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The $499 Softube Console 1 now looks like a great buy for producers

Softube’s Console 1 was an intriguing offering when it came out, but I suspect some people balked at the price – and simply didn’t know what it was or what it was for. Now, at five hundred bucks, the audience should be bigger. And Softube are working on making the “what is this anyway?” story clearer. So, what is it? Let’s back up. First, imagine a big mixing desk – like a big Solid State console. Now imagine what that console would look like a computer accessory. Obviously, you’d want it to be a whole heck of a lot smaller, …

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One of the best premium audio interfaces now claims to be better

How much time do producers spend just handling one or two inputs and stereo output (plus monitoring)? My guess is — a lot. Once you’re out of the studio, that amount goes up. But generally speaking, premium interfaces have tended to assume you need more I/O – even though a lot of electronic production now occurs in the box. So part of the reason the Universal Audio Apollo Twin has been important is that it changes the value equation. It doesn’t do a whole lot of I/O – this is really about recording one thing at a time, listening, and …

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Vocalists, track on your computer as if it were outboard gear

Maybe you’re tracking in a studio full of everything you want. But otherwise, it’s tough to argue with the appeal of being able to add tools freely, connecting just the cable from your mic to your computer. And so, for anyone recording vocals, this week’s news from Universal Audio is welcome indeed. It means that you can use a simulation of a powerful channel strip full of gear in software form – but track in real-time, as if you owned the actual hardware. And you can do it for a price that’s pretty humane.

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Whoa looking at this on my MacBook WHERE IS REALITY? Photo: UA.

The 1955 Fender Tweed amp now lives in software

The art of modeling at a handful of the best software shops continues to progress. And so it is that Universal Audio say they’ve simulated every tiny detail, “from speaker paper and heat dissipation, to filter caps and transformers,” of one of the world’s best-known amplifiers – the Fender Tweed. It’s the cranked sound of Neil Young; it’s the clear lead of Larry Carlton. It’s a lot of other things. It’s now on a computer, too.

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(CC-BY) Gilga Mesh.

Fender are teaming up with Universal Audio; More UAD USB too

It’s no longer an either/or proposition: physical, digital, choose both. It’s now a natural for something like a guitar brand to expand both in the physical and virtual realms, and for the name to matter in both. So in the same week we saw synth legend Dave Smith connected with DJ brand Pioneer, Universal Audio is adding Fender to their signal processing lineup.

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Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …

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Universal Audio just made an Apollo Twin that does Windows, thanks to USB3

If you’re a Windows user who’s been jealous of Universal Audio’s Apollo Twin interface and audio DSP platform, times are about to change. For those of you just joining us, Universal Audio’s box is special in that it’s a compact, accessibly-priced entry into the UAD line. As an audio interface, it’s just one of the better pieces of gear out there (in terms of fidelity and reliability). And it runs all UAD’s top-notch plugins, too, opening up a window to a lot of analog emulation. The Apollo Twin is a high-performance box, but it demands Thunderbolt – and it’s OS …

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UAD’s EMT Plate is Basically Magic; Watch Videos Explain

Say what you want about what’s real or what’s authentic. The beauty of digital sometimes is that it lets us do things that would otherwise be impossible – or at least far out of our reach. I don’t know about you, but I certainly can’t my hands on an EMT 140 plate reverb. Practical, though, it ain’t: sure, you can covet “analog” gear, but this thing is a physical plate reverberation that’s the size of a car. You know “room” reverbs? This is a reverb that’s the size of a room. It weight 600 pounds. (Not figuratively. I mean it …

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bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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apollostudio

Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …

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