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Read about the state of women in electronic music – in 1977

Protesters in the United States today are introducing “A Day Without a Woman” on International Woman’s Day. I wouldn’t even know where to begin imagining that in electronic music. For all we talk about the absence of more women in electronic music, the field is unimaginable if you were to leave female-identified artists out. And that’s really the point. When we talk about gender equality in music, we’re not simply talking about achieving a balance of the sexes for the sake of doing so. We’re talking about the dangers of suppressing talent and potential. And if we do that, everyone …

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Hearing a Steve Reich phase with two iPhones is oddly hypnotic

You’ve got Steve Reich on your speed dial, right? He calls now and then? This is totally a realistic experience of what happens in your daily life? I’m sure it is. http://stevereichiscalling.com/ Texting, of course, is similar, me and Steve. “U up?” “U up?” “U up?” “Up?” “Uu up?” “up??” “Uuu up?” “up? U” “Uuuu up?” “up? Uu” “u— True story. Also I recently installed the Steve Reich Weather app, because it tells me if It’s Gonna Rain. Thank you, you’ve been a lovely audience, I’ll be here all night!

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STEREO FIELD is a beautiful touchplate instrument and controller

This might just be a real spiritual successor to the Cracklebox. (That’s the classic – and very nicely unpredictable – creation of Michel Waisvisz, one associated with the research program at STEIM and many of the ideas about expression and nonlinear sound ever since.) STEREO FIELD is a sound box / controller centered around touch plates, marked with concentric overlapping circles that represent the interconnection of two analog stereo circuits. It’s a sound generator: you can make some (raw sounding) analog, atonal sounds by patching its circuitry to an output. It’s also a sound processor: use incoming signal to combine …

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DU-VHS = what TV would be if it were glitchy, nerdy, and underground

Our friends at the hypergeeky, futuristic Detroit Underground have built an app. And it’s full of videos, layered in a VHS-style retro video interface. DU-VHS is available now for iOS (iPad and iPhone both), and as a Web app accessible through any browser, all for free. Step inside, and you’re treated to an explosion of electronic sound and image – burbling, bleeping hyperactive musical textures, and degraded retro-videocorder lo-fi renditions of videos. There are music videos, loads of live performances, and even interviews and synthesizer odds and ends. It’s the work of designer Jean Christophe Naour. If you’re wondering why …

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Image Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO.

European Space Agency just gave away a bunch of space media for use

Quick — think about the planet you live on. What does Earth look like from above? Probably, some very clear imagery just popped into your head – iconic Apollo-era photography, or perhaps the more contemporary view of the planet from the orbit of the International Space Station. But our generations – ours, our parents’ and grandparents’ generations – are unique in human history. We’ve been given these images by the radical breakthrough of our species leaving Earth, via our own human spaceflight and myriad machine exploration missions. Earth imagery may well have even saved our species. The Atomic Age gave …

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John Cage.

Two hours of video covers over a century of history of sound art

And hello, spring semester. Here’s an exhaustive (and fascinating) lecture on the history of sound art – by a philosopher. Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts. The film comes to us from the Barnes Foundation, the superb arts institution in Philadelphia.

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What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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New tools for free sound powerhouse Pd make it worth a new look

Pure Data, the free and open source cousin of Max, can still learn some new tricks. And that’s important – because there’s nothing that does quite what it does, with a free, visual desktop interface, permissive license, and embeddable and mobile versions integrated with other software, free and commercial alike. A community of some of its most dedicated developers and artists met late last year in the NYC area. What transpired offers a glimpse of how this twenty-year-old program might enter a new chapter – and some nice tools you can use right now. To walk us through, attendee Max …

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Two videos show why the Make Noise 0-COAST modular is cool

2016 was the year when people said, hey, I want to get in on some of that modular goodness, but … maybe I don’t want to buy a rack and spend thousands of dollars to do that. So it’s great to finally see desktop semi-modular becoming a thing – and an affordable thing at that. There’s the best note entrant, Moog’s excellent Mother 32. But I also like the much odder, but still affordable Make Noise 0-COAST (that’s a zero, not the letter o). It’s got a far more idiosyncratic front panel, but that shouldn’t put you off: it’s still …

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This extended techno mix will get you through any Wednesday

I hear from the Internets that there are some “top 1000 DJ lists” chosen by surveys or something. Suffice to say, I’m tired of letting people vote for things in 2016. So let’s talk about Erika. Do you need a DJ, playing some heavy, long techno set? Do you need an ambient/experimental something-or-other? Do you need it live? Do you need a combination of an Erika with BMG, for Ectomorph, also one of the best live acts out there? In this event, accept no substitutes. So, for anyone who’s been depressed lately about “fashionable” techno and expensive coordinated t-shirts and …

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