Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

READ MORE →
screenshot_673

FEEDBOXES are autonomous sound toys that play along with you

We live in an age when we can jam along with machines as well as with humans. And maybe it’s about time that they fed us some clever grooves instead of, you know, fake news and stuff. Our friend Krzysztof Cybulski of Warsaw, PL’s panGenerator shares his FEEDBOXES. They’re “autonomous” sound objects, capable of responding to audio inputs with perpetually-transforming responses. It’s all thanks to elegant use of feedback loops – meaning you can toy with these techniques yourself. Now that’s a better kind of echo chamber. It also makes use of the awesome, free PdDroidParty by Chris Mccormick, which …

READ MORE →
cloudpiano2

A piano, played by clouds and sky

We can reinvent the instruments we already have; we can try to steer a pathway to something new. Or we can sometimes imagine a known instrument in a new context. This new short film covers a robotic piano that’s got an unusual angle. Using image analysis, those mechanical fingers transpose patterns of cloud and sky onto the keys. This poetic take on cloud gazing comes from media artist David Bowen. It’s a nice take, I think, on sonification, in that it isn’t just about a stream of data that’s abstracted from its source. It’s really as though the drifting clouds …

READ MORE →
bacteria2

Micro-ritmos turns bacteria and machine learning into spatialized sound

In the patterns generated by bacterial cells, Micro-ritmos discovers a new music and light. From the Mexican team of Paloma López, Leslie García, and Emmanuel Anguiano (aka Interspecifics), we get yet another marvel of open source musical interface with biological matter. Micro-ritmos from LessNullVoid on Vimeo. The raw cellular matter itself is Geobacter, an anaerobic bacteria found in sediment. And in a spectacular and unintentional irony, this particular family of bacteria was first discovered in the riverbed of the Potomac in Washington, D.C. You heard that right: if you decided to literally drain the swamp in the nation’s capital, this …

READ MORE →
VIDEOVOTOMATIC_RICHISON3

The mash-up of an 808 and the US elections no one asked for

I’d wager at this point 100% of you would rather think about drum machines than the American elections. But somewhere, vintage voting machines – they of the hole punch and hanging chads – await retirement. Here, they get a second lease on life. Instead of gloomily voting for Trump or accidentally for Pat Buchanan, they can produce sliced-up audiovisual jams. (Hey, if you’re going to have to watch debate clips ad infinitum, why not turn it into something you can dance to?) Maybe beat box voting machines would be the answer to get Millennials to the polls. So, basically what …

READ MORE →
Your new stage, your new studio. Photo: Hai Art Hailuoto.

Watch crazy sounds meet remote Finnish countryside

“Electronic music needs to be wilder” was the challenge issues by Matt Black (NinjaTune, Coldcut) last year at Ableton Loop at a talk I moderated. But maybe this could be interpreted as “into the wild” in a difference sense. At the moment, I’m part of an ongoing series of residencies that takes that in a different direction – taking music performance (electronic, electro-acoustic, and acoustic) into unexpected natural environments.

READ MORE →
1-Tim-Murray-Browne---Anamorphic-Composition-No-1-UI-2

A composition you can only hear by moving your head

“It’s almost like there’s an echo of the original music in the space.” After years of music being centered on stereo space and fixed timelines, sound seems ripe for reimagination as open and relative. Tim Murray-Browne sends us a fascinating idea for how to do that, in a composition in sound that transforms as you change your point of view.

READ MORE →
lesleycrop

Lesley Flanigan’s ethereal music mixes singing and vibrations

There’s no oscillator quite like your voice. And sometimes the simplest techniques can yield elaborate textures. Lesley Flanigan has built a body of work out of an elemental approach to electronics, and her new release Hedera is to me the most beautiful yet, transporting us somewhere truly sublime. The source, in addition to singing, includes feedback, a broken cassette player – but evolves into mists of sound and space, shifting from the delicate to the raw.

READ MORE →
videoing (2)

Watch techno made entirely with physical, mechanical objects

Techno has become folk art, popular music idiom. Yet it’s still often viewed through the machines that first made it. What if you could give it some sort of physical, mechanical form? That’s what Graham Dunning has done with Mechanical Techno. And in a new video (produced by Michael Forrest), he shows how it’s done.

READ MORE →
A kid and parent playing with a Benjolin

At this exhibition, the future of music is weird

We have seen the future. And it’s strange – in a good way. Bizarre Sound Creatures was an exhibition late last month held in Eindhoven in the Netherlands, accompanied by workshops and performances. The theme wasn’t just new instrument design and music making, but imagining a future world with peculiar evolutionary twists. These are musical objects with odd appendages and surprising interfaces. Let’s take a look.

READ MORE →