rubberduckie

Watch A Candy and Rubber Duck Synth and Animation Visualize Music

Sometimes, the best ideas come from raw imagination. The Knuckle Visualizer is the work of a Korean animation house. It doesn’t actually produce sound. The only functioning part of the hardware you see here is a USB cable that powers an LED lamp. But there are fascinating ideas here. And, actually, you could build this. We can often get stuck in our repetitive music world and forget what’s possible. So let’s watch the animators run wild with our sounds. Rubber ducks and toy nesting dolls and and jelly beans make up the controls. Buchla-styled colored patch cords are actually organized …

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Animating in Light, Hand-Carved Creations: The Stunning, Glowing Effects of Marilyn Myller

MARILYN MYLLER – Mini Making: Light Effects from Mikey Please on Vimeo. Mastering today’s digital media often means expertly melding optical and digital. One of the films that launched modern digital animation as we know it, ironically, developed its signature look primarily via optical effects. And resonances of that film, Tron, are certainly here. The six-minute short Marilyn Myller gets a bit of everything. It’s hand-carved physical forms, stop-animated. It’s light painting with optical effects, captured digitally. And it seems that optical/digital fusion holds a lot of promise for his medium, including live contexts. I’m certainly inspired watching. Description of …

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synthforxmas

“All I Want is a Synthesizer for Christmas”: Adorable Stop Motion Animation

Hyperbubble – A Synthesizer for Christmas from Ambar Navarro on Vimeo. Put the synth back in … Christm… um, Christmasynth. Synthmas. It’s the reason for the season. And that’s the message of a delightful video from animator Ambar Navarro. (Apologies if you’ve seen this already – Ambar sent her work to us last week – but I think it’s well worth another watch and mention.) It embodies the ethos of synth love right now, the adored, all-in-one electronic instrument in all its charm. And this is just one introduction to a lovely body of work my Ambar, in the experimental …

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Your Soul is Glitching: Impulse, a Chilling Visual Poem on Self and Tech

Impulse from gold extra on Vimeo. Don’t wait for the cyborg future. It’s here – embedded more deeply in ourselves than any googles or prosthetic. The words are from 1949 – Max Bense, a Cassandra on technology, talking about “technical existence.” The visuals are part stop motion, part digital effect and glitching edit. And the human actor is glitching, too – their face twitching with electrodes, a la Daito Manabe. (Don’t miss the beautiful, perfect sound score by Juan A. Romero, too.) But the sum of all these components is something chillingly poetic, a visual etude that imagines something hopeful …

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Stepping Up the Groove: Wire and Flashing Light Stop Motion Animation, CC Success Story

Professor Kliq – Wire and Flashing Lights from Patator on Vimeo. It’s digital stop motion – wire, flashing lights, and paper are animated in a crazy-catchy groove in this latest animation from Paris-based director (and CDM reader) Victor Haegelin. Working with music by Chicago electro artist Professor Kliq (Mike Else), the track name is also, conveniently, “Wire and Flashing Lights.” (If that didn’t call for this stop motion treatment, I don’t know what would.) Kliq’s music is released with just this kind of animation in mind, using Creative Commons:

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3D Light Painting How-To: iPad + Open Tools + LEGOs with Mickael Le Goff

Monark teaser (How to do 3D light-painting) from Mickael Le Goff on Vimeo. When photography meets generative visuals, where real-for-real techniques come together with digital imagery, some special things can happen. Take the surprisingly-effective technique of 3D light painting. If you don’t closely follow our sister music site, you may have missed NI’s Monark synth. But the teaser for it is worth revisiting for its technique. Combining the iPad as a convenient portable screen with generative visuals and an open source 3D and Arduino control rig, it produces a rich, subtle effect that could be worth adding to your arsenal. …

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Peoplemeter: Experimental Film, Score Imagine a World Populated by the Things We Left Behind

As umbrellas scurry about like spiders, inanimate metal objects scuttling through emptied streets, and electronics send clicks and crackles between robots, Peoplemeter produces a post-apocalyptic world without humans. Microscopes and endoscopes shoot these objects in revelatory ways, as the musical score amplifies their sounds. These objects are animated through various effects, ranging from stop motion to more abstract portraits as textures. Director Incredible Bob makes these intimate moments a kind of cinematic object theater. The sound, too, literally comes from inanimate ephemera, transformed into experimental instruments by musician WoO of the BelgradeNoise collective. The trailer is already compelling. More details …

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Stop Motion Animation, Without the Effort: Magical New Algorithm Lets You Just Use Your Hands

Stop-motion animation, made stunningly simple … through science! Our video-based interface enables easy creation of stop motion animations with direct manipulation by hands, which are semiautomatically removed through a novel two-phase keyframe-based capturing and processing workflow. Our tool is complementary to, and can be used together with traditional stop motion production (e.g., for the rotation of individual faces here). Translation: you can hold stuff with your hands, move it around normally, and then make it look as if you spent countless hours doing actual stop motion animation. Insane. The team in Hong Kong who worked this magic: Xiaoguang Han and …

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Weekend Animation Break: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

Behold the power of sound and image. With people of a certain generation, you can stand in a room, and shout, “One, two, three, four, five…” and likely have them finish your countdown with the song from this animation. It has its own Wikipedia entry. It has music from The Pointer Sisters. It’s been covered by … a lot of people. The segment was the work of San Francisco director Jeff Hale, a psychedelic journey through a wonderland of numbers in the style of pop art-style album covers. (See the full sequence re-edited, since Children’s Television Workshop – now Sesame …

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2000 Photos, Held by 300 Fans, Make a Stop-Action Music Video for j.viewz

Artists these days are always grasping for ideas to involve fans. In a video for j.viewz’ “rivers and homes,” fans literally get in on the act. Give the video above a moment – after a more conventional intro, it shifts to a stop-motion sequence made from photographed stills of the film. Some 2000 photos, printed out and then held up by 300 fans, then fuse again into motion, beneath the smiling faces of the artist’s most loyal fans. We’ve seen this sort of special effect before, but certainly not with fans helping produce the motion. Not to give away the …

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