deadmau5talent

deadmau5 wants EDM DJS to actually play, produces Tumblr poetry in the process

deadmau5 has a message for DJs: don’t just DJ. here is what i dont get [Tumblr] And we couldn’t agree more. For once, bless the mouse – and, give the man some credit, he has a sense of humor and self-deprecation. (That’s his image above, not ours.) But keep reading – things are about to get cut-up surreal poetic in just a second.

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noah

Sophisticated Rhythms: 2 Mixes, 2 Approaches, For Your Listening Pleasure

Mixes have become another essential reflex of this age of overabundance, a way of navigating in material form the rhythms that come our way. I turn this weekend to mixes by two close friends. Matt Earp, aka Kid Kameleon (top), has been a CDM contributor in the past; his background spans music and technology and a wide breadth and depth of knowledge in those areas. Noah Pred is simply one of the finest DJs and producers I know, the ever-tasteful mind behind the massively underrated but prescient label Thoughtless Music. Each mix is singular in purpose, full of the sort …

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Careful, drinking this much coffee could start some Internet feuding. I know. Photo from the artist.

deadmau5 Goes Experimental on SoundCloud, and it’s Kind of Awesome

Enjoy it, because this will be about the only time something this weird racks up hundreds of thousands of SoundCloud plays. Yes, it’s Toronto’s Joel Zimmerman, aka deadmau5, uploading this week to SoundCloud. 432 is an ode to 432 Hz, with horror movie-spooky sounds oozing over the top. “DAT KICK DOE” from earlier this year is a raunchy, thumping distorted loop. (Back story: this sonic horror is how deadmau5 trolls. Well, I’m all for sound as a way to settle feuds.) This is noteworthy for a couple of reasons. One, it’s a return to the service after he deleted it …

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beats

Watch Carol of the Bells Transformed with Sampling Technique

Shorter days means longer nights making music. And Christmas songs on repeat means it’s time for some creativity. So even though it’s a holiday, let’s head to school – in the best possible way. Toronto-based Andrew Triple A sends us a quick beat-making video. It’s nice to see someone not just lean heavily on a single sample, but use that riff as inspiration to play. Whether this is your musical taste or not, there’s something you can learn here. And I was intrigued to look more into the melody behind this tune I’ve heard over and over again. I finally …

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thoughtless68

After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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Toronto Mayor Rob Ford vs Ableton Push

This is … real. This is really the famed “crack-smoking” mayor of Toronto, laying down a beat live with Ableton Live and Ableton Push. And it’s definitely not an official Ableton artist endorsement, nor is Rob Ford a certified Ableton trainer. (Though if he does want to consider another career…) Well, some people do find Push addictive. Next: Putin on monome? If you aren’t impressed by Ford randomly jabbing pads, you might watch this instead, via Synthtopia:

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A Digital Label and Online Radio With True Depth – Talking Shop With Dewtone

Turn your radio on. In an age saturated with a tyrannical quantity of choice, tuning into something consistently inspiring matters more than ever. Our resident sound seeker Matt Earp looks into one channel that’s providing just that. Dewtone is a fantastic place to go for a range of music, so much so that it’s worth investigating the person behind it. Matt talks to Dewtone’s Dustin Morris about how he’s making this work. -Ed. Dewtone has been a complete joy to my ears ever since I found it – and the more I explore it the more I love it. I …

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Surveilled, Controlled, Exhausted: Augmented Dance on Machine-Human Interface's Dark Side

If BODYLINE BORDERLINE takes your breath away, perhaps you can thank the fact that it takes the dancers’ breath away. Computer vision in dance is now an accepted trope, to the point of being nearly cliché. The challenge is in part that the human eye’s capacity to follow nuances in movement contrasts to the crude capabilities of even the most sophisticated digital systems. But there are also opportunities for new angles on the material. Whereas so much dance with vision has focused on sparkly wonderlands of particle effects and the like, blissful mirror amusement parks, BODYLINE BORDERLAND has a different …

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Surveilled, Controlled, Exhausted: Augmented Dance on Machine-Human Interface’s Dark Side

If BODYLINE BORDERLINE takes your breath away, perhaps you can thank the fact that it takes the dancers’ breath away. Computer vision in dance is now an accepted trope, to the point of being nearly cliché. The challenge is in part that the human eye’s capacity to follow nuances in movement contrasts to the crude capabilities of even the most sophisticated digital systems. But there are also opportunities for new angles on the material. Whereas so much dance with vision has focused on sparkly wonderlands of particle effects and the like, blissful mirror amusement parks, BODYLINE BORDERLAND has a different …

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anf_AB_LiveEdit_01

Egyptrixx x A N F: Audiovisuals as Surface, Texture, and Trip to Alien Volcanoes

It’s real, and yet, it isn’t. It’s the sound of percussion, but it resonates in an otherworldly way. It’s the flaming, blood-red surface of a volcano, but it’s melting before us. Some of the most evocative digital works walk this line, transport us to a place our brains can accept, yet not entirely believe, universes just past the reaches of our imagination. And so the collaboration between Egyptrixx (Toronto’s David Psutka) and A N F (Berlin visualist Andreas Nicolas Fischer) congeals around the notion of texture and surface. In generated geometries, globs of interplanetary resin, space insect innards about to …

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