Years ago, when Ableton’s Operator FM synth designed by Robert Henke made its debut, it was a revelation. Its clear panel design and flexible architecture made FM synthesis more accessible to countless Ableton Live users. But now Operator, while still a great go-to instrument, certainly deserves some competition. And that makes Bengal special. The production of Max for Cats (and Christian Kleine, another key designer of Ableton instruments), Bengal also innovates in the area of clear design and architecture. And with a semi-modular design, it goes further than Operator in opening up avenues for creative sound design.
Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.
One of the things that makes the synthesizer beautiful is that, in some ways, it’s an extension of the voice. From the synthesizer’s early history, entangled with the Theremin and vocoder, to crossovers with vocal synthesis and artificial song, synthesis gives us another means to sing. So PPG Phonem is a lovely addition to that history. Creator Wolfgang Palm has made this a labor of love of late, and he’s on a roll with new synths for computer and iOS. The inventer of wavetable synthesis as we know it and founder/owner of PPG, he’s got the resumé, for sure. You …
Maybe you’re tracking in a studio full of everything you want. But otherwise, it’s tough to argue with the appeal of being able to add tools freely, connecting just the cable from your mic to your computer. And so, for anyone recording vocals, this week’s news from Universal Audio is welcome indeed. It means that you can use a simulation of a powerful channel strip full of gear in software form – but track in real-time, as if you owned the actual hardware. And you can do it for a price that’s pretty humane.
Native Instruments has been a pioneer in making tools like Reaktor that employ unique synthesis techniques. But more recently, that power has found its way to self-contained instruments. Tucked into the release announcement of Komplete 11 comes some very big news for lovers of creative sound design and synthesis. It’s a new instrument called Form. It’s powered by Reaktor, but it’s been built from the ground up, according to NI. And it lets you drag and drop sounds to manipulate them into playable instruments.
It’s that time of year again – time for a new update to Komplete, the suite of software from Native Instruments. But Komplete 11 is a bit special, in that powerful Reaktor-powered additions meet some especially nice tools for producers.
Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.
Soemtimes it’s the little things. I’ve struggled for some time to find a simple metronome I can recommend. But a lot have a bunch of features I don’t really care about – and then lack some basic flexibility. So this is a welcome and unexpected arrival. It’s a free metronome app from Steinberg for iOS, and it’s really nice.
Puremagnetik are one of the most experienced sound library houses around, with a resumé that includes collaborations with Ableton early in the history of Live. And evidently they want you to get to know them better, as they have a gigabyte of free sounds on offer showing their work. Included is both soundware and Device Racks for messing about – so this isn’t just a loops library. You get: Modular loops (building blocks for pieces to get you started) Various Effects Racks Film Score sounds Waveframe, which emulates the Ensoniq Fizmo’s Transwave Synthesis (think morphing wavetables) Vintage Chips, with lots …
Reason has cooly, quietly evolved into the thing it said it wasn’t – namely, a DAW. (Okay, we won’t call it that – let’s just say it’s one tool that lets you do all your production for a wider audience.) And it’s done it in a way that retains its Reason character. And that’s given it a uniquely dedicated core audience. How dedicated? Well, dedicated enough that they shoot their own videos showing you what’s new. And actually, the best video series demonstrating what’s changed in Reason 9 didn’t come from Propellerhead at all. Instead, it comes from YouTube user …