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Here’s a video tour of Novation’s drool-worthy Peak polysynth

The fine folks of Sound on Sound took a tour of the new Novation Peak polysynth in their UK offices. There’s a lot that can be said about the Peak, but here are the two obvious advantages. First, those digital oscillators are quite clever. It maybe tripped up marketing and some press initially, but the point here is that these should really be indistinguishable from analog equivalents – while with the flexibility (and cost, and power draw) of digital oscillators. Second, while there is a display, it seems there’s almost no menu diving involved. Each section of the instrument is …

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Watch a half hour documentary on the sound of Star Wars Rogue One

For lovers of sound design – cinematic or otherwise – Star Wars is always good reason to nerd out. But Rogue One is something different, as the first film to be a standalone or spinoff. On the music side, it meant a new composer who wasn’t John Williams (Michael Giacchino). But perhaps the less known story is that sound, too, got a new direction. Filling the shoes of Ben Burtt is no easy task. There’s probably no Hollywood sound creator better known than Burtt. And as with any Star Wars film, you have the unique challenge of trying to do …

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Just Do It: Moog Engineer Explains Why They Remade Keith Emerson’s Modular [Videos, Audio]

It started as an April Fools’ Joke. Then it turned out to be real. But with plenty of new instruments to work on, why would Moog remake a dinosaur – both in form and literal size? Engineer Gene Stopp doesn’t blink when asked that question. In a tour of the modular for me and Keyboard Magazine – a magazine whose very existence is partly indebted to the legacy of Keith Emerson and Moog – he was confident. Do this once, and no one can ever question whether you know what it means to make a real, exact replica of the …

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