Welcome_to_a_comet

A Singing Comet: Hear and Remix a Comet’s Magnetic Oscillations, Lander Thump

The cosmos still offers up mysteries and surprises. And sometimes they sing to us – quite literally. Scientists were dazzled to discover that Comet 67P/Churyumov-Gerasimenko was producing strange subsonic music, captured by a magnometer aboard the Rosetta orbiter. (That’s the orbiter that famously deposited the Philae lander; magnetic instruments also track the lander’s descent.) This is sound, just not sound we can hear – some unexpected interaction of the comet with the magnetic field around it at inaudibly low levels. So, who you gonna call to allow people to easily hear patterns in the data? Why, a composer, of course. …

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NASA Posts a Huge Library of Space Sounds, And You’re Free To Use Them

Space is the place. Again. And SoundCloud is now a place you can find sounds from the US government space agency, NASA. In addition to the requisite vocal clips (“Houston, we’ve had a problem” and “The Eagle has landed”), you get a lot more. There are rocket sounds, the chirps of satellites and equipment, lightning on Jupiter, interstellar plasma and radio emissions. And in one nod to humanity, and not just American humanity, there’s the Soviet satellite Sputnik (among many projects that are international in nature). Many of these sounds were available before; I’ve actually used a number of them …

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Hands-on: How the SH-101 Plug-Out for AIRA SYSTEM-1 Works – And Sounds

Somewhere, some editor has probably already written the headline “Turn On, Tune In, Plug-in, Plug-Out.” After all, back when Roland introduced the AIRAs, the reaction was something like this: “An 808/909 drum machine! A 303! And – some other things!” So, it fell to the SYSTEM-1 – a neon-green, slim-line keyboard synth – to make PLUG-OUT the big draw. You know, like “plug-in,” but … uh … out. The notion is this: load software models onto your computer, then copy that same model to the SYSTEM-1 hardware. While the keyboard is physically connected to your computer, the software makes it …

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Learn How to Get Your Drum Machine’s Soul Back with Mad Zach, Ableton Live

It’s “the science of being imperfect” – and Mad Zach is one heck of a mad scientist at it. We all know Ableton Live productions, even sometimes from fairly skilled music makers, can get painfully stuck on the grid. If that’s the disease, Mad Zach has the cure. Armed with Ableton Live and together with releasing a very special, very useful sound pack, this insanely-prolific DJ, producer, writer, and educator has some advice for how to get the soul and groove back in your machines. CDM teamed up with our friends at Beatport Sounds to work with Zach on an …

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If You Use Kontakt, Get Cool Bleep and Bass Instruments for Free

Bleeping amazing. There’s some great stuff you can get for free for Native Instruments’ Kontakt sampler. This week, two new instruments are available. First up, a device that makes chip music bleep sounds, and includes sophisticated sound controls and step-sequencing LFOs. The creator, Zombie Queen, describes it thusly: I’m assembling new bleeping device in Kontakt, last one was so twisting complicated, I’ve been getting lost in it myself. I wanted to re-utilize the engine, but simplify things a lot and add some new twists. I’ve got working ‘beta’ version, if you’d like to try it out. It’s focused more on …

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Grab Free Drum Kits for Ableton Live and Other Tools: Vintage, Vinyl, Synth, Pine Cone

Sometimes, it takes just that one set of sounds to unfreeze your creativity and get a song started. And that’s why freebies are sometimes such fun: they’re even a bit more odd, a handful of offbeat sounds that just begs to be turned into … something. The folks at Puremagnetik have been posting some gems to their Tumblr account. This just in: “Wicked Kits” is a collection of five drum kits pre-configured for Ableton Live. (As with any Live kit, there are raw samples you can use in any tool you like – Renoise, MPC, whatever.) The emphasis here is …

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You’re Doing it Backwards: REV Builds Sound Library Around Reversing Stuff

Soundware remains a massive market. Products fall in the CDM inbox daily. There’s just not so much to talk about – even when the quality is exceptional. There are good products out there, and sampled libraries are especially essential for anyone working on tight deadlines – no matter the joy of recording material, anyone working for markets like TV or film likely needs some assistance satisfying clients in a hurry. It’s just that there’s so much out there, there isn’t always a story. Output is a new sound house out of Los Angeles that found a way to tell a …

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Abuse Sampling for Sound Design: Free Tutorial, Rack in Ableton Live

The response to the breaking Live 9.1 news this week was fast and furious; we were honestly surprised at the vast readership of the story. A lot of you must have multiple displays or virtual desktops you want to use (or, now, even a Push). But sometimes the best upgrade is the one you can install in your brain. Improve your technique, and an array of musical possibilities open up. Take this terrific tutorial from DJ Vespers as an example, which involves varying very small sample slices in Ableton’s Sampler to create unique pads. It works especially nicely with Sampler’s …

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KORG volca keys Hands-on: Probably the volca You Most Want [Sounds]

KORG’s volca line of affordable analog instruments isn’t yet available everywhere, but they’re slowly, slowly trickling into the world. KORG hasn’t yet sent any to CDM, and we’re generally hearing “September” from most retailers, but Japan has got a few. One of those was store-bought and brought back to Berlin, and I got to play with it with music collaborator and fellow journalist-at-large Benjamin Weiss of De:Bug. It’s worth revisiting CDM’s detailed hands-on from some weeks ago, as we got to talk to the creator, and hear what he does with his own instrument (a real highlight of 2013 so …

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Korg's Tatsuya Takahashi stops by our studio, playing his volcas (and a bit of MeeBlip with us, too!)

Hands On with Korg’s

He’s not a household name. But Tatsuya Takahashi is the man from Korg’s development group behind instruments you almost certainly know. Starting with the first Korg monotron, followed by the Monotribe, monotron DUO and monotron DELAY, Takahashi has been standards bearer to a legacy of Korg stretching back to the early analog days. These newer instruments return to some of the analog circuitry and ideas behind earlier instruments, bringing a new playful approach to electronic music making for the masses, at stunningly low prices that put the products in reach of those musicians. And now … well, now there’s volca, …

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