You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.
In the latest chapter of “people on the Internet doing cool things for electronic music,” here’s a creation by Polarity. It lets you rapidly trigger effects parameters via MIDI. And if you’re a Bitwig Studio enthusiast, it’s available for free.
As part of a collaboration with Novation, we spoke with artists Shawn Rudiman and My Panda Shall Fly about how they’re working with Novation’s Circuit. Both artists got their hands on the updates to the Circuit hardware in advance – providing drag-and-drop sample loading and sample editing. They talk a bit about what that’s meant to them – and what they think about working with hardware in general.
When Novation’s little Circuit came out, it was already an appealing, simple box for making music. You got two polysynths and a four-part drum machine built in, coupled with a step sequencer, RGB pads and encoders for control, and MIDI, all for just a hair above $300. At the same time, though, you were restricted to the built-in sounds. Today, Novation are unveiling a bunch of updates that open up the machine to more customization – to personalizing it for your own use.
The hyperactive genius force that is Jakob Haq is back to show you why the iPad can make a great music tool. This time, it seems KORG have updated their deep Gadget app with some advanced MIDI routing features. Okay, MIDI channel may not be the most sophisticated thing ever. But watch what happens when Jakob puts Fugue Machine (the clever note generation tool) with Gadget’s synths: Beautiful stuff. More details and discussion: http://thesoundtestroom.com/korg-gadget-advanced-midi-input/ Keep these videos coming, mr. haQ attaQ.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
Forget about whether anyone is going to listen to that release, let alone whether you’ll make money. Finishing is a beautiful feeling. Something happens when you get to that phase of adjusting the final mix, bouncing for mastering. For many of us, that last step involves a stereo bounce. But I think it’s high time to start thinking in terms of stems (both in the lowercase, and the all-caps STEMS Native Instruments is keen for you to use).
There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.
With a little setup, you can integrate a hardware synth with Reaper as if it’s a software plug-in. Check out the video tutorial from The Reaper Blog to see how. Reaper is a terrific “indie” DAW for the budget-conscious. Just $60 buys you an individual personal license with a bunch of free upgrades. (“Commercial” use is described as anyone making more than $20k a year – plenty of very serious musicians make less than that.)
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.