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Electro-Harmonix has a Dual Stereo Looper with Layering, USB

Electro-Harmonix have a new looper out, introduced last week in Nashville, that I suspect could be a really big hit. The winners: dual stereo operation, loads of recording space, and then easy connection via USB so a looped improv today could be the beginning of a track tomorrow. Oh, and it’s not expensive, either. When it comes to looping in live performance, most folks haven’t taken to the computer as much as the standalone looper, particularly BOSS’ LoopStation line. And that’s with good reason: you want dead-simple operation so you can focus on playing. The heart of the idea is …

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Samples, No Computer: $99 Akai MPX8 Combines Pads, SD Card, MIDI and USB Port

Sometimes, there are designs that seem almost impossibly like an answer to a specific need. Let us illustrate. Wouldn’t it be nice to have a box that you could play, independent of a computer, that just let you mess about with samples directly from an SD card? And wouldn’t it be nice if it had MIDI jacks on it, too, and not only USB, so that you didn’t need the computer handy? That’s the MPX8 from Akai Pro. It’s dead-simple, so you’ll do most of your sample manipulation away from the hardware. (There’s a free Mac and Windows sample editor …

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Roland V-4EX: HDMI, RGB, SD Mixer Will Have US$1995 List

We’ve gotten more details on Roland Systems’ Group’s V-4EX mixer. This really is an evolution of the V-4 – and Roland apparently still views “V-4” to mean standard definition, meaning you’ll need to look elsewhere for internal HD mixing. But the V-4EX does deliver on connectivity, with functionality via things like HDMI, and all in the VJ-loved V-4 form factor. We also know the price: US$1995. The bad news: there are some design glitches, like putting tap tempo on a touchscreen. And you are limited to SD mixing, even with those HDMI ins and outs; everything is upscaled. I could …

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kaossilator2

Korg’s Kaossilator 2, Mini Kaoss 2: Handheld Sonic Fun That’s Not an iPhone

Photo: Marsha Vdovin for CDM. Remember when electronic sound gear hid in hulking, rack-sized cases? Korg’s Kaossilator series had already begun shrinking the desktop KAOSS Pad gear, but even the first-generation Kaossilator wouldn’t fit in your pocket, given its square shape and corners. (Well, unless you were wearing overalls.) The Kaossilator 2 and Mini Kaoss Pad 2, on the other hand, are scaled perfectly to your hand and would tuck neatly into a pocket in your pants or bag. And while I know some readers were hoping for a new Pro addition to the KAOSS line, these little bundles of …

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zoomr8_threequarters

Portastudio for a New Age: Zoom R8 is Recorder, Sampler, Interface, Drum Machine, Control Surface

Zoom’s R8 promises to be everything you’d ever want to take with you on the go in one device. If they’ve pulled it off, it could be more invaluable in your backpack than even your computer. The R8 is a little bit of everything: stereo recording, multitrack editing, a 2×2 audio interface, an 8-voice sampler (complete with little pads), a drum machine (seriously), an effects box with modeling, a guitar tuner, a metronome, and a MIDI control surface. The big surprise: all of this is compact and lightweight and runs without a wall wart – USB power or batteries will …

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Zoom Q3 Mobile Video + Stereo Sound, Love Child of an H4 Recorder and a Flip

Snack-sized, solid state HD video is cheap and affordable these days. Sure, a handheld video recorder like the Flip HD or Kodak Zi6 may not rival your real camcorder, but they’re dirt cheap, fit in your pocket, and with good lighting can put out really nice footage. There’s just one problem – the sound is often utterly dreadful. (I picked up a Zi6 this week because its audio is pretty reasonable, but it’s not stereo and I wouldn’t use it in an audio-critical situation.) Hmmm… if only your favorite HD video handheld and something like the awesome Zoom H4n could …

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Cakewalk V-Studio 100: Mixer + Recorder + Computer Audio Interface + Controller

Sometimes, audio products come in sexy, exciting packages. But sometimes, they simply solve a set of problems. And the products that fit into the latter category can be as beloved (dare I say sexy), if not more so. Since I first saw a prototype in the fall, I’ve been eagerly awaiting trying out Cakewalk’s V-Studio 100. It immediately resonated with features I wanted to see in hardware. Rather than talk the specs, let’s talk about the kind of problems you might like to solve in your mobile rehearsal, production, and performance rig: You want to mix live, but don’t want …

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From Comments: Edirol's P-10 Firmware Makes it Useful Clip-Triggering Hardware

We love computers. But the idea of a piece of hardware capable of triggering clips has been tantalizing from the beginning. Grab a piece of gear that’s not big and pricey like a Pioneer DVJ, plug it in, and play some clips into your mixer and effects — sign me up! The only problem has been, not only does the Edirol P-10 cost as much as a well-equipped laptop, but it’s first iteration had some significant problems that made it useless to VJs and live visualists. Specifically, latency made the P-10 undesirable — ironic, as low latency is exactly why …

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From Comments: Edirol’s P-10 Firmware Makes it Useful Clip-Triggering Hardware

We love computers. But the idea of a piece of hardware capable of triggering clips has been tantalizing from the beginning. Grab a piece of gear that’s not big and pricey like a Pioneer DVJ, plug it in, and play some clips into your mixer and effects — sign me up! The only problem has been, not only does the Edirol P-10 cost as much as a well-equipped laptop, but it’s first iteration had some significant problems that made it useless to VJs and live visualists. Specifically, latency made the P-10 undesirable — ironic, as low latency is exactly why …

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