Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.
So, today one of the Internet’s targeted millennial marketing conglomerate – cum – music press outlets decided to ask if anyone likes live techno sets as part of a series that could be titled “We Troll The Internet to Increase Click Revenue.” I really wanted to argue with the content of the article, but – well, it’s a bit too easy. Watch: you can’t even make it past the headline. Headline: “Has Anyone Ever Actually Enjoyed a Live Techno Set?” Some voice in the back of the room from a guy named Steve: “Uh, me. Once.” And we’re done. All …
Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.
There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.
When a workshop becomes a
Techno has become folk art, popular music idiom. Yet it’s still often viewed through the machines that first made it. What if you could give it some sort of physical, mechanical form? That’s what Graham Dunning has done with Mechanical Techno. And in a new video (produced by Michael Forrest), he shows how it’s done.
For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.
Fans of northern sounds and nordic mythology, cock your ear for another label discovery. Nordanvind is the vinyl imprint of Swedish artist Fjäder. We profile the artist, the label, and then talk to Fjäder herself. Let’s first let her put us in an evocatively occult mood: In the eye of the storm Mithya spears Logos Shattering with a smile Suddenly I see all my faces I have seen the end of all things I slept a dreamless slumber… I have seen the end of all things I have seen the world reborn and crumble I have seen the end of …
We talk about the idea that online democratization should be unearthing new musical gems – but you have to find them first. CDM contributor Zuzana Friday is scouring the Web, looking for the collectives and labels and artists who stand out of that virtual noise. First up: Paris’ Lpc. With the growing popularity of contemporary (post)techno, there have been many collectives, platforms and labels forming around the globe who want to promote and share their own angle on this music, its aesthetics and its attitude. Amidst that overwhelming superabundance, one of the collectives that genuinely deserves your attention is a …
So, now that summer is over (northern hemisphere), was yours, well, f***ed up? RUMEX understands. Don’t miss the surreal, now award-winning video from this young, now-as-yet-unknown Hungarian artist.