ninja-jamm-android

Watch how the Ninja Jamm app can turn a track into an instrument

Four years on, Ninja Jamm continues to steam ahead as an app. We covered this app at its creation; I had provided some voluntary guidance as it’s built on libpd. Over those years, it’s built up a base of users and content, added Android support atop iOS, and enabled support on both platforms for Ableton Link. But I myself find myself playing with it again, after contributing a free content pack via the Liquid Sky Berlin series. And I find this remains relevant and addictive. I think it’s always worth listening to the founders of Coldcut and Ninja Tune, in …

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Image Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO.

European Space Agency just gave away a bunch of space media for use

Quick — think about the planet you live on. What does Earth look like from above? Probably, some very clear imagery just popped into your head – iconic Apollo-era photography, or perhaps the more contemporary view of the planet from the orbit of the International Space Station. But our generations – ours, our parents’ and grandparents’ generations – are unique in human history. We’ve been given these images by the radical breakthrough of our species leaving Earth, via our own human spaceflight and myriad machine exploration missions. Earth imagery may well have even saved our species. The Atomic Age gave …

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digitakt_closecrop

More details on the $650 Elektron Digitakt – and why we’re into it

The Elektron Digitakt sampler/drum computer may have been sitting silently under glass at last month’s NAMM trade show. But no matter: it was still the gear generating the most buzz. The thing is, we’re already hearing enough about the Digitakt to pique our interest. First, there’s that price — US$/€650. That’s terrifically affordable by Elektron standards. And then there’s the compact size, the accessible-looking controls and OLED, and the focus on sequencing and sampling. This just looks like a fun, friendly groove box. It also looks like a device that could significantly expand the audience for Elektron gear, not only …

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steinwayno1

Now your Nord can sound like the very first Steinway, No. 1

The instrument was crafted, literally, in a kitchen in 1836 in Seesen, near Hannover. But it defined piano history. It’s pianoforte “Steinway No. 1,” built by Steinway founder Heinrich Engelhard Steinweg. And now its sound is inside more modern electronic keyboards, from Swedish builder Clavia. Clavia aren’t unveiling any new gear this week, but they do have two interesting new sound libraries. One is “Steinway No. 1.” There’s been a lot of effort between the original instrument and Herr Steinweg’s kitchen and you. Expert builder Chris Meane of Belgium got an exclusive authorization from the Steinway company to recreate the …

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ni_komplete_kinetic_treats_electric_train2

NI just gave away a bunch of morphing toy sounds from your childhood

Mighty morphin’ nostalgia rangers. That Fisher-Price “Pull-a-Tune” xylophone. The plastic turntable Fisher-Price musicbox. L.G.B. and Lionel locomotives. A tin robot. Even if these don’t bring up memories of your own childhood playtime or your family’s playthings or (uh, depending on age) a visit to the local toy museum, they’re full of charming, magical sounds. And in a free sample library from our Berlin neighbors at Native Instruments, you can mess around with them in a morphing 3D interface. It’s just what you need to produce some ghastly, gothic, creepy horror soundtrack to scare the living f– Oh, wait. Sorry. Holiday …

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Photo: Randy Yau, via Barry Threw on Flickr.

In memory of Jean-Jacques Perrey

Soon after the loss of Don Buchla, another legend of synthesis has passed away. Jean-Jacques Perrey died last week. Perrey was a master of whimsy and invention. He’s of course best known for his collaboration with Gershon Kingsley, “Baroque Hoedown,” featured in Disney’s Electric Light Parade. But that’s emblematic of a broader contribution: he’s one of the leading pioneers of the 20th Century in introducing the sounds of electronic synthesis to a mass audience, with noises heard from Sesame Street to TV ads. Here’s the master composer playing his own best-known tune: It’s also notable that, like Bob Moog, Perrey …

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Here’s what you’ll get out of Ableton Live 9.7, available today

Ableton Live 9.7 – the final stable download – is available today. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone.

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The DX7 - one of three instruments in a new library for Ableton Live. Photo (CC-BY-SA) Bernd Sieker.

Go full retrowave with a magical FM synth library for Ableton

FM is a conundrum. On one hand, it’s the ideal form of synthesis, capable of a rich range of sounds and transformations. On the other, it’s hard to actually get all that sound under control – the very thing that range would make you want to do. And accordingly, a lot of sound libraries have just skipped over FM altogether. Not our man Francis Preve and Symplesound. Here’s the concept: make FM fun and playable again. Make FM something where you want to start toying around and turning knobs, without fear that you’re going to get lost in a muddle …

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The overview screen, for navigating - some overtones of both Kai's software from the 90s and the better stuff from Apple (Sculpture).

Substance is a new software approach to every kind of bass

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making enormous bass things out of other already pretty-large bass things. And it represents a nice latest chapter in what the boutique software developer has been doing with sound design

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The Roland Boutique that wasn’t a 303 or 909 might be the most interesting

808. 909. 303. 330. No, really “330.” VP-330. That last one is also a classic Roland product with a cult following, but suffice to say, it isn’t a household name on the same level. It’s Roland’s 1979 “Vocoder Plus” instrument – the “plus” added because it was not only a vocoder, but also a string and vocal synth. It also got a reboot on Friday’s mega-launch of Roland instruments. Here’s the surprise: it might be the most interesting of the Boutique offerings yet.

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