Skram is the latest iOS app that claims to bridge fans curious about making music and expert producers, giving you “all you need” to make music on an iPad. So – what’s unique about this one versus everything else that claims to do that? Well, first, there’s the team behind it: Liine are the folks behind the Lemur app and various other software, performance rig, and interactive installation projects. Second, while this initial release represents just a first step, there are already some amazing sounds coming out of the included instruments. And third, Skram builds on the work of other …
Creating digital music is all about the business of mucking about with sounds. But somehow, the actual sounds themselves have been tangled up in immense grids and spreadsheets and mixers and things called piano rolls and so on. Blocs Wave is the latest attempt to use mobile apps to get back to basics. Here, whether you’re on an iPhone in your hand or the enormous iPad Pro, the sounds are at the center. Touch your way through the waveforms to make music – whether using soundpacks or adding your own.
Want to go from four on the floor to, sort of four thousand all over the place? Yotaro Shuto is a Japanese electronic musician who performs in DUB-Russell, and he’s decided to turn his monster Max performance patch beat machine into a product. That’s meant taking it to Kickstarter.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
Forget about whether anyone is going to listen to that release, let alone whether you’ll make money. Finishing is a beautiful feeling. Something happens when you get to that phase of adjusting the final mix, bouncing for mastering. For many of us, that last step involves a stereo bounce. But I think it’s high time to start thinking in terms of stems (both in the lowercase, and the all-caps STEMS Native Instruments is keen for you to use).
Modstep is … an app that does a lot of sequencing things on iOS. Step sequencing and sequence recording with … a lot of stuff. And then those things all connect together, and there are templates for… Okay, it’s hard to explain. Those of us in the business have gotten used to the “it does a whole bunch of stuff” quality of DAWs. But now, new organisms are crawling out of the sea and walking on land, and they don’t have a genus and species yet. Fortunately, a new Modstep video does it absolutely perfectly, so let’s watch that.
Remember 1995? Computers onstage were still a comparatively risky proposition – often relegated to MIDI, more prone than today to instabilities, and absent today’s DJ and live performance apps. Monolake, which is now just Robert Henke, was both Robert Henke and Gerhard Behles. (Gerhard is now plenty busy being CEO of Ableton.) And then there was Monolake’s PX18 sequencer, a step sequencer – cum – timeline with loads of interesting tracker-style and mathematical-musical features.
iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.
Elektron’s machines are so beloved, they’re almost an electronic instrumental category all their own. But much of that love is focused on the hardware workflow. The challenge lately has been how to make the latest generation of Elektron hardware fit better with other gear – and specifically, the computer. Some of those improvements are coming from Elektron. But some, too, come from third-party developers. And that’s the case with a useful Mac app.
The piano has been living with a beautiful legacy, but that legacy can double as tyranny. The Steinway Model D, favorite instrument of mine that it is, has also frozen the technological development of the keyboard instrument. And that’s why the Una Corda is different. Built custom by David Klavins, and associated with that builder’s collaboration with pianist Nils Frahm, this lightweight piano is unlike any you’ve seen or heard before. And now, you can get a taste of playing the real thing with a software instrument.