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BlipCase is a custom solution for toting your compact music gear

We’ve seen a minor renaissance in mobile music gear – KORG’s volca series, Teenage Engineering’s tiny Pocket Operators, the Gakken synths, Roland’s boutique series, and more. (We’re a believer in this – that’s why CDM co-produces the MeeBlip synth.) But while these small instruments are great, they wind up getting tossed into a bag. That risks damaging them, and there’s a lot of business of packing and unpacking them when you play. We wanted a solution, so we made our own. It’s called BlipCase.

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push2deskstand

We’re coveting this walnut desk stand for Push 2

Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us it’s won over. So, why not give it a handsome home?

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Lucy Press Pic 2 (c) Riccardo Malberti

Listen to a beautiful sound bath by Lucy

Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.

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Inside hands-on live technique with Blush Response, KOMA, Elektron

The sound world of Joey Blush (aka Blush Response) is far reaching, entering dark clouds of murky industrial, EBM, and techno, all with relentless forward-pushing grooves. But as we talk to him about how he connects his gear, we’re really looking at how he connects his thoughts. At its best, whatever we’re doing with gear ought to be about our minds. It’s not just connecting a patch cord. It’s connecting an idea from one place to another – re-wiring neurons. Synth legend Morton Subotnick spoke this week about that process, as he recalled first creating complex metric structures simply by …

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syd

No Longer Invisible: Images of Women Working with Music Technology

Coinciding with International Womens’ Day, advocacy group and networking platform Female Pressure yesterday launched themselves on Tumblr. In a stream of photos, they’ve been sharing images of female-identified artists engaged in process with music creation technology. (Some randomly-selected images are here; see the rest via the link below.) The images alone are a humbling and inspiring for me, just because I see so many familiar faces – friends and artists that have been personal role models for my work, including in moments of personal struggle as an artist and writer. The idea, say Female Pressure, was partly a response to …

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deft

No Excuses: Watch Deft Make a Track in FL Studio in Ten Minutes

“But I don’t have enough time.” So, get a camera crew from FACT to loom behind you and watch while you produce, all with a clever ten-minute clock ticking away for their series Against The Clock. Actually, no. Two problems. One, the pressure might make you completely freeze up. Two, yes, you might not have FACT around. But you could imagine a timer. Deft, the aptly-named Croydon, UK artist whose work ranges from cinematic and ambient straight through to footwork, here goes a bit modern drum and bass in a perfectly passable track that he assembles under the clock. Got …

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sw1

Obsessing About Sound and Process: Climb Into Stewart Walker’s Ivory Tour

There’s a Japanese Taishogoto and vintage Lexicon PCM reverb and loads of computer production. But even for us souls tempted by gear lust, it’s the soul of process that has us talking, and talking, and talking – and listening, on repeat – with Stewart Walker. Native Instruments employee by day, prolific producer by night, he was kind enough to give us an extensive window into his world for CDM. In the dizzying flurry of music racing past, Stewart Walker’s “Ivory Tower Broadcast” is one I keep coming back to me. It’s one that somehow I’ve gotten closer to on repeated …

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amonvideostill

Watch Amon Tobin on Exploring Sound, Labors of Love

This Tuesday, we’ve lined up a trio of video interviews for your viewing pleasure. But one is rarer than the others. Amon Tobin tends to shy away from interviews, generally, let alone those on camera. Here, he agreed to talk to Beatport about his work. Flanked by racks of very lovely gear from Moog and others, plus a computer running Steinberg Cubase as the central digital hub and recording center, Tobin emphasizes mainly the philosophy behind his approach. He emphasizes in particular his passion for experimentation, contrasting “entertainment,” which “depends on the approval of other people,” with what he describes …

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Down with Sequencers: The Age of Glass Finger-Drums Through Their Beats, Live [Videos]

For years, drummers have had to look sideways at drum machines — boxes with step sequencers blinking, out to replace them. With acts like The Age of Glass, tables are turned. The sounds are electronic (Access Virus, Machinedrum), but the playing is all live. Drummer Nick Froud plays all those parts without any sequencing, fingers blazing. The band has a self-released (Bandcamp) EP out this week, as well as some videos of them working away at the studio. The results are jammy, trippy, grooving good times. Great to see the studio work and recording, but this must be a lot …

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Universal Everything, Ongoing Beautiful Work with Digital Form, New Studio Tour Documentary

Tai Chi / 5 Video Artworks / Framed Gallery, Tokyo from Universal Everything on Vimeo. Universal Everything is a design shop that continues as a standard bearer for expressive digital forms, a high water mark in electronic expression. Founded by the UK’s Matt Pyke, the creative team now spans England and Holland. From top, two recent works: Tai Chi / 5 Video Artworks / Framed Gallery, Tokyo, and a group show of 3D-printed objects called “Voxel Posse,” with computational art maestro Karsten Schmidt at The Brewery, London. Now, Creators Project take a studio tour to see how Universal Everything creates …

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