Ableton-Live-9_7-Beta_1_web

Ableton Live 9.7 in beta, with slicing and beatmaking news

Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.

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New live slicing functionality. Courtesy NI.

Maschine adds real-time slicing and other stuff you asked for

There are updates, and then there are updates. There are the updates that give you a bunch of new functionality – marketing tends to love these. And then there are the ones that just make a big slog through feature requests. Maschine “2.4.5” is not an exciting sounding update. But wow, does it ever add a long list of improvements users wanted.

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simplertools

It slices! Patches make Ableton’s new Simpler more powerful

By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more. 

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Fraction

Not Just Stuttering: Fraction Plug-in Slices Sound Live on Mac

Fraction by Sinevibes video demo from Sinevibes on Vimeo. Sinevibes has been on a roll lately. The one-man Mac plug-in shop keeps churning out elegant, attractive plug-ins with a consistent color-coded visual interface, variations on a theme that invariably include clever twists. And now, this. Fraction isn’t the first slice repeater plug-in. But it might be the most direct and intuitive. I’ve been playing with it for a bit, and it’s tough to describe just how much it’s able to do, or how quickly you can get at that range. Far from just adding some stuttering effects, you can add …

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traktor_iphone

With History, Traktor DJ Just Became Perfect Mobile DJ Solution

Who says DJs aren’t useful? With a mind-boggling amount of music released daily, the DJ might be more important than ever. The word “curation” is overused … how about selection, or filter? If you’re like me, you’ve grown reliant in at least some genres on mixes from favorite artists and journalists just to skim the good stuff of the top. The best is really amazing. The rest is really abundant. And, for that matter, who says mobile devices aren’t useful to DJing? (Stay with me – these two ideas connect.) Here’s the thing: Native Instruments’ Traktor DJ has skyrocketed to …

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Sector is a Stuttering Stochastic Sample Slicer, Using Probability and Curving Lines [iPad]

Now we know how an MPC would behave if it were engineered on planet Vulcan. If you’re tired of conventional slicers and step sequencers, Sector turns audio into glitchy, stuttering, elaborate electronic patterns. Sound is fractured into a massive circle, resembling nothing if not some sort of archaic astronomical calendar, as arcing lines connect one slice to another and brightly-colored dots in the center illuminate to show more conventional steps as they advance. Still too regular for you? Fret not. All of this is randomized for coin-flip pattern variations. Warp modes and modulation shapes, all controllable, add additional glitching and …

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Reason 7’s New Tools for Slicing, Stretching, Retiming Audio: Q&A, Tutorial Vid

Far beyond the simple sampling that first appeared in hardware, slicing, re-timing, and stretching audio keeps getting more sophisticated, manipulating recorded sound in musical ways. But a lot of the popularity of this technique traces back to Propellerhead and their ReCycle tool. By bringing together smart digital slicing with its REX file format for loops, ReCycle helped launch the looping craze in software. REX support has always been part of Reason, since the start. But the way sound works in Reason has gradually evolved, particularly as Swedish developers Propellerhead made Reason into less of a rack of synths and more …

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Reason 7 Arrives: Slicing, External MIDI, More – And All Rack Extensions Work [Details, Videos]

Reason 7 is available now, in the full version, upgrades, and entry-level Essentials editions. You can download the new release right away – including, intelligently enough, as a torrent for downloads even if Reason users get overexcited. (Cough, Ableton. Hope you’re paying attention.) There are lots of improvements, but the banner features are clearly integrated slicing and external MIDI sequencing. Those features have been a long time coming. The ability to sequence external MIDI gear seems a no-brainer for a tool with so many great sequencing tools and robust MIDI input control support. And integrated audio slicing is, oddly enough, …

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Propellerhead Reason 7: External MIDI, Integrated Slicing Get Serious, Overdue Love [Preview]

Happy 2013, everyone! Here’s CDM with the latest news. It seems there’s a new synth called the Korg MS-20! Or you can have a monosynth with filter saturation – that arrangement of three oscillator knobs looks cool. All of these things use a ground-breaking format called MIDI that allows digital instruments to talk to one another. And you can even get software for your computer that now supports MIDI output. So, you can use your computer to talk to your synth – that is, if you aren’t busy taking advantage of the computer’s ability to slice up audio. In case …

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samplr

Samplr is an OP-1-Inspired iPad App Focused on Touching, Slicing Waveforms

On computers and most hardware, waveforms have been a “look, but don’t touch” affair. Now, that view is coupled with multi-touch capabilities. Samplr is, as the name implies, an app that focuses on working with sound. With rhythmic slicing modes and multi-touch manipulation of samples, it’s a lovely-looking way to surf sounds from your fingertips. Some of the sonic modes, and certainly the visual appearance, take more than a passing inspiration from Teenage Engineering’s OP-1 hardware. That said, the actual modes are a bit different, though they draw on some of the “tape” concepts, and the actual workflow with touch …

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