Years ago, when Ableton’s Operator FM synth designed by Robert Henke made its debut, it was a revelation. Its clear panel design and flexible architecture made FM synthesis more accessible to countless Ableton Live users. But now Operator, while still a great go-to instrument, certainly deserves some competition. And that makes Bengal special. The production of Max for Cats (and Christian Kleine, another key designer of Ableton instruments), Bengal also innovates in the area of clear design and architecture. And with a semi-modular design, it goes further than Operator in opening up avenues for creative sound design.
Okay, enough teasing already. Behringer has a 12-voice polyphonic synth called the DeepMind. And now let’s talk about exactly what to expect, in one place.
Roland’s Boutique Series is … dangerous, frankly. These little sound modules (based on the Jupiter-8, Juno-106, and JX-3P) really do sound terrific and are totally adorable in person. They’re one of the things you can easily dismiss when you first see them … then fall in love with in person. The 1.10 update fixes one fatal flaw: now the whole series supports MIDI Control Change send and receive.
Okay, so while we wait for word to spread that the 808 ad we featured today came from 2016 London and not 1980 Japan, here are some real – and really genius – vintage synth ads. (Some of them no doubt inspired that London agency.) And thank you, YouTube, because these all warm our heart.
Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.
One of the things that makes the synthesizer beautiful is that, in some ways, it’s an extension of the voice. From the synthesizer’s early history, entangled with the Theremin and vocoder, to crossovers with vocal synthesis and artificial song, synthesis gives us another means to sing. So PPG Phonem is a lovely addition to that history. Creator Wolfgang Palm has made this a labor of love of late, and he’s on a roll with new synths for computer and iOS. The inventer of wavetable synthesis as we know it and founder/owner of PPG, he’s got the resumé, for sure. You …
Native Instruments has been a pioneer in making tools like Reaktor that employ unique synthesis techniques. But more recently, that power has found its way to self-contained instruments. Tucked into the release announcement of Komplete 11 comes some very big news for lovers of creative sound design and synthesis. It’s a new instrument called Form. It’s powered by Reaktor, but it’s been built from the ground up, according to NI. And it lets you drag and drop sounds to manipulate them into playable instruments.
It’s that time of year again – time for a new update to Komplete, the suite of software from Native Instruments. But Komplete 11 is a bit special, in that powerful Reaktor-powered additions meet some especially nice tools for producers.
We’ve reached the mature age of music apps. You’re likely to use fewer of them, and the landscape is saturated with the most popular ideas. It’s also clear that iPad, not Android, is the viable tablet platform. But the few apps that are left standing as serious music tools are better than ever. They’re easier to integrate with your computer and standalone hardware, and they feel more like instruments and less like toys. They walk some line between making music production more accessible to beginners, and offering refreshing simplicity to people who are mixing them with other gear. And Skram, …