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Korg turned their Arp Odyssey into an iPhone, iPad app

Let’s be clear: Korg’s ARP Odyssey remake is a thing of beauty. But it’s now also available as an app … one with awkward spelling that’s nonetheless rather awesome looking. Meet ARP ODYSSEi. (Hey, that “i” has been on the beginning of words for eons now. Maybe it wants to flip to the other side.) ODYSSEi is a modeled version of the ARP Odyssey. And it’s a bit like an “Odyssey+”. It’s got the three filter types and drive from the new 2015 Odyssey reboot (the hardware). But iOS brings other features: Voice assign mode – with chord playback Arpeggiator …

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notationsurfacestudio

How expressive input, immersive 3D might make PCs cooler than Macs

“Pro.” “Creative.” They’re words that are repeated so often in computing it’s easy for some people to forget what they mean. By definition, though, if a “professional” is getting paid for their work, investing in more power to get their work done has a return on investment. And being “creative” on a machine means pushing it to the limits of expression. This may be the post-PC era after all, but that ought to mean we get computers that focus ever more on those use cases. Remember Jobs’ infamous quote about trucks? Embedded in his thinking was an answer to what …

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blocsexport

Start music on iOS, finish it on Ableton Live., with new Blocs Wave

For many of us, finishing something is still a task best left to a laptop. The precision and familiarity of a desktop interface, the favorite suite of plug-ins, a big monitor in the studio, and tools like Ableton Live all add up to something that mobile just can’t beat. But that’s finishing. Starting and sketching are tasks that are ideal for mobile – for those moments when inspiration strikes. Everyone knows this, but the workflow between platforms is often limited to bouncing out audio stems and the like. It’s primitive enough that you might simply not try at all. So …

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Grab a free secret sauce channel strip for Ableton DJ and live sets

The beautiful thing about software is that it’s flexible. You can reconfigure an entire live rig on the fly. But it’s still necessary to channel that flexibility into consistency, especially playing live. Reuse the stuff you need most so it’s always there. And train your hands and muscle memory so you can play fluidly. Savages – the Chicago/Dallas duo of Ted “TJ” Pallas and Alexandra Hartman – have shared their go-to channel strip full of all their favorite tools. And while they were at it, they recreated a unique EQ. EQ differently PLAYdifferently’s Model 1 mixer takes a different approach …

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Traktor 2.11 is here, and a bunch of stuff now works together

Computer DJing: it should solve problems, not create them. Because you can also mix vinyl or use phonographs to Rekordbox-formatted USB sticks, computer DJing also absolutely, positively has to open up creative possibilities. It has to justify its existence. And because we play music – like, it’s supposed to be something fun we do with other people – computer DJ tools ought to play with one another. So, Traktor 2.11 delivers a lot of little things. But these details both make playing solo potentially more creative, and playing with others and plugging into gear in a booth a whole lot …

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Here’s what you’ll get out of Ableton Live 9.7, available today

Ableton Live 9.7 – the final stable download – is available today. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone.

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araucann

Only a randomize button can save this synth with way too many knobs

araucann looks like what would happen if someone’s plug-in SDK … exploded on the floor. It’s a six-oscillator synth – okay, so far, so good – but then it also has 33 envelopes and 32 LFOs and things sort of get out of hand from there. This ocean of parameters is then encapsulated into a set of simple, musical controls that let you easily — ha, no, only joking. They made a knob for everything and called it a day. Each individual oscillator has its own bank of controls, and then even one of those banks is already slightly overwhelming. …

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nativeaccess

If you use NI stuff, get Native Access and Maschine updates

A public service announcement: if you use Native Instruments software, you should probably check out Native Access if you haven’t already. There’s a good chance it could make your life easier, and keep you up to date with software like the Maschine update that dropped last week. Here’s the deal: NI software has in the past been scattered across a set of manual support downloads and two tools, one called Service Center and one called Komplete Downloader. And odds are pretty good you’ve head a headache with one of those tools at one time or another. A new piece of …

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Finally, a different EQ model – and it’s free from Soundtoys

Vanilla. I love vanilla. But I don’t want to eat vanilla ice cream all the time. EQs lately have been like vanilla ice cream – you get the same old model over and over and over again. You can get really amazingly accurate models in digital form, enough that you might reasonably skip hardware. But it’s too much of one thing. The folks at Soundtoys apparently felt the same. And they’re giving us something different. Now, I’m happy with my Oxford plug-ins and my Pulteqs and so on – don’t get me wrong. Really; I use them all the time …

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virtualdj

This is how to DJ with a 7″ tablet and an NES controller

Learn the tools of the trade! Learn the industry standard. No laptops! Remember when a certain nightclub banned laptops from the DJ booth? Well, technically, this isn’t a laptop. And “industry standard” – hey, you didn’t say which industry. (Nintendo’s definitely an industry standard.) This video just crossed my desk, and it’s a clever hack that shows the combination of Virtual DJ and a 7″ Windows tablet, for an ultra-portable DJ rig. No one likes big, hunky controllers. So the NES30 controller stands in – small, tactile, classic. Okay, I’ll admit – this is totally ridiculous. (That’s the point.) Seriously, …

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