bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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stvincentpedals

The Harder Side of St. Vincent’s Live Rig: Custom Rack, Eventide Stompboxes, MIDI

St. Vincent is doing some amazing live shows, so it’s little wonder that a look inside the software rig and approach to computer-enhanced performance got some attention Friday. Eagle-eyed readers, though, weren’t only satisfied hearing from the band about the role of Ableton Live and Reason. That expansive rack of stompboxes, including some of my personal favorites from New Jersey-based maker Eventide, clearly matters, too. In comments, there’s a full explanation of what you’re seeing. As Dan writes: Mike Vegas of Nice Rack Canada (formerly Nice Rack NYC) built that board for Annie. The MasterMind provides switching for the analog …

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Live does lighting. Mattijs and Michel working on lighting compositions in Ableton Live. All photos courtesy Mattijs Kneppers.

Playing Live From a Giant, Toothy Monster Mouth: Behind the Scenes with Feed Me

Spectacular spaceship showmanship, or actually synchronizing live electronic dance music performances? For Feed Me, aka Englishman Jon Gooch, the show had to be both. Software developer Mattijs Kneppers harnessed Ableton Live, Max/MSP, and Max for Live to make it all work. You may have seen the video; Mattijs gives CDM a unique look even further into how this is working, sharing a gallery of the stage rig and some of the technical details. CDM: So, of course, this was the summer that brought “press-play” performances into the public eye – and we’re actually I think indebted to deadmau5 for blowing …

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An Orchestra of Lightbulbs Makes a Canopy for Theatrical Performance, in Cinder Code

Drawing from historical lightbulbs, powered by creative code (the open source, C++ tool Cinder), “So… I was at a party last night” is a symphony in responsive electric lights. The reactive portion is relatively simple – sound analysis switches lights off and on in clusters – but the objects themselves move to the fore. The bulbs and their natural physical characteristics makes for a fusion of digital choreography and 19th-century technology. Andrea Cuius-Boscarello, a veteran of Random International, United Visual Artists, and Cinimod Studio, collaborated here with a designer whose background crosses between digital and interior and physical, Roland Ellis. …

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