volumeshaper

Cableguys are showing some amazing tips for their shaper plugins

Cablesguys are one of the more interesting purveyors of plug-ins out there, and they’ve been showing off some interesting stuff with their lineup. These things can be a bit hard to describe, just in theory – okay, so you’ve got VolumeShaper and TimeShaper, which shape … volume .. and … time. But in practice, you begin to see some really compelling possibilities coming out of this approach and user interface. With VolumeShaper, one recent plug-in, you can take hi-hats out of an existing loop (meaning this is also a must-have plug-in for remixes, for example). TimeShaper can be used for …

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Someone tried redesigning Ableton Live, and he’s getting lots of attention

Ableton Live’s dominance over a lot of workflows is unparalleled. But the software itself is looking long in the tooth. There are clearly some features long in coming, and despite some updates, the UI is still largely unchanged since the software’s debut over a decade and a half ago. That’s good in some ways, but it means the software can be clunky on modern displays and in certain use cases. It says something about the love for the software that UI/UX designer Nenad Milosevic would create a deep redesign project, spec, just for the heck of it. If Nenad’s redesign …

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Groovebox, a music app rigorously designed to give you a place to start

There are two stories about this app, and which one you care about depends on who you are. If you’re still someone trying to get into music making, the important thing to know about Groovebox is, it’s never going to leave you stuck for inspiration with a blank, silent screen. The moment you add a drum or synth part, you also get a pattern going. There’s a groove there immediately, and it’s up to you to tailor it to suit your taste. If you’re a more advanced user, you might assume the story ends there. But this app does actually …

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Exclusive: Ableton acquires Max maker Cycling ’74; what you need to know

Ableton is announcing today they have fully acquired Cycling ’74, the California-based company best known for producing Max and Max for Live. It’s perhaps an auspicious moment for Cycling ’74 as the company reaches its 20th anniversary – and 20 years of availability of the MSP tools for synthesis and sound processing. But if acquisitions would normally make you nervous, the close existing relationship of the two companies, and the plans as they’re describing them, should put those concerns to ease. Gerhard Behles and David Zicarelli, founders and CEOs of Ableton and Cycling ’74, respectively, tell CDM that the deal …

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Founders David Zicarelli (left) and Gerhard Behles (right).

A conversation with David Zicarelli and Gerhard Behles

Today’s Ableton have announced they’re acquiring Cycling ’74. There’s no two better people to talk to about what that means than the founders and CEOs of the two companies, Ableton’s Gerhard Behles and David Zicarelli of Cycling ’74. That’s big news. But it’s also a long time coming, based on a relationship that has evolved over three decades. And the history of these two companies is deeply intertwined – not just because of Max for Live. Without Max, it’s almost certain there would be no Ableton. Behles says Max was the first music software to really inspire him. Max was …

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steps

Steps is an iOS sequencer that works in your hand, sequences hardware

This will sound like ad copy, but it’s true: Steps is the handheld iOS sequencer that all your mobile gear has been waiting for. Our MeeBlip line makes MeeBlippy sounds, but it needs a MIDI input for notes – like a step sequencer. (I’m not just plugging our product here – I’ve even pondered writing my own app to fill the void.) The volca series and Teenage Engineering Pocket Operators have their own sequencers, but it’s useful to have a clock source for all of them – and you might outgrow their built-in sequencing functions. Add to that countless other …

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Maschine 2.6.5 makes it easier to manage ideas, routings

Ableton has accustomed a lot of us to the idea of having a grid of bits of ideas we can trigger and layer (among other similar metaphors in drum machines and the like). So of course that same functionality would make sense elsewhere. Maschine Jam took Native Instruments’ groove workstation into a different direction by focusing on how you generate, transform, and arrange ideas. Now that focus on workflow is finding its way into the whole Maschine family, both in the form of refinements to Jam and new functionalities elsewhere. So, as NI quietly rolls out Maschine 2.6.5, all Maschine …

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ifeellove

Ableton built a free browser playground to teach how music works

I think there’s a common myth that music production tools somehow take away from the need to understand music theory. I’d say exactly the opposite: they’re more demanding. Every musician is now in the position of composer. You have an opportunity to arrange new sounds in new ways without any clear frame from the past. You’re now part of a community of listeners who have more access to traditions across geography and essentially from the dawn of time. In other words, there’s almost no choice too obvious. So I also believe that every musician and producer ought to have access …

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Hell freezes over, Reason 9.5 adds VST support

For those who fear we might live in the End Times, I have some really terrible news. Propellerhead is adding VST plug-in support to Reason. Yep, that’s Propellerhead who for years had sworn they’d never add plug-ins because of concerns about stability, compatibility, and even simple features like undo implementation – and because conventional plug-ins don’t integrate the way that native devices in Reason’s trademark rack do. So what happened? Well, first, Propellerhead found they had something of a hit in their own Rack Extension format and accompanying store. Based on conversations I’ve had with developers, the business opportunity there …

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ninja-jamm-android

Watch how the Ninja Jamm app can turn a track into an instrument

Four years on, Ninja Jamm continues to steam ahead as an app. We covered this app at its creation; I had provided some voluntary guidance as it’s built on libpd. Over those years, it’s built up a base of users and content, added Android support atop iOS, and enabled support on both platforms for Ableton Link. But I myself find myself playing with it again, after contributing a free content pack via the Liquid Sky Berlin series. And I find this remains relevant and addictive. I think it’s always worth listening to the founders of Coldcut and Ninja Tune, in …

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