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IK’s iRig Pro I/O comes close to being a perfect mobile music accessory

Let’s be honest: audio interfaces are one of the pieces of gear most likely to make your eyes glaze over. That might even be doubly so for the many, many options available for iPhone and iPad – each, somehow, almost but not quite really solving what you want. So, great, IK Multimedia have yet another gadget for iOS th– Hold on a second. I did a double-take digging through product releases today when I saw the somewhat blandly-named iRig Pro I/O (try saying that ten times fast). Here’s the thing. This could be the interface you keep in your bag …

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The big'n.

Akai’s standalone MPCs revealed – and they could replace your laptop

Welcome to the post-PC drum machine age. After years of leaving fans of standalone MPCs in the cold, Akai have unveiled machines that promise the flexibility of computer software – minus the computer. Specs and photos went live on the Sweetwater website this morning with complete specs, and now are also live on Akai’s site. (I’m unaware of whether or not today was the date Akai intended to lift embargo, as CDM was never under one.)s http://www.akaipro.com/product/mpc-x http://www.akaipro.com/product/mpc-live The MPC Live is probably the one you want, in a compact form factor and with a not-insane US$1,199 street price. And …

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Here’s how MOTU says they’re improving latency on their new interfaces

You’d be forgiven for not noticing, but the top audio interfaces are one of the things that have been steadily getting better. That is, the handful of makers really focused on service musicians (and other audio and audiovisual applications) have improved interface quality, added a lot of features and connectivity, and improved driver performance. MOTU is one of those makers on a short list that I hear good experiences with. But this fall when a press release crossed my desk saying they had more low latency performance, I wanted a bit more detail than the marketing language was offering. So …

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craft-slide-2

Modal’s Craft Synth is a surprising £79.00 monosynth

Imagine if Boeing or Airbus, in the midst of releasing airliners, suddenly unveiled a paper airplane kit for kids. The Modal Craft Synth isn’t that extreme – but maybe it’s close. Unlike their flagship synth, a monster luxury instrument that will set you back about five grand (USD), the Craft Synth is kit priced. £79.00 (about US$100 at the moment) buys you a complete monosynth. It’s labeled a “kit,” but you snap together pre-made circuit boards – think IKEA lay-flat cleverness. Of course, at that price, you don’t get a case or any particularly high-quality or rugged components. But if …

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Novation’s Circuit goes polyrhythmic, and other 1.4 goodies

Firmware updates aren’t supposed to be something that gets talked about. But somehow, Novation’s actually generate some buzz. There’s a lesson here for the whole industry. Social media strategy could actually be part of the development process. (Your engineers are part of your PR?) Anyway, the new Novation Circuit continues to get cooler. And some new features I’ve been waiting for arrived – the ones that made me stick it back into my MIDI rig, where it’s been earning lots of attention with that friendly face. The big ones for me: drum pattern length (for polyrhythms) and instant pattern switch. …

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monologue_blue_top

$300 KORG Monologue synth is a sequel, not a mini Minilogue

A 25-key, monophonic version of Korg’s clever 4-voice Minilogue polysynth wouldn’t be a bad idea. And it’s what you’d expect, given the Minilogue came out only at the beginning of this year. But that’s not what the Monologue is. No, the Monologue is more a sequel to the Minilogue than it is just one with less keys and voices. And there are a number of smart ideas here. There’s a new filter. You want some different character with a monosynth than a polysynth, so here there’s a new 2-pole VCF and analog drive for what Korg says gives you “more …

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joue

Joué is a modular touch sensitive controller that changes into anything

Like pressure-sensitive control – but don’t want to commit to one layout? Joué is a fascinating new controller concept that has touch sensitivity but lets you change layouts on the fly – with tactile control. The concept: add physical, modular overlays to the top to change the function of the controller. At its heart, the Joué is a USB-connected controller – much like the ROLI Seaboard, roughly speaking. It transmits data over MIDI. The difference is the physical overlays. Combined with configurable settings in a software editor, they let you add piano-style keys, drum pads, guitar-like frets, or other 3D …

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tb-03_top_gal

Here’s how Roland improves upon the original 303 sequencer

If you pick up the new Roland Boutique Series TB-03, you get more than just an emulation of the squelchy 303 bass synth. As with the AIRA TB-3 before it, the hardware is also a sequencer. So that means it’s capable of creating basslines for the internal instrument – or external gear, too. What’s special about the new TB-03 is that it both recreates the classic original 303 sequencer, and introduces a new, modern “reboot” of the same. Now we get to see how they differ in a pair of videos released by Roland.

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Elektron’s Analog Heat is a new distortion, filter, computer accessory

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.

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Why Roland’s new 303 and 909 might even be better than the originals

One, two, three – Roland has finally made the 303 bassline, 909 drum machine, and VP-330 vocoder that so many people wanted. They’re small, they’re really affordable ($349-399), and they’ve got modern features. But after decades of remakes that strayed from the very things that made people love the originals, at last Roland has learned from their own legacy. So, let’s talk about what’s new and what, mercifully, isn’t.

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