octaveone

Watch Octave One demonstrate their elaborate, hands-on live rig

We value the new and the young a lot in electronic music. But developing musicianship requires time, patience, and practice. So to see where electronic musicianship might be able to go, it helps to look to the people who have invested years. And that’s why it’s worth repeated visits to Lenny and Lawrence Burden, aka Octave One (also aka Random Noise Generation). Not only are they brothers who have grown up together, and can literally complete each other’s sentences, but they’ve been building the technique of how they play since their first 1989 release. Before we get to that live …

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ETC video synth is like the love child of Tumblr and MS Paint

We may be at the saturation point for sound synthesis and modular. You know what that means: it’s time for video synthesizers. East Coast American boutique darlings Critter & Guitari are diving into that field headfirst with their ETC video synth. Here’s how it works. Pick a background color. Dial in a mode – from various preset animation styles. Choose to leave accumulation on or not (whether those animations stack atop one another). Add an audio input if you choose for sound reactivity. Then adjust parameters manually, or use MIDI for automation (via scenes and CC automation). That might all …

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howtotechno

This dummy’s guide to making techno is oddly compelling to watch

How simple is techno – that genre that seems unstoppable, from Asia to Antarctica? It’s simple enough that it can be reduced to … six steps. No, kind of – seriously. I expected to have my intelligence insulted by this video, and yet … uh, well, I’m an addict, because it just made me want to go make some new percussion samples. The approach is oddly on point and – let’s be honest – looks like fun. You don’t need six steps, even, as I’m not sure what that acappella is about. (The video was evidently created by artist Hobo, …

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With Autist and Rainbow Arabia, pop retro futurism meets the club

Electronic music’s popular future is unquestionably tied up with techno nightclubs – for better and for worse. And that’s perhaps no more true than in Berlin, birthplace of Traktor and Ableton Live, in this nation that birthed major DAWs and modular revivals, then became a beacon for the use of said tools to make dance music. So the question is, where do we go from here? Are clubs about producing effective repetition (literally), or are they also some kind of laboratory for new hybrids of styles? I’m involved in a second time in a Thursday night experiment of sorts at …

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shamir

An earnest album, recorded to four-track, as Shamir looks for hope

We often describe quality pop and songwriting as effortless, as easy. But what about when it’s awkward, uncomfortable? Aren’t those the moments that describe longing? When Shamir Bailey says he recorded his album to four track, the first thing I’m obligated to consider is, of course – he might be lying. And ground hum and hiss shouldn’t be accepted as any form of authenticity any more than should an Instagram filter. But there’s no question artists today bear some burden of the polished album, whether in the form of the tools we use and their opportunities for endless obsessive adjustment, …

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Watch a half hour documentary on the sound of Star Wars Rogue One

For lovers of sound design – cinematic or otherwise – Star Wars is always good reason to nerd out. But Rogue One is something different, as the first film to be a standalone or spinoff. On the music side, it meant a new composer who wasn’t John Williams (Michael Giacchino). But perhaps the less known story is that sound, too, got a new direction. Filling the shoes of Ben Burtt is no easy task. There’s probably no Hollywood sound creator better known than Burtt. And as with any Star Wars film, you have the unique challenge of trying to do …

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Former Beatport CEO and now MetaPop founder, Matthew Adell. He wlll join Native Instruments in LA.

What does it mean that NI bought a startup that monetizes remixes?

Native Instruments announced an acquisition that suggests a new area of intended growth for the company. They’ve acquired MetaPop, a firm that clears and monetizes remixes – and with the company, they also get the former CEO of Beatport. To work out what that might mean, you need to first understand MetaPop. It’s safe to say remix culture isn’t what some predicted it would be. Instead of ushering in a bold new age where music is re-imagined by fans and artists find new opportunities to share ideas and earn money to support their art, we get — uh, takedown notices. …

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Seaquence lets you make music as animated ocean creatures

Are the cold, mechanical buttons of step sequencers stressing you out? Do you enjoy the soothing sensation of staring into an aquarium? Then Seaquence for the iPhone and iPad might be the music production tool for you. You can treat Seaquence as a kind of musical game, toying around with fanciful animated creatures dancing around your screen. You can look at it as a standalone instrument, with a now reasonably powerful synth engine. Or you can actually treat this as a powerful studio tool, and use it to sequence other apps and hardware – meaning this could be a way …

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Try not to say anything sensitive while heating up that Hot Pocket. ()CC-BY) 
Ewen Roberts.

Could you spy on someone using a microwave oven as a mic?

While too much of our information streams have become infected with endless discussion of the current White House, this week there’s a direct connection to Leon Theremin. So – let’s dive in, shall we? In case you’ve managed to avoid US news, you might not know that the Counselor to the President of the United States recently speculated to an interviewer that a microwave oven could be used as a spying device, and specifically, as a camera. And that led to stories like this one: No, Microwave Ovens Cannot Spy on You—for Lots of Reasons [Wired] The problem is, what …

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Read about the state of women in electronic music – in 1977

Protesters in the United States today are introducing “A Day Without a Woman” on International Woman’s Day. I wouldn’t even know where to begin imagining that in electronic music. For all we talk about the absence of more women in electronic music, the field is unimaginable if you were to leave female-identified artists out. And that’s really the point. When we talk about gender equality in music, we’re not simply talking about achieving a balance of the sexes for the sake of doing so. We’re talking about the dangers of suppressing talent and potential. And if we do that, everyone …

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