Grab a free secret sauce channel strip for Ableton DJ and live sets

The beautiful thing about software is that it’s flexible. You can reconfigure an entire live rig on the fly. But it’s still necessary to channel that flexibility into consistency, especially playing live. Reuse the stuff you need most so it’s always there. And train your hands and muscle memory so you can play fluidly. Savages – the Chicago/Dallas duo of Ted “TJ” Pallas and Alexandra Hartman – have shared their go-to channel strip full of all their favorite tools. And while they were at it, they recreated a unique EQ. EQ differently PLAYdifferently’s Model 1 mixer takes a different approach …


Traktor 2.11 is here, and a bunch of stuff now works together

Computer DJing: it should solve problems, not create them. Because you can also mix vinyl or use phonographs to Rekordbox-formatted USB sticks, computer DJing also absolutely, positively has to open up creative possibilities. It has to justify its existence. And because we play music – like, it’s supposed to be something fun we do with other people – computer DJ tools ought to play with one another. So, Traktor 2.11 delivers a lot of little things. But these details both make playing solo potentially more creative, and playing with others and plugging into gear in a booth a whole lot …


Traktor adds Ableton Link, step sequencer in public beta

The days of effortless sync are upon us. Hot on the heels of a Serato update adding Ableton Link support, Traktor 2.11 is available in public beta with the same. Actually, the fact that you have both Traktor and Serato with Link support is itself significant. You could play back to back with a friend using the other DJ tool, and remain in perfect sync. This also opens up Traktor to easy integration with everything else with sync support. Add an iPad drum machine. Drop in loops in Ableton Live. And it seems soon inevitable that we’ll see some additional …


The real Apple news is that macOS audio should get fixed this month

While everyone is freaking out about headphone jacks on phones, the news this week musicians should really care about is that a badly needed OS update is on its away. Apple quietly set Tuesday, the 20th of September as the release date for the next major Mac revision – macOS Sierra (10.12). (It’s no longer called “OS X,” so as with Hillary Clinton and techno and Crystal Pepsi in stores, it’s the 90s all over again.)

The industry standard. (CC-BY) Dave Walker.

Let’s talk about laptops in the DJ booth

Last week stirred up something of a fracas in the DJ community, as Los Angeles club The Cure and the Cause announced a ban on laptops in the DJ booth – the announcement of which then went perdictably viral. That much turned out to be brilliant publicity: club trolls DJs, magazine trolls DJs, “controversy” generates social media traffic. Here’s the problem, though: once you get past the nonsense about “talent” and laptops, I think there should really be no controversy here. What The Club and the Cure said about laptops and controllers I think is dead-on – and hard to …


Shiftee takes us inside his latest virtuosic laptop DJ routine

Master turntablist Shiftee has posted a sharp routine. It’s a clever product placement for Razer’s laptops, but – well, it’s more than that. It’s an ad for laptops in general, at a time when DJing has increasingly come to mean “showing up with a couple of USB sticks.” And it’s sort of an ad for being DJ Shiftee. So, we asked Mr. Shiftee to show us what was going on.


Making stems ought to be a step in your production workflow

Forget about whether anyone is going to listen to that release, let alone whether you’ll make money. Finishing is a beautiful feeling. Something happens when you get to that phase of adjusting the final mix, bouncing for mastering. For many of us, that last step involves a stereo bounce. But I think it’s high time to start thinking in terms of stems (both in the lowercase, and the all-caps STEMS Native Instruments is keen for you to use).


As other DJ controller gets bigger, this one’s still tiny

It doesn’t have screens. There are no giant wheels or touchstrips. There’s no complex software integration, or built-in mixer, or pads for remixing. But what the DJ4 is is what you might be missing in other DJ controllers. It’s got the controls you need in a tiny, tiny footprint that won’t have you hunting for new luggage or scrambling around a venue to find a bigger table because your gear won’t fit in the booth. (Ahem, yes, you know who you are, giant controllers.) And unlike the increasingly branded, computer-tied world of DJ controllers, this one also works with anything …


NI’s Traktor S5 is a more compact all-in-one DJ controller; here’s how it stacks up

The Traktor Kontrol S8 from Native Instruments is, let’s face it, the Cadillac Escalade of DJ gear. It’s loaded. It’s shiny. It’s powerful. It’s also expensive and hard to parallel park. So, without much fanfare, NI last week gave us the S5. It’s roughly the size of the S4 – the two-wheel controller that was once flagship of the Traktor line. But in that space, you get the stuff you’ve probably envied on the bigger Traktor controllers (the S8, and its one-deck-at-a-time counterpart the D2). It’s got color displays. It’s got touch strips – no wheels, if you like such …


Pioneer focuses on scratch, battle, effects with new mixer

Meet Pioneer’s new push, a strategy aiming squarely at scratch and turntablist DJs and effects lovers, with or without a computer. If some of the latest mixers have conventional analog mixing, bread and butter features, and rotaries, Pioneer’s DJ mixer this week – isn’t any of that. Instead, the DJM-S9 is a “battle” mixer loaded up with extras and emphasizing scratch and effects features. And it is unmistakably a Pioneer box in that it draws heavily on wild effects. It’s a “party rocking mixer” as an artist describes it in the launch video. Also, watch the video. What you mostly …