The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… If this leaked contract is what Google still stands by, and current analysis in the music press is correct, the deal is deeply unsettling. It blurs the lines between free and premium services by placing them all under a single contract. YouTube and its Spotify …


Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …


In the Age of Beats and Spotify, Winners – and Opportunities

There is an accelerating transformation of music listening; that much is clear. And if you change the way people listen, you will change the way people produce. So who and what wins in this brave new world? Let’s consider. The month of May brought still more signs of tectonic shifts, with Apple buying Beats and Spotify showing no signs of slowing. The Apple acquisition of Beats can’t really be measured in dollars, because Apple has so much cash on-hand. (US$150 billion – and expect that dry powder to start getting loaded into cannons.) At least unlike Facebook or Google, Apple …


Streaming DJ, Now a Thing: djay for iPad Adds Spotify, Automix, Could Turn Music Upside Down

Remember downloads? Remember CDs? Remember vinyl? Add to that – streams. Because Algoriddim adding Spotify to djay is earth-shaking. Sure, Pacemaker did this in February. But that app was thin on some critical features DJs need, and the Spotify integration was lackluster. This is different. djay is a mature, full-featured DJ app – maybe not a known name like Traktor or Serato, but widely popular and brimming with features, plus a UI that casual DJs find easy to use. It’s also one of two mobile apps (Traktor for iPad being the other) that people seem to actually DJ with. So …


Two Pacemaker – Spotify Screenshots That Show For Serious DJing, Downloads Are Here to Stay

Sometimes, images say it all. Pictured below is what happens when you try to use Pacemaker’s Spotify functionality on the iPad without an Internet connection. Tracks simply don’t play at all. Even though Spotify Premium users have offline access to their tracks when listening one at a time, you won’t be able to DJ that way any time soon. Above, you’ll see that you can’t record mixes even with an Internet connection if you try to use a Spotify song. But given how many small, boutique labels and independent artists rely on enthusiast DJs to care enough to download their …

Tapping the icons in the center of the decks pulls up cleverly-designed, elegant interfaces for cues, beats, and effects.

Mixing Spotify with iPad, Pacemaker Might Be DJing’s New Killer App for the Masses [Hands On]

It’s been a while since digital DJing has seen a bona fide major hit. Traktor continues to dominate the scene. But Traktor is still software molded for the professional DJ, and particularly those in the club scene. When Traktor came to the iPad, it saw a significantly-streamlined interface, but the underlying functionality remains geared for the professional user – so much so, in fact, that it’s possible to exchange libraries and hardware interfaces between the two. That’s a good thing for Traktor’s intended audience, but it leaves open a window in the market. Even arguably more consumer-friendly software like Algoriddim’s …


iTunes Radio, and Apple’s Solution to the Future of Music: Stream, then Buy

While they were busy not killing the Mac and the Mac Pro, it seems Apple also had some ideas about how to not kill music. Amidst hair pulling and gnashing of teeth over how streaming will impact the future of music business models, Apple’s answer is spelled out in their press release: “It’s the music you love most and the music you’re going to love, and you can easily buy it from the iTunes Store with just one click.” Whether iTunes Radio specifically works or not, this seems an obvious model. Music recordings as a business work so long as …

The record lives. co-founders Sam and Miguel merge subscription ease and affordability with high-quality downloads you keep, and even closer connections to artists and labels. Think "fan club," not "utility company." Here, Sam tells CDM how it came about. Photo: Will Calcutt.

Saving Downloads, Fans? Sam Valenti IV Talks Ghostly’s Drip.FM As Label Roster Grows

PK: In the digital age, subscription services or “all-you-can-eat” music gives passionate listeners nothing if not flexibility and a wealth of music. But they can also distance music lovers from labels they care about – and the reliance on streaming threatens to sever the special relationship you have with albums that are really special. is different. Founded by Ghostly International, it has the affordable monthly subscription rate – but with actual high-quality downloads you keep. First launched with some of Ghostly’s boutique-quality electronic music, it has since expanded to some big names. Today could be a watershed moment for …

Carrying her musical life on her back - in more ways than one. Zoe Keating, by Nadya Lev for Coilhouse. Photo courtesy the artist.

Zoe Keating, Cellist Who Exposed Her Musical Finances, Talks Music Making, Distribution [Interview]

She shocked the music business by revealing she wasn’t making money on Spotify – then shocked them again by revealing she was making money on our own. Now, CDM’s Matt Earp talks to cellist Zoe Keating about surviving as a creative musician, and keeping the music coming. Hint: “exposure” is not necessarily the key to survival. -Ed. Zoe Keating is an avant-garde cellist, a Canadian transplant to San Francisco who now lives on its far outskirts. Her sound slips back and forth between the classical and electronic worlds, conjuring sylvan images and dusty warehouses with equal clarity. Two self-released full-lengths, …

Whatever the implications for labels and artists, Facebook users have spoken, giving connected listening a big thumbs-up. Photo (CC-BY) JOHANNES FUCHS resp. GOIABA.

As Facebook Users Hit 1 Billion, Music Listening is Socially-Connected Online [Numbers]

Facebook is bragging about one number, in particular – one billion users – this week. But they’re also releasing some other hard numbers on how people are using their service. Much has been made of how Facebook has transformed social gaming and, via Instagram specifically, photography. But just on Instagram’s heels is none other than Facebook app Spotify. According to analytics site AppData, Spotify is ranked #12 with 22.1 million users, calculated as a monthly active figure, just behind Instagram at #4 with 33 million. Pandora has about a third of that, while other apps lag far behind. It wouldn’t …