Plans to Move Moog Archives to Cornell Ignite Controversy, Concern for Bob Moog Foundation

This story has been updated based on an FAQ and official response to CDM from the Cornell University Library, responding to some of the concerns. The not-for-profit Bob Moog Foundation has been working since the synth pioneer’s death to restore and make accessible his archives, undertaking preservation efforts, mounting exhibitions, and recently acquiring a space to house them. They were therefore surprised last week, they said, to learn these archives were instead being donated to Cornell University, Moog’s alma mater. The announcement has quickly inspired an outcry from the music technology community, with critics arguing the move would cripple years …

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Gorgeous Beats from Philly’s NO SIR E, Ode to monome Love [Live Set, Sounds]

Faptronica? Trapmetal? Glitchfap? Fapdance? Genre labels make a fun muddle of things for Philadelphia’s NO SIR E. But his music is perfect for this time of the Northern Hemisphere’s summer, that feeling of diving out of a sweltering heat into the water. It’s refreshing, with the dirty, muddy bits in the bottom you’d want to stick your toes into. And then it glitches in satisfying distortion, a motorboat or jetski racing across the smoo… I’m sorry. It’s hard to write in the summer. (Or … well, you can Google what “fap” means, but that’s a bit less … musical in …

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Turning 24 Touch Displays into a Multi-Player OS: Obscura's Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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Turning 24 Touch Displays into a Multi-Player OS: Obscura’s Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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Happy Independence Day: The Legacy of the Computer is Not the Mouse

Oregon-born engineer, inventor, and thinker Douglas Engelbart has died. He’ll be listed in many outlets as, mundanely, the inventor of the computer mouse. Certainly, the demo of that technology in 1968 had a profound impact. But what’s stunning is that even at that demo, the mouse wasn’t the most impressive thing Engelbart showed. At the same talk, he demonstrated videoconferencing and textual hyperlinks. And the real legacy of Engelbart was his computer humanism, an idea that spread virally to motivate the world of computing as personally powerful, communicative and expressive. What enabled Engelbart to look so far into the future, …

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In Boston, a VJ Competition, and a Glimpse Inside the Live Visual Scene

Along with New York, Boston was really my introduction to what was happening in live visuals and VJing. So, I already took interest when a couple of friends sent word of a VJ competition in Boston. Then, of course, things in that city turned very strange indeed. The festival “Together,” scheduled in May, couldn’t have a better title – we’re thinking of you. So, Northeast USA, I absolutely am pleased to alert you to this competition; I hope we get some CDM readers in it. And for the rest of us around the world, here’s a look at what a …

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Beeple Beauties: New Free Video Clip Pack is Here, Creative Commons with Project Files

resolume pack one. from beeple on Vimeo. Beeple is one of the stars of visualist culture, and his packs of motion graphics represent best of the breed. So, download these. Get inspired by them. And by all means, if you use them, use that Creative Commons license to share some of your own original content to give back and to modify/remix these into something new, if you can! (Alternatively, watch and memorize these so you’ll spot them when they make appearances in live sets.) Thanks to Mike Winkelmann for sharing his latest. And as always, he not only puts these …

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nanopadsequencer

Giant Steps for Step Sequencing: Two Free Ableton Sequencers, with a Twist

There’s nothing quite like the feeling of physical control of a step sequencer for immediate, musical results. But you’d be forgiven for thinking there isn’t much more you can do with the concept. Think again. New step sequencers demonstrate how to get more with less, using clever tricks to maximize the musical variations you can get with just a few pads. They’re each free, and they’re each from Ableton Live, coming to us from our friends Sebastian Tomczak aka little-scale, the obscenely-prolific musical inventor in Australia, and Matt Black (UK, of Ninja Tune / Coldcut fame) working with Ableton guru …

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Awesome Universe of Creative Coding, Explained in Five Minutes [Video]

“What’s creative coding?” At last, we have a five-minute video that, in rapid-cut wonder, explains the answer to lay people – and can be a serious dose of inspirational adrenaline to people doing it. (If designers and artists had locker rooms, watching this before tackling that next Processing tutorial might be in order.) Cover the big three of open-source, free-software toolkits for artists – Processing, OpenFrameworks, and Cinder – and showing everything you can do with them (from big-screen video walls to generative fashion), the video has nearly all the bases covered. In fact, the only thing missing is you: …

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In Mutemath Projection Mapping, Rabbit Hole Creative Melds Image with Stage Setup

MUTEMATH Stage Projection Mapping from Rabbit Hole Creative on Vimeo. A rectangle behind performers can work. It can fit the content, and the stage picture. It’s just that, very often, it — doesn’t. Projection mapping in the tour for the band Mutemath isn’t just a way to create the illusion of three-dimensionality. It’s also a means for creating a stage set in which projection is an integral part of the picture the audience sees. Rather than a jarringly-disconnected flat screen, the visuals are part of the overall stage design. What’s especially notable about this project is that it was produced …

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