90sboilerroom

90s Boiler Room Gets Serious People Dancing to Greatest Hits

What are you doing right now? Because … well, you might wind up chortling for a few minutes. Updated: It seems Boiler Room has pulled the videos. (Suggestion for the creators: hot tip from Russia, things like this should really just be on VK. Ahem.) In other words, this particular parody suggesting Boiler Room might take itself too seriously has been taken seriously by Boiler Room. You can judge what that means, for intellectual property law or humor. I suppose it does mean the rest of us can get back to work. And then, tragically, they resurfaced! Oh, no! It’s …

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djay Pro Video Mode Screenshot

djay Pro Now Works with CDJs, Adds 320k Spotify Streaming, VJ Tools

If you thought you could safely dismiss Algoriddim’s djay as some entry-level player, something for non-serious users, you might change your mind. And that could also cause Spotify to make a bigger splash with DJing. The company has a few surprise announcements today.

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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modularbrainwash

Add Visuals to Ableton Live with One Device, and Other Neat Tricks

Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. It’s the visual equivalent of the sound modules we’ve been looking at lately. And Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the …

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Watch Music Made from Clicky Keyboards

Click. It’s incredible how much sound is part of our world, sometimes in ways so profound we actually somehow miss them. Tech site The Verge wanted to spice up a story on the anniversary of IBM’s Model M keyboard, a product for which sound was an integral part of the experience. (That’s so true, in fact, that people will pay a premium for products like Das Keyboard that emulate it.) The result will come as beautiful music to touch typists everywhere, an etude in spacebars performed on a dizzying array of gadgets of the past. Producer John Lagomarsino goes into …

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smwtrio2

Listen to Gerhard Behles (CEO, Ableton) and Matt Black (Ninja Tune, Coldcut) on Music and Democratization

Music in the Age of Democratization: Gerhard… by SMWBerlin Music as social medium is perhaps as profound as any connection as we can have between people. And it’s a unique pleasure to get to reflect on that with someone like Gerhard Behles or Matt Black. Yesterday, we got both at the same time. I’ll even listen to this conversation again; there’s plenty of fuel for further thought. Before apps, Gerhard Behles and Robert Henke shared their Monolake Max/MSP sequencer (by Henke – still available); back when music production offered little in real-time, they had the vision to offer Ableton Live. …

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Apple is Still Going Pro, from Hardware to Pro App Updates [Editorial]

There’s an oft-repeated conventional wisdom about Apple that I think is just plain wrong, and it goes something like this: The success of the iPhone and iPad means that Apple is now a consumer company, and doesn’t care about pros. Now, let’s parse the above statement and say Apple sometimes makes decisions pro audiences don’t like. Well, that’s certainly true; it just happened to be true prior to the success of iOS. It’s time to face this question again, partly because of the widely-noticed demise of Apple’s Aperture for pro photography workflows, but also because of significant and under-appreciated updates …

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Push Pixels Harder: Open Hap Video Codec Now on Windows and Mac

So, you’ve got a laptop and you want to play multiple video streams. And maybe it’s not a super-fast laptop – maybe it’s just a kind-of normal laptop that you’ve upgraded to an SSD. Or, wait — you’ve actually just gotten the dream job media art gig you always wanted. And they’ve assembled 52 projectors in the budget, and want 26 layers of video. And you need to deliver that efficiently. And they didn’t budget for some high-end media server. Either way, Hap is for you. It’s an open-source, GPU-accelerated video codec. The idea: go easy on your CPU by …

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Ethereal Ambient Textures, Sonic and Visual, and How They Were Made [unrender]

Artists David Abravanel (music) and Theresa Baumgartner (visuals) joined us at the inaugural installment of the CDM co-hosted unrender to take us on a fluid journey through dreamy imagery and sounds. As we get ready for unrender #2 on Friday, David and Theresa share a bit of their process and ideas. Here’s their work, live: David Abravanel (Music) & Theresa Baumgartner (Visuals) live at UNRENDER //Lehrter 17 from Theresa Baumgartner on Vimeo.

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Through a Musician’s Eyes: Google Glass as Musical Teaching Tool

Google Glass meets … French Horn? Wearable camera technology could offer a new window into centuries of Classical Music tradition. That could happen not only via Google Glass but other online and camera tech, too. Sarah Willis, French Horn player, is using Glass as a way to bring young people closer to the Classical experience. And Willis is allowing people to see the point of view of an experienced artist in a symphony, watching conductors, and (depending on instruments and playing technique) the instrument itself. Sarah spoke to Berlin’s NEXT Conference yesterday, a tech conference. I spoke there, as well, …

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