent hardware set, particularly with the Roland AIRA lineup some of the most talked-about, popular gear of 2014 (and volca beats still selling, and Rhythm Wolf in the wings).

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Roland Could Make AIRA Sync Box; New Directions at Company

AIRA, the lineup that now includes a bassline/sequencer, drum machine, synth, and vocal processor, has in just a few months changed the way a lot of people think about Roland. At Musikmesse in Frankfurt, it was clear that it represents a new direction for Roland, too. The AIRA lineup was displayed separately from the usual Roland booth on the main floor of hall 5 (devoted to pianos), upstairs in hall 5.1 alongside electronic and DJ products (“remix”). And there, crowds gathered to watch pounding dance performances. Those first four AIRA units are just the beginning. Roland has created an entirely …

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