Interview: Sheffield’s The Black Dog Branch into Controllers, With Crowd-Funded Gear

The Black Dog are titans of experimental techno and house, with a long record to match. (We reviewed – and praised – their latest album, Tranklements.) But you may not associate them with manufacturing hardware. As the landscape of crowd-funded music hardware grows, though, that’s exactly the venture they’re now willing to take, as the members of that group co-found a new, England-based manufacturing company dubbed Machinewerks. And the results so far already give insights into what they value in controller design and how they use those controllers in their music. They’re now well on their way to funding a …

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New Music From Sheffield’s The Black Dog: Focused, Finely-Honed Objects [Stream, Video, Mix]

Out this week is a new full-length from The Black Dog. The Sheffield, England-based trio – Ken Downie, Martin Dust, Richard Dust – have been making smart, non-boring electronic music for ages. (Let’s not utter “IDM” – but “smart” fits.) From Warp to Ostgut Ton, they’ve been an indelible and irreplaceable part of the creative landscape. What strikes me about Tranklements is its effusive economy and clarity. In a time when music is regularly dripping with reverb or smothered in gauzy effects and nostalgia, this is a record that stands apart from any particular time, dry and direct and witty. …

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Robots, Mimicking Bees, Cover a Room in a Drawn, Unbroken Line

MIND OUT : PROJECT LONGARM from e on Vimeo. The idea of technology being apart from nature may be entirely backwards. Patterns and logic in code spring from the organic engine of human brains, and can be at their most effective when they mirror the natural world. And so it is that you can cover the walls and floor of an installation using rules that mimic the flight of bees. Call it cross-pollination. Mattias Jones sends his project, and notes that “all code, engineering and music is bespoke for the installation.” Details: Towards the end of 2012, as part of …

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Mark Fell investigates nanostructures and dancing particles. A visual reveals some of those Brownian Motion-produced forms. Photo courtesy Mark Fell.

Nanomusic: Mark Fell Turns to Neuroscience and High-Power Microscopes for Particle Music

Making new sounds means doing more than just making new sounds. Artist/composer Mark Fell (also known as half of SND) dives directly into the thorny question of form. And when he looks for new forms, he literally looks. The visually-trained artist speaks about making “non-representational” music in the same way an abstract artist might. (No surprise that arresting imagery invariably accompanies his work.) And in his latest creation, he looks even further, collaborating with a neuroscientist to peer at tiny particles through a high-power optical microscope. The result is alien music, constructed from the dance of those nanostructures. The work …

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