SoundCloud matters because artists and labels depend on discovery

There seems to be an extraordinary amount of resentment, in my social media feed, at least, directed at SoundCloud. That may be because the service as originally launched was aimed mainly at small-scale file sharing, and bears little resemblance to the much larger, more public-facing service that evolved after round upon round of investment. Or […]

The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… […]

EFF, in Response to ASCAP, Says They Want to Find Ways of Getting Artists Paid

What’s the future of musician income? Crispin guitarist AJ looks on. Photo (CC-BY-ND) billaday/Bill Selak. An ASCAP Political Action Committee fundraising letter that seeks to vilify advocacy positions of organizations like Creative Commons has been circulating the Web. As I noted in a separate story, it’s not exactly news that ASCAP has taken issue with […]

Fine Print: What Do Royalty Rates Actually Pay?

  As an addendum to the Last.fm story today, what are the actual royalty rates we’re talking here? They’re not much – precisely the reason musicians will have to get broadcast-style play counts to ever see anything worth counting. For instance, Last.fm makes the comparison with the BBC in the Wired story. The BBC has […]