Elektron Analog Rytm Gets 808 Samples; How to Transfer Samples

Elektron’s Analog Rytm may have made its name based on its original, internal analog sound sources, but you can now add some additional sounds in the form of 808 samples. That gives you those 808 sounds with the Elektron workflow. The world may not need another set of dry 808 sounds. But fortunately, here the pre-assembled sound samples come from our friend Goldbaby. Instead of another set of vanilla 808 noises (yawn), you get thick, tape-saturated sounds with some added character. I’m finishing a review of the Analog Rytm now, so I’m keen to hear what they sound like inside …

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It covers just the basics, but sounds the business - and it's free with the SYSTEM-1. The SH-101 plug-in. (Yes, plug-in - we're not to the plug-out bit yet.)

Roland’s PLUG-OUT SH-101 Doesn’t Work in Many Hosts; What You Need to Know

Roland’s PLUG-OUT introduces a new way to deliver electronic musical instruments. You get a plug-in you run on your computer, but then the same sound-making code can be loaded onto hardware – the AIRA SYSTEM-1 synth keyboard. The good news is, the future-y stuff all works perfectly well. As we reported in our initial hands-on, when the installation works, you can use the software alone, the SYSTEM-1 alone, or a combination, which is a nice arrangement. The bad news is, the old-fashioned “install the plug-in and it works in your DAW” part? Well, for some – not so much. We’ve …

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Hands-on: How the SH-101 Plug-Out for AIRA SYSTEM-1 Works – And Sounds

Somewhere, some editor has probably already written the headline “Turn On, Tune In, Plug-in, Plug-Out.” After all, back when Roland introduced the AIRAs, the reaction was something like this: “An 808/909 drum machine! A 303! And – some other things!” So, it fell to the SYSTEM-1 – a neon-green, slim-line keyboard synth – to make PLUG-OUT the big draw. You know, like “plug-in,” but … uh … out. The notion is this: load software models onto your computer, then copy that same model to the SYSTEM-1 hardware. While the keyboard is physically connected to your computer, the software makes it …

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Roland AIRA Series, 1.10: Everything Gets Smarter, USB Backup and Restore

Roland has updated the firmware for the first full AIRA line (TR-8 drum machine, TB-3 bassline sequencer, VT-3 vocal processor, SYSTEM-1 synthesizer) today to version 1.10. There are no new sounds – in case you wanted, say, a 727 drum kit for your TR-8. But instead, the whole range gets USB backup and restore, and functionality around working with patterns and MIDI gets a whole lot smarter. This isn’t just a few fixes; it really does polish off the AIRA series and address a lot of the points I found a bit limiting using them some months ago. And just …

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Roland Drum and Bass Machines as Abstract Art, Suspended in Space

Art from archetypes — so much of what we make is built from the pieces of something that came before. It’s doubly true both in electronic dance music and the machines built to make it. From techno to drum machine technology, a great deal of the future depends on whether we can reimagine the past. The legacy of the Roland TR and TB series hangs heavy over those fields. Heck, they cast their shadow over even what I’m reading this week. I’ve unboxed a set of new Roland AIRAs for review that explode each component, modeling it all over again …

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Production, Beyond the Track: Mad Zach on Collaboration, Combining Tech and Technique [Interview]

“Producer”: in electronic music, this used to mean some person who makes tracks. Today, some special electronic musicians go way beyond that role. They’re combining skills partly because it means diversifying income, but also out of a real love for doing a variety of stuff. They’re holed up in the studio making music, sure – but they’re also finding collaborative ways of doing that, often online, and sharing skills and sounds as they develop them. It’s a more open, connected approach to electronic musical practice. And Mad Zach is a great example. He’s a producer and DJ, but he’s also …

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Roland’s SH-101 PLUG-OUT Integrates Hardware, Software, Looks Rather Convenient

Hardware makers have tried different ways of fusing those tools with software for years. Now, we get to see just how Roland’s PLUG-OUT scheme will work, as the company shows off the SH-101 plug-in for the AIRA SYSTEM-1 keyboard synth that just began shipping. The SH-101 PLUG-OUT ships on the 25th of July, available for free with purchase of a SYSTEM-1. And, just as I’m enthusiastic about Elektron’s direction this year with Overbridge, I have to say PLUG-OUT looks really convenient. The name might be a gimmick, and I don’t know that everyone will want to swap models regularly, but …

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Roland AIRA SYSTEM-1 Synth Video Mega-Roundup; SH-101 Due July

It’s the fourth and final piece in the AIRA puzzle: Roland’s AIRA SYSTEM-1 has finally appeared in finished form in the last few weeks, and is starting to arrive in dealer and user hands around the world. Like the other AIRA models, the SYSTEM-1 is build around component modeling, new digital models of analog components. But whereas the TR-8 and TB-3 model the 808/909 and 303, respectively, the SYSTEM-1 initially ships with an all new synthesizer assembled from the sounds of its Analog Circuit Behavior (ACB) models. For a Roland classic of yesteryear, we’ll be waiting until the end of …

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Roland’s SH-101 Plug-out for AIRA SYSTEM-1, Premiering Thursday in UK?

If you’ve seen a review of Roland’s AIRA SYSTEM-1 synth – the keyboard and final member of the original AIRA quartet introduced earlier this year – it’s probably premature. Word from Roland is that the SYSTEM-1 is still not quite finished. We’ve played it in an earlier form at Musikmesse. But at that point, firmware was still not done, and the synth model was the onboard default for the SYSTEM-1. You can hear Roland’s AIRA component modeling applied to a synth, and indeed, the SYSTEM-1 itself is straight out of the box a new, if fairly conventional, synthesizer. Part of …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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